TY - BOOK ID - 11360775 TI - The age of irreverence PY - 2015 SN - 9780520283848 0520283848 0520959590 9780520959590 PB - Oakland, California DB - UniCat KW - S02/0200 KW - S16/0490 KW - China: General works--Civilization and culture KW - China: Literature and theatrical art--Wit and humour, proverbs, an ecdotes, cartoons KW - Chinese wit and humor KW - Popular culture KW - History and criticism. KW - History KW - Culture, Popular KW - Mass culture KW - Pop culture KW - Popular arts KW - Communication KW - Intellectual life KW - Mass society KW - Recreation KW - Culture KW - Chinese literature KW - asian history. KW - asian literary criticism. KW - asian literature. KW - buffoonery. KW - china. KW - chinese cultural modernity. KW - chinese government. KW - chinese history. KW - chinese republic. KW - comedy. KW - cultural expressions of laughter. KW - cultural studies. KW - end of the qing dynasty. KW - farce. KW - funny. KW - histories of laughter. KW - history. KW - humor. KW - humorous allegories. KW - jokes. KW - laughter. KW - mockery. KW - modern age. KW - new government. KW - play. KW - political commentary. KW - popular culture. KW - popular press. KW - practical joking. KW - public discourse. KW - qing dynasty. KW - social commentary. KW - youmo. UR - https://www.unicat.be/uniCat?func=search&query=sysid:11360775 AB - "The Age of Irreverence tells the story of why China's entry into the modern age was not just traumatic, but uproarious. As the Qing dynasty slumped toward extinction, prominent writers compiled jokes into collections they called "histories of laughter." During the first years of the Republic, novelists, essayists and illustrators used humorous allegories to make veiled critiques of the new government. But political and cultural discussion repeatedly erupted into invective, as critics jeered and derided rivals in public. Farceurs drew followings in the popular press, promoting a culture of practical joking and buffoonery. Eventually, these various expressions of hilarity proved so offensive to high-brow writers that they launched a campaign to transform the tone of public discourse, hoping to displace the old forms of mirth with a new one they called youmo (humor). Christopher Rea argues that this era--from the 1890s up to the 1930s--transformed how Chinese people thought and talked about what is funny. Focusing on five cultural expressions of laughter--jokes, play, mockery, farce, and humor--he reveals the textures of comedy that were a part of everyday life during modern China's first "age of irreverence." This new history offers an unprecedented and up-close look at a neglected facet of Chinese cultural modernity, and discusses its legacy in the language and styles of Chinese humor today.--Provided by publisher. ER -