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Iconographie de l'art profane au Moyen Age et à la Renaissance et la décoration des demeures
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ISBN: 0878170499 Year: 1971 Publisher: New York (N.Y.): Hacker art books,

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The art of the Renaissance
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ISBN: 0500200084 Year: 1997 Publisher: London Thames and Hudson

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La renaissance Italienne.
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ISBN: 2080103504 9782080103505 Year: 1982 Publisher: Parijs : Flamarion,


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Northern Renaissance art.
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ISBN: 9780192842695 0192842692 Year: 2008 Volume: *34 Publisher: Oxford Oxford university press,


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Renaissance en maniërisme.
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ISBN: 9010038300 Year: 1981 Volume: vol *40 Publisher: Amsterdam Elsevier,


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Nymph : motif, phantom, affect
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ISBN: 9789042933477 9789042930650 9042930659 Year: 2014 Volume: 1 Publisher: Leuven : Peeters,

Gombrich on the renaissance ; volume 3 : the heritage of Apelles.
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ISBN: 0714820113 Year: 2000 Volume: 3 Publisher: London Phaidon Press,

The High Renaissance and mannerism : Italy, the North and Spain, 1500-1600.
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ISBN: 0500201625 Year: 1990 Publisher: London Thames and Hudson,


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The renaissance nude
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ISBN: 9781606065846 160606584X Year: 2018 Publisher: Los Angeles, Calif. J. Paul Getty Museum

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"An examination of the development of the nude as an artistic motif in the visual culture of Renaissance Europe, 1400-1530"--Provided by publisher. Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the emergence and acceptance of the nude as an artistic subject. It engages with the numerous and complex connotations of the human body in more than 250 artworks by the greatest masters of the Renaissance. Paintings, sculptures, prints, drawings, illuminated manuscripts, and book illustrations reveal private, sometimes shocking preoccupations as well as surprising public beliefs — the Age of Humanism from an entirely new perspective. This book presents works by Albrecht Dürer, Lucas Cranach, and Martin Schongauer in the north and Donatello, Raphael, and Giorgione in the south; it also introduces names that deserve to be known better. A publication this rich in scholarship could only be produced by a variety of expert scholars; the sixteen contributors are preeminent in their fields and wide-ranging in their knowledge and curiosity. The structure of the volume—essays alternating with shorter texts on individual artworks— permits studies both broad and granular. From the religious to the magical and the poetic to the erotic, encompassing male and female, infancy, youth, and old age, The Renaissance Nude examines in a profound way what it is to be human

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