TY - BOOK ID - 2727212 TI - Orlando di Lasso Studies PY - 1999 SN - 0521593875 0521028132 051155138X 9780521593878 PB - Cambridge : Cambridge University Press, DB - UniCat KW - Music, Renaissance KW - Music KW - Musique de la Renaissance KW - Musique KW - Lasso, Orlando di, KW - Criticism and interpretation. KW - Critique et interprétation KW - Criticism and interpretation KW - Lasso, Orlando di KW - -Criticism and interpretation KW - Critique et interprétation KW - Lassus, Orland de, KW - Lassus, Roland de, KW - Lassus, Orlande de, KW - Di Lasso, Orlando, KW - Lassus, Orlandus de, KW - Lassus, Orlandus, KW - Delattre, Roland, KW - Orlando Lassus KW - di Lasso, Orlando KW - de Lassus, Orlande KW - de Lassus, Roland KW - Lassus, Orlandus KW - Lassus, Rolandus KW - Delattre, Roland KW - de Lâtre, Roland KW - Lasso, Orlando di, - 1532-1594 - Criticism and interpretation KW - Lasso, Orlando di, - 1532-1594 UR - https://www.unicat.be/uniCat?func=search&query=sysid:2727212 AB - Orlando di Lasso was probably the most famous and most popular composer of the second half of the 1500s. This book of essays written by leading scholars from Europe and the United States is a survey of a broad spectrum of Lasso's music. The essays discuss his large and varied output with regard to structure, expressive qualities, liturgical aspects and its use as a model by other composers, focusing in turn on his Magnificat settings, masses, motets, hymns and madrigals. His relationship to contemporaries and younger composers is the main subject of three essays and is touched on throughout the book, together with the circulation of his music in print and in manuscript. His attitude toward modal theory is explored in one essay, and another considers the relationship of verbal and musical stress in Lasso's music and what this implies both for scholars and for performers. ER -