TY - BOOK ID - 8135395 TI - A Carnival of Parting : The Tales of King Bharthari and King Gopi Chand As Sung and Told by Madhu Natisar Nath of Ghatiyali, Rajasthan PY - 1992 SN - 0520911555 0585130558 9780520911550 9780585130552 9780520075337 0520075331 0520075358 9780520075351 0520075331 PB - Berkeley, California : University of California Press, DB - UniCat KW - Tales KW - Folk songs, Rajasthani KW - Storytellers KW - Folk singers KW - Anthropology KW - Social Sciences KW - Folklore KW - Folksingers KW - Raconteurs KW - Tellers of stories KW - Rajasthani ballads and songs KW - Rajasthani folk songs KW - Folk musicians KW - Singers KW - Entertainers KW - Folk songs, Rajasthani. KW - Nath, Madhu Natisar. KW - Madhu Natisar Nath KW - adventure. KW - bengal. KW - bharthari of ujjain. KW - birth story. KW - black hole of fate. KW - cultural studies. KW - detachment. KW - divine. KW - ethnography. KW - fatalism. KW - folklore. KW - gopi chand of bengal. KW - gorakh nath. KW - guru. KW - hindu. KW - hinduism. KW - history. KW - human existence. KW - humanity. KW - indian kings. KW - madhu natisar nath. KW - magical powers. KW - melodrama. KW - musician. KW - north indian hinduism. KW - oral performances. KW - oral traditions. KW - performance. KW - pottery lessons. KW - rajasthani farmer. KW - singer. KW - spiritual. KW - storyteller. KW - thrones. KW - village bard. KW - world renunciation. KW - yogis. UR - https://www.unicat.be/uniCat?func=search&query=sysid:8135395 AB - Madhu Natisar Nath is a Rajasthani farmer with no formal schooling. He is also a singer, a musician, and a storyteller. At the center of A Carnival of Parting are Madhu Nath's oral performances of two linked tales about the legendary Indian kings, Bharthari of Ujjain and Gopi Chand of Bengal. Both characters, while still in their prime, leave thrones and families to be initiated as yogis—a process rich in adventure and melodrama, one that offers unique insights into popular Hinduism's view of world renunciation. Ann Grodzins Gold presents these living oral epic traditions as flowing narratives, transmitting to Western readers the pleasures, moods, and interactive dimensions of a village bard's performance.Three introductory chapters and an interpretive afterword, together with an appendix on the bard's language by linguist David Magier, supply A Carnival of Parting with a full range of ethnographic, historical, and cultural backgrounds. Gold gives a frank and engaging portrayal of the bard Madhu Nath and her work with him.The tales are most profoundly concerned, Gold argues, with human rather than divine realities. In a compelling afterword, she highlights their thematic emphases on politics, love, and death. Madhu Nath's vital colloquial telling of Gopi Chand and Bharthari's stories depicts renunciation as inevitable and interpersonal attachments as doomed, yet celebrates human existence as a "carnival of parting." ER -