TY - BOOK ID - 458041 TI - The embodied eye : religious visual culture and the social life of feeling PY - 2012 SN - 9780520272231 9780520272224 9780520952140 0520952146 0520272226 0520272234 PB - Berkeley, CA : University of California Press, DB - UniCat KW - Christian religion KW - religious art KW - fine arts KW - Art KW - Vision KW - Senses and sensation KW - Experience (Religion) KW - Psychology, Religious. KW - Art and religion. KW - Religious aspects. KW - Experience (Religion). KW - fine arts [discipline] KW - Psychology of religion KW - Religion KW - Religions KW - Religious psychology KW - Psychology and religion KW - Religious experience KW - Psychology, Religious KW - Arts in the church KW - Religion and art KW - Psychological aspects KW - Psychology KW - Religious aspects KW - books about catholicism. KW - books for history lovers. KW - books for religious studies. KW - books for reluctant readers. KW - catholic traditions. KW - discussion books. KW - easy to read. KW - evolution of religion. KW - history of religion. KW - jesus. KW - learning from experts. KW - politics. KW - religion explained. KW - religious culture. KW - religious images and visuals. KW - religious visual culture. KW - scholars of religion. KW - spiritual. KW - study of religion. KW - theories about religion. KW - what is catholicism. UR - https://www.unicat.be/uniCat?func=search&query=sysid:458041 AB - David Morgan builds on his previous groundbreaking work to offer this new, systematically integrated theory of the study of religion as visual culture. Providing key tools for scholars across disciplines studying the materiality of religions, Morgan gives an accessibly written theoretical overview including case studies of the ways seeing is related to touching, hearing, feeling, and such ephemeral experiences as dreams, imagination, and visions. The case studies explore both the high and low of religious visual culture: Catholic traditions of the erotic Sacred Heart of Jesus, the unrecognizability of the Virgin in the Fatima apparitions, the prehistory of Warner Sallman's face of Jesus, and more. Basing the study of religious images and visual practices in the relationship between seeing and the senses, Morgan argues against reductionist models of "the gaze," demonstrating that vision is not something that occurs in abstraction, but is a fundamental way of embodying the human self. ER -