TY - BOOK ID - 64922409 TI - Comparative Print Culture : A Study of Alternative Literary Modernities PY - 2020 SN - 3030368912 3030368904 PB - Cham : Springer International Publishing : Imprint: Palgrave Macmillan, DB - UniCat KW - Literature and society. KW - Culture. KW - Printing. KW - Publishers and publishing. KW - Technology. KW - Comparative literature. KW - Literature   . KW - Global/International Culture. KW - Printing and Publishing. KW - Culture and Technology. KW - Comparative Literature. KW - Postcolonial/World Literature. KW - Belles-lettres KW - Western literature (Western countries) KW - World literature KW - Philology KW - Authors KW - Authorship KW - Comparative literature KW - Literature, Comparative KW - Applied science KW - Arts, Useful KW - Science, Applied KW - Useful arts KW - Science KW - Industrial arts KW - Material culture KW - Book publishing KW - Books KW - Book industries and trade KW - Booksellers and bookselling KW - Printing, Practical KW - Typography KW - Graphic arts KW - Cultural sociology KW - Culture KW - Sociology of culture KW - Civilization KW - Popular culture KW - History and criticism KW - Publishing KW - Social aspects UR - https://www.unicat.be/uniCat?func=search&query=sysid:64922409 AB - “If we de-europeanize the historical narrative of the development of print, and of its motive power in generating modern social and political formations, and further pluralize that ‘modernity’ to ‘alternative modernities,’ what will be the result? Taking this question as a point of departure, the contributors to Comparative Print Culture provide vibrant studies of the role of print in effecting, and reflecting, individual sensibilities, collective networks, and political movements self-defined as ‘modern,’ working with considerable temporal range, a global span, and careful inflection for cultural difference.” —Heather Murray, University of Toronto, Canada “A succinct and accomplished contribution to this growing field.” —Robert Fraser, The Open University, UK “This is a fascinating collection of essays that brings together a number of hitherto under-represented and overlooked aspects of print cultural histories of Asia in a global comparative context. In doing so, the authors create a novel space to chart the development of modernities and trace formations of knowledge, but also creations of entertainment cultures across continents.” —B. Venkat Mani, University of Wisconsin-Madison, US, author of Recoding World Literature: Libraries, Print Culture, and Germany’s Pact with Books Drawing on comparative literary studies, postcolonial book history, and multiple, literary, and alternative modernities, this collection approaches the study of alternative literary modernities from the perspective of comparative print culture. The term comparative print culture designates a wide range of scholarly practices that discover, examine, document, and/or historicize various printed materials and their reproduction, circulation, and uses across genres, languages, media, and technologies, all within a comparative orientation. This book explores alternative literary modernities mostly by highlighting the distinct ways in which literary and cultural print modernities outside Europe evince the repurposing of European systems and cultures of print and further deconstruct their perceived universality. Rasoul Aliakbari (PhD) has taught English Studies, Comparative and World Literature, and Writing and Communication Studies at the University of Alberta, MacEwan University, Northern Alberta Institute of Technology, and NorQuest College, all in Canada. ER -