TY - BOOK ID - 7908725 TI - Musical worlds in Yogyakarta PY - 2012 VL - 281 SN - 9067183903 9004253491 9789004253490 9789067183901 PB - Leiden - Boston Brill DB - UniCat KW - Music KW - Music, Dance, Drama & Film KW - Music History & Criticism, National - Folk, Patriotic, Political KW - Social aspects KW - History and criticism KW - Ethnomusicology KW - Musical instruments KW - History and criticism. KW - Yogyakarta (Indonesia) KW - Social life and customs. KW - Art music KW - Art music, Western KW - Classical music KW - Musical compositions KW - Musical works KW - Serious music KW - Western art music KW - Western music (Western countries) KW - Instruments, Musical KW - Organology (Music) KW - Comparative musicology KW - Jogjakarta (Indonesia) KW - Jokjokarta (Indonesia) KW - Jogjokĕrto (Indonesia) KW - Djokjakarta (Indonesia) KW - Djokja (Indonesia) KW - Jogyakarta (Indonesia) KW - Djockjakera (Indonesia) KW - Djokajokarta (Indonesia) KW - Yegokerta (Indonesia) KW - Jogya (Indonesia) KW - Jokyakarta (Indonesia) KW - Djoga (Indonesia) KW - Yokyakarta (Indonesia) KW - Instrumental music KW - Ethnology KW - Musicology KW - Manners and customs. KW - Music. KW - Social aspects. KW - Indonesia KW - Music and society KW - Ceremonies KW - Customs, Social KW - Folkways KW - Social customs KW - Social life and customs KW - Traditions KW - Usages KW - Civilization KW - Etiquette KW - Rites and ceremonies KW - Djocjakarta (Indonesia) KW - performing arts KW - sociology KW - urban life KW - yogyakarta KW - music KW - indonesia KW - Campursari KW - Cycle rickshaw KW - Dangdut KW - Jalan Malioboro KW - Javanese people UR - https://www.unicat.be/uniCat?func=search&query=sysid:7908725 AB - Musical Worlds in Yogyakarta is an ethnographic account of a vibrant Indonesian city during the turbulent early post-Soeharto years. The book examines musical performance in public contexts ranging from the street and neighbourhood through to commercial venues and state environments such as Yogyakarta’s regional parliament, its military institutions, universities and the Sultan’s palace. It focuses on the musical tastes and practices of street workers, artists, students and others. From street-corner jam sessions to large-scale concerts, a range of genres emerge that cohere around notions of campursari (“mixed essences”) and jalanan (“of the street”). Musical Worlds in Yogyakarta addresses themes of social identity and power, counterpoising Pierre Bourdieu’s theories on class, gender and nation with the author’s alternative perspectives of inter-group social capital, physicality and grounded cosmopolitanism. The author argues that Yogyakarta is exemplary of how everyday people make use of music to negotiate issues of power and at the same time promote peace and intergroup appreciation in culturallydiverse inner-city settings. Full text (Open Access) www.musicethnography.net ER -