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This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

Classical literature.

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The publication of Norma & Transgressão II was motivated by the wealth and variety of the reflection around the various ways in which each community experiences its own identity in the regulatory activity and gesture of rule-breaking, as well as, at a later stage, the integration of the transgressions executed (experienced as a new field of expanded identity). This dynamic, which cuts across many disciplinary areas, leads to the question of the boundaries of the individual(local) I and of the (global) community: what does it mean to be strange and not to be? to what extent does the tense connection between the normative and the transgressive constitute a process that determines collective and individual behaviour through which human beings learn, advance, and understand themselves and others? With its multidisciplinary and transhistorical character, this book is destined not only for postgraduate students of Classical Studies, but also for the broader public beyond the academic sphere.

Classical literature.

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This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

Classical literature.

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Annotation Augustinus (354Â-430 CE), son of a pagan, Patricius of Tagaste in North Africa, and his Christian wife Monica, while studying in Africa to become a rhetorician, plunged into a turmoil of philosophical and psychological doubts in search of truth, joining for a time the Manichaean society. He became a teacher of grammar at Tagaste, and lived much under the influence of his mother and his friend Alypius. About 383 he went to Rome and soon after to Milan as a teacher of rhetoric, being now attracted by the philosophy of the Sceptics and of the Neo-Platonists. His studies of Paul's letters with Alypius and the preaching of Bishop Ambrose led in 386 to his rejection of all sensual habits and to his famous conversion from mixed beliefs to Christianity. He returned to Tagaste and there founded a religious community. In 395 or 396 he became Bishop of Hippo, and was henceforth engrossed with duties, writing and controversy. He died at Hippo during the successful siege by the Vandals. From Augustine's large output the Loeb Classical Library offers that great autobiography the Confessions (in two volumes); On the City of God (seven volumes), which unfolds God's action in the progress of the world's history, and propounds the superiority of Christian beliefs over pagan in adversity; and a selection of Letters which are important for the study of ecclesiastical history and Augustine's relations with other theologians.

Classical literature. --- Philosophy --- History.

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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Classical literature. --- Birds.