TY - BOOK ID - 19814783 TI - The making of a collection : photographs from the Minneapolis Institute of Arts AU - Hartwell, Carroll T. AU - Minneapolis Institute of Arts. PY - 1984 SN - 0893811572 9780893811570 0893811637 9780893811631 PB - [Millerton, N.Y.] [New York, N.Y.] Aperture [Distributed in the U.S. by Viking Penguin] DB - UniCat KW - Minneapolis Institute of Arts KW - fotografie KW - museumcollecties KW - 19de eeuw KW - 20ste eeuw KW - Photography, Artistic KW - 760.5 KW - fotogeschiedenis KW - Verenigde Staten KW - Europa KW - Fox Talbot, William Henry KW - Frith, Francis KW - Hill, David Octavius KW - Adamson, Robert KW - Thomson, John KW - Evans, Frederick H KW - Cameron, Julia Margaret KW - Pirou, Eugène KW - Tourtin, Emile KW - Muybridge, Eadweard KW - Gurney, Jeremiah KW - Atget, Eugene KW - Sommer, Giorgio KW - Curtis, Edward S KW - Russell, Andrew Joseph KW - Jackson, William Henry KW - Watkins, Carleton E KW - Eakins, Thomas KW - Coburn, Alvin Langdon KW - Bellocq, E. J KW - Hine, Lewis KW - Van DerZee, James KW - Stieglitz, Alfred KW - Newman, Arnold KW - Cunningham, Imogen KW - Strand, Paul KW - Brandt, Bill KW - Sander, August KW - Telberg, Vel KW - Alvarez Bravo, Manuel KW - Brassaï KW - Lartigue, Jacques-Henri KW - Steichen, Edward KW - Abbott, Berenice KW - Kertész, André KW - Steiner, Ralph KW - Renger-Patzsch, Albert KW - Evans, Walker KW - Bros, Clarence K KW - Adams, Ansel KW - Chiarenza, Carl KW - Weston, Brett KW - Weston, Edward KW - Bullock, Wynn KW - Siskind, Aaron KW - White, Minor KW - Callahan, Harry KW - Faurer, Louis KW - Liebling, Jerome KW - Palfi, Marion KW - Frank, Robert KW - Welpott, Jack KW - Meatyard, Ralph Eugene KW - Wilcox, Robert Gene KW - Uelsmann, Jerry N KW - Davidson, Bruce KW - Wessel Jr., Henry KW - Krims, Leslie KW - Cohen, Mark KW - Mertin, Roger KW - Swedlund, Charles KW - Gowin, Emmet KW - Crane, Arnold KW - Weegee KW - Klein, William KW - Arbus, Diane KW - Avedon, Richard KW - Dovydenas, Jonas KW - Selkirk, Neil KW - Snyder, Joel KW - Mayes, Elaine KW - Nixon, Nicolas KW - Olsenius, Richard KW - Burns, Marsha KW - Goin, Peter KW - Moss, Joan KW - Muxter, Ramon J KW - Dickey, Michael KW - Fink, Larry KW - Coplans, John KW - Holmgren, Robert KW - Arndt, Thomas F KW - Lanzano, Louis KW - DeLory, Peter KW - Donneman, Eve KW - Lang, Gerald KW - Jensen, Mark E KW - Tice, George A KW - Jachna, Joseph D KW - Levinson, Joel D KW - Friedlander, Lee KW - Simon, Michael KW - Myers, Joan KW - McFarland, Lawrence KW - Deal, Joe KW - Agar, Will KW - Barrow, Thomas F KW - Swerdlove, Allen KW - Gohlke, Frank W KW - Smith, Michael A KW - MacWeeney, Alen KW - Tuckerman, Jane KW - Winogrand, Garry KW - Papageorge, Tod KW - Meyerowitz, Joel KW - Lyons, Joan KW - Eggleston, William KW - Callis, Jo Ann KW - Neimanas, Joyce KW - Golden, Judith KW - James, Christopher P KW - Estabrook, Reed KW - Henkel, James KW - Merill, Lawrence J KW - Albert, Brian KW - Christenberry, William KW - Jenshel, Len KW - Klipper, Stuart D KW - fotografie, verzamelen - musea - tentoonstellingen KW - Minneapolis. KW - Minneapolis Society of Fine Arts. KW - Minneapolis Institute of Fine Arts KW - Minneapolis Institute of Art (1915-2015) KW - MIA (Minneapolis Institute of Arts) KW - Minneapolis Institute of Art KW - Photograph collections. KW - Artistic photography KW - Photography KW - Photography, Pictorial KW - Pictorial photography KW - Art KW - Aesthetics KW - Minneapolis Institute of Arts. KW - museumcollecties. KW - 19de eeuw. KW - 20ste eeuw. UR - https://www.unicat.be/uniCat?func=search&query=sysid:19814783 AB - "In the mid-1960s, The Minneapolis Institute of Arts was in the vanguard of museums that recognized the importance of photography as a fine art--an art that demanded to be collected and exhibited for a wider audience. While major institutions, such as The Museum of Modern Art and the Art Institute of Chicago, had created formidable photography collections and exhibition programs, few other, smaller institutions had followed their lead. The Minneapolis Institute of Arts was an exception. Its decisive turn, in 1964, toward establishing a permanent place for photography was a major shift that reflected the changing position that photography held in the inner sanctum of museum art. For a relatively young medium with no real history, beginning a collection was, in part, contributing to its evolving history. Entrusted to the supervision of a young, then untried curator, Carroll T. Hartwell, the museum began to acquire photographs that, in the aggregate, would reflect both photography's greatest traditions, as embodied in the pioneering works of Frederick H. Evans, Hill and Adamson, and Julia Margaret Cameron; its modern giants of this century, including Walker Evans, Robert Frank, and Lee Friedlander; and its boldest forays, as revealed in the works of the contemporary photographers Reed Estabrook, Frank Gohlke, Marsha Burns, Nicholas Nixon, William Eggleston, and many others. Minneapolis's attention to current photographers is dramatically reflected in this volume. While the significance of the medium's traditions has always been a recurrent thread through the collection, its broader character reflects a modern sensibility that refers to the distinct aesthetic character and value of picture making, the camera, and camera vision. The Making of a Collection documents the creation of a truly remarkable collection of photographs and the simultaneous development of the curatorial mind and eye."--Amazon.com. ER -