TY - BOOK ID - 48298619 TI - Filmmaking as Research : Screening Memories PY - 2019 SN - 3030246353 3030246345 PB - Cham : Springer International Publishing : Imprint: Palgrave Macmillan, DB - UniCat KW - Motion pictures KW - Direction of motion pictures KW - Film-making (Motion pictures) KW - Filmmaking (Motion pictures) KW - Motion picture direction KW - Motion picture plays KW - Motion picture production KW - Movie-making KW - Moviemaking KW - Production of motion pictures KW - Production and direction. KW - Production and direction KW - Direction KW - Culture. KW - Technology. KW - Communication. KW - Sociology—Research. KW - Ethnography. KW - Culture and Technology. KW - Film and TV Production. KW - Media and Communication. KW - Research Methodology. KW - Cultural anthropology KW - Ethnography KW - Races of man KW - Social anthropology KW - Anthropology KW - Human beings KW - Communication, Primitive KW - Mass communication KW - Sociology KW - Applied science KW - Arts, Useful KW - Science, Applied KW - Useful arts KW - Science KW - Industrial arts KW - Material culture KW - Cultural sociology KW - Culture KW - Sociology of culture KW - Civilization KW - Popular culture KW - Social aspects UR - https://www.unicat.be/uniCat?func=search&query=sysid:48298619 AB - This book examines the challenges often experienced by film practitioners who find themselves researching within the academy, either as students or academics. In light of this the author presents her own journey from practitioner to researcher as a lens. Her practice- based research has been a quest to ”revision” memories, by creating filmic images that elicit memory and remembering. In so doing she has used a range of platforms: multi- screen video installation, still- framing the moving image and remixing found footage. Central to this research has been the importance of family storytelling and sharing, the relationship of the visual and memory, the agency of nostalgia and the role of aura, particularly evident in the re-appropriating of super 8 home movies into a variety of forms. Important to this is has been the relationship of the viewer and the viewed in particular the role of an immersive environment of viewing. Diane Charleson is a Senior lecturer in Media at Australian Catholic University Melbourne, Australia, and previously at RMIT University. She is a filmmaking researcher who began her career as a documentary maker. Her research explores a variety of visual methods to revision memories that elicit memory recall and personal storytelling. ER -