TY - BOOK ID - 101187705 TI - Der Ikonoklasmus des Westens PY - 1990 VL - 41 SN - 9789004450691 9789004092433 9004092439 PB - Leiden; Boston : Brill DB - UniCat KW - Christian art and symbolism KW - Christian art KW - Christianity and the arts KW - Mutilation, defacement, etc KW - Mutilation KW - History of doctrines KW - Arts and Christianity KW - Arts KW - Defacement of Christian art KW - Mutilation of Christian art KW - Vandalism KW - Defacement KW - Christian art and symbolism - Mutilation, defacement, etc KW - Christianity and the arts - Europe - History of doctrines KW - Iconoclasm KW - Europe - Church history KW - Art et symbolisme chrétiens KW - Iconoclasme KW - Mutilation, defacement, etc. KW - Aspect religieux KW - Christianisme KW - Histoire des doctrines KW - Europe KW - Church history KW - Histoire religieuse KW - #GROL:SEMI-235.3 KW - 246.3 KW - 246.3 Beelden in kerken. Beeldenverering. Iconoclasme KW - Beelden in kerken. Beeldenverering. Iconoclasme KW - Idols and images KW - Art, Christian KW - Art, Ecclesiastical KW - Arts in the church KW - Christian symbolism KW - Ecclesiastical art KW - Symbolism and Christian art KW - Religious art KW - Symbolism KW - Symbolism in art KW - Church decoration and ornament KW - History KW - Worship KW - Church history. KW - Christian church history KW - Iconography KW - Painting KW - History of civilization KW - iconography KW - Reformation KW - Counter-Reformation KW - beeldenstorm KW - Bilderfrage KW - anno 500-1499 KW - anno 1500-1599 UR - https://www.unicat.be/uniCat?func=search&query=sysid:101187705 AB - This present work of nine chapters portrays iconoclastic trends within Western Christianity from the early Middle Ages up to the time of the French Revolution. The primary intent of this work is an explanation of the important iconoclastic movements - their origins and their theoretical foundations and motives. Parallel to this, the book deals with the religious and theological justification of the iconographic cult and of the icon in sacred architecture both in the formal theological teachings of schools and universities and in the arena of popular pietism. The areas of concentration are: iconographic controversy in the Carolingian Period, iconoclasm in the context of the Cistercian monastery reform, the icon in Franciscan thought, Reformation iconoclasm, the meaning of the icon in Tridentine Catholicism. Included in this is an in-depth interpretation of the religious iconography of numerous images and image cycles, including the principal works of Tintoretto and El Greco. ER -