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"An Outcast of the Islands (1896), Conrad's second novel, returns to the Malay world of Almayer's Folly (1895). Focusing on the collapse of Western values and morals in a colonial setting, the novel daringly portrays the power of erotic attraction and exposes the venal ambitions behind small- and large-scale political intrigues. The introduction situates the novel in Conrad's career as a writer and traces its origins and reception. The essay on the text and the apparatus explain the history of the work's composition and publication, and detail the interventions of Conrad's compositors and editors. There are notes explaining literary and historical references, a glossary of nautical terms, illustrations including pictures of early drafts, and appendixes. This edition presents the novel and its preface in forms more authoritative than any so far printed, and restores a text that has circulated in defective forms since its original publication"-- "Conrad's An Outcast of the Islands (1896) returns to the moral world and thematic concerns of his first novel, Almayer's Folly (1895), and to the South-East Asia of his own experience, as he imaginatively revisited the tropics he had left behind him some eight years previously. In committing himself to the novel's writing, Conrad was also taking farewell of his sea-life. The decision to become a professional writer had evolved slowly, in the same way that what was originally to be a short story transformed itself into a full-length novel about moral crisis and its consequences as Conrad discovered that his materials demanded more ample development. While not wishing to pursue the analogy too far, it is perhaps no coincidence that, at the outset of his second novel, the hero's 'little excursion into the wayside quagmires' is intended as no more than 'a short episode--a sentence in brackets so to speak--in the flowing tale of his life: a thing of no moment to be done unwillingly yet neatly and to be quickly forgotten.' Like his central character, Peter Willems, Conrad was to discover that there was to be no going back. He had composed Almayer's Folly, intermittently over a five-year period (1889-94), the manuscript accompanying him from London to various parts of the world--Austrian Poland, the Ukraine, the Congo Free State, Australia and France. By contrast, An Outcast of the Islands took little more than a year to write, from mid-August 1894 to mid-September 1895, and was composed in two places: the writer's London lodgings near Victoria Railway Station, and the Hotel de la Roseraie in the Geneva suburb of Champel-les-Bains, during visits to undergo hydrotherapy treatment for a condition then called 'neurasthenia' (and now termed clinical depression)"--

Europeans --- Trading companies --- Betrayal --- Clerks --- Lingard, Tom (Fictitious character) --- Européens --- Sociétés de commerce --- Trahison (Morale) --- Employés de bureau --- Lingard, Tom (Personnage fictif) --- Fiction --- Romans, nouvelles, etc. --- Southeast Asia --- Asie du Sud-Est --- Fiction.

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"The five stories brought together in Tales of Unrest (1898) mark a turning point in the writer's career. Conrad's first short story collection evidences a writer firmly in control of his new craft staking a claim to diverse cultural and fictional territories. The introduction situates the writing of these stories in Conrad's career and discusses their sources and contemporary reception. The explanatory notes identify literary and historical references and real-life places, and indicate influences. Two maps and six illustrations enrich the explanatory matter. The essay on the text lays out the history of the work's composition and publication, details interventions by Conrad's typists, compositors and editors, and explains editorial policy. This edition, established through modern textual scholarship, presents Conrad's stories and his preface to the collection in forms more authoritative than any so far printed"--

Adventure stories, English --- Roman d'aventures anglais --- English adventure stories --- English fiction

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"Conrad wrote the stories that make up A Set of Six (1908) between late 1904, in the immediate wake of Nostromo (1904), and the spring of 1907, when he was attending to page proofs of The Secret Agent (1907). Yet another story - never finished if, indeed, ever begun - about 'a bomb in a hotel' also hovered in his mind at this time. As Conrad acknowledged in his brief preface to the volume's first American edition (1915), the stories, 'if not an organic whole', none the less constitute 'a homogeneous group written with a certain unity of method' (5.10-11), concentrated on incident and action (Letters, IV, 29-30) and were all based, he claimed, upon real-life events. Ranging widely in their geographical settings and time periods, the six tales further explore the preoccupations of his longer fictions - perhaps most broadly, the multifarious nature and manifestations of power and violence, major themes in Nostromo and central to The Secret Agent, both of which interrupted and dislodged from his desk the long-evolving Chance (1914)"--

English literature --- Conrad, Joseph, --- Literature, Victorian --- Victorian literature --- Korzeniowski, Józef Konrad Teodor, --- Korzeniowski, Joseph Conrad Theodore, --- Konrad, Dzhozef, --- Kʻang-la-te, --- Conrad-Korzeniowski, Joseph, --- Korzeniowski, Joseph Conrad-, --- Kʻonradŭ, Josep, --- Kʻonradŭ, Chosep, --- Kʻolladŭ, Josep, --- Konrad, Dzd. --- Conrad, Józef, --- קונראד, ג׳וזף, --- קונראד, ג׳וסף --- קונרד, ג׳וזף --- קונרד, ג׳וזף, --- קונרד, יוסף --- 康拉德, --- Konrad Nalecz Korzeniowsky, Jozef Tedor, --- Konrant, Tzozeph,