TY - BOOK ID - 4893810 TI - Revoliutsiia! Demonstratsiia! : Soviet Art to the Test AU - Witkovsky, Matthew S. AU - Fore, Devin PY - 2017 SN - 9780300225716 9780865592872 PB - Yale DB - UniCat KW - Art, Soviet KW - Art and society KW - Art soviétique KW - Art et société KW - Exhibitions. KW - Exhibitions KW - Expositions KW - politics KW - workers KW - communism KW - avant-garde KW - agitprop KW - Art KW - anno 1910-1919 KW - anno 1930-1939 KW - anno 1920-1929 KW - Russian Federation KW - Russia KW - Art soviétique KW - Art et société KW - Kunst KW - Sovjet-Unie KW - 1918-1945 KW - Propaganda KW - Politiek KW - Afrika KW - Azië KW - Nederland KW - China KW - Autisme KW - Cultuur KW - Kind KW - Samenleving KW - Technologie KW - Wetenschap KW - Historische kritiek KW - Vietnam KW - Zuid-Afrika KW - Kust KW - Maatschappij KW - Film KW - Geschiedenis KW - Voorlichting KW - Literatuur KW - Oorlogspropaganda KW - kunst en politiek KW - 20e eeuw UR - https://www.unicat.be/uniCat?func=search&query=sysid:4893810 AB - Groundbreaking new insight into a rich spectrum of early Soviet art and its spaces of display Published on the centenary of the Russian Revolution, this landmark book gathers information from the forefront of current research in early Soviet art, providing a new understanding of where art was presented, who saw it, and how the images incorporated and conveyed Soviet values. More than 350 works are grouped into areas of critical importance for the production, reception, and circulation of early Soviet art: battlegrounds, schools, theaters, the press, storefronts, exhibitions, factories, festivals, and homes. Paintings by El Lissitzky and Liubov Popova are joined by sculptures, costumes and textiles, decorative arts, architectural models, books, magazines, films, and more. Also included are rare and important artifacts, among them a selection of illustrated children?s notes by Joseph Stalin?s daughter, Svetlana Allilueva, as well as reproductions of key exhibition spaces such as the legendary Obmokhu (Constructivist) exhibition in 1921; Aleksandr Rodchenko?s Workers Club in 1925; and a Radio-Orator kiosk for live, projected, and printed propaganda designed by Gustav Klutsis in 1922. Bountifully illustrated, this book offers an unprecedented, cross-disciplinary analysis of two momentous decades of Soviet visual culture. ER -