TY - BOOK ID - 135816784 TI - After the End of Art : Contemporary Art and the Pale of History - Updated Edition AU - Danto, Arthur Coleman. AU - Goehr, Lydia. PY - 2014 SN - 0691209308 PB - Princeton, New Jersey : Princeton University Press, DB - UniCat KW - Postmodernism. KW - Art criticism KW - Art KW - Philosophy. KW - Historiography. KW - Alloway, Lawrence. KW - Barnes, Albert. KW - Bartlett, Jennifer. KW - Bellows, George. KW - Benjamin, Walter. KW - Berlin Wall. KW - Botticelli, Sandro. KW - Braque, Georges. KW - Caravaggio, da. KW - Chardin, Jean-Baptiste. KW - Cimabue, Giovanni. KW - Counter-Reformation art. KW - Davis, Stuart. KW - De Stijl movement, color use by. KW - Derain, André. KW - Dickie, George. KW - Eakins, Thomas. KW - Erebon, Didier. KW - Fiorentino, Rosso. KW - French neorealism. KW - Giacometti, Alberto. KW - Gingrich, Newt. KW - Grien, Hans Baldung. KW - Hausmann, Raoul. KW - Holzer, Jenny. KW - Individuals (Strawson). KW - Jewish Museum (New York). KW - Kahn, Louis. KW - Kramer, Hilton. KW - Lacan, Jacques. KW - Mannerist architecture. KW - Maschinekunst. KW - Matiushin. KW - Nazarenes. KW - abstraction, hard-edged. KW - aesthetic vs. historical criticism. KW - antifoundationalism. KW - appropriationist art. KW - arte povera. KW - calendar art. KW - category theory. KW - censorship, museums and. KW - colonialism, cultural. KW - commercial art, pop art and. KW - conceptual revolutions. KW - contrary-to-fact conditionals. KW - cultural colonialism. KW - fauvism. KW - futurist manifesto. KW - invisibility of events. KW - leftist art criticism. KW - minimalist art. UR - https://www.unicat.be/uniCat?func=search&query=sysid:135816784 AB - "Originally delivered as the prestigious A.W. Mellon Lectures in the Fine Arts in 1995, After the End of Art remains a classic of art criticism and philosophy, and continues to generate heated debate for contending that art ended in the 1960s. Arthur Danto, one of the best-known art critics of his time, presents radical insights into art's irrevocable deviation from its previous course and the decline of traditional aesthetics. He demonstrates the necessity for a new type of criticism in the face of contemporary art's wide-open possibilities"--Page 4 of cover. ER -