TY - BOOK ID - 16132548 TI - Islamic Geometric Patterns : Their Historical Development and Traditional Methods of Construction PY - 2017 SN - 1441902171 1441902163 PB - New York, NY : Springer New York : Imprint: Springer, DB - UniCat KW - Geometry in art. KW - Polygons. KW - Polygonal figures KW - Mathematics. KW - Architecture. KW - Geometry. KW - History. KW - History of Mathematical Sciences. KW - Architectural History and Theory. KW - Geometry, Plane KW - Shapes KW - Mathematics KW - Euclid's Elements KW - Architecture, Western (Western countries) KW - Building design KW - Buildings KW - Construction KW - Western architecture (Western countries) KW - Art KW - Building KW - Design and construction KW - Annals KW - Auxiliary sciences of history KW - Math KW - Science KW - Architecture, Primitive UR - https://www.unicat.be/uniCat?func=search&query=sysid:16132548 AB - The main focus of this unique book is an in-depth examination of the polygonal technique; the primary method used by master artists of the past in creating Islamic geometric patterns. The author details the design methodology responsible for this all-but-lost art form and presents evidence for its use from the historical record, both of which are vital contributions to the understanding of this ornamental tradition. Additionally, the author examines the historical development of Islamic geometric patterns, the significance of geometric design within the broader context of Islamic ornament as a whole, the formative role that geometry plays throughout the Islamic ornamental arts (including calligraphy, the floral idiom, dome decoration, geometric patterns, and more), and the underexamined question of pattern classification. Featuring over 600 beautiful color images, Islamic Geometric Patterns: Their Historical Development and Traditional Methods of Construction is a valuable addition to the literature of Islamic art, architecture and geometric patterns. This book is ideal for students and scholars of geometry, the history of mathematics, and the history of Islamic art, architecture, and culture. In addition, artists, designers, craftspeople, and architects will all find this book an exceptionally informative and useful asset in their fields. Jay Bonner is an architectural ornamentalist and unaffiliated scholar of Islamic geometric design. He received his MDes from the Royal College of Art in London (1983). He has contributed ornamental designs for many international architectural projects, including the expansion of both the al-Masjid al-Haram (Grand Mosque) in Mecca, and the al-Masjid an Nawabi (Prophet’s Mosque) in Medina, as well the Tomb of Sheikh Hujwiri in Lahore, and the Ismaili Centre in London – to name but a few. He is committed to the revitalization of Islamic geometric design through the teaching of tradi tional methodological practices. To this end, in addition to publishing, Jay Bonner has lectured and taught design seminars at many universities and conferences in North America, Europe, North Africa and Asia. ER -