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"Covering a wide variety of Greek and Latin texts spanning from the Archaic period down to Late Antiquity, this volume represents the first concerted attempt to understand ancient literary history in its full complexity and on its own terms, thereby provoking reflection on writing the history of ancient literature today"--

Classical literature --- History and criticism.

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This book aims to enhance our appreciation of the modernity of the classical cultures and, conversely, of cinema's debt to ancient Greece and Rome. It explores filmic perspectives on the ancient verbal and visual arts and applies what is often referred to as pre-cinema and what Sergei Eisenstein called cinematism: that paintings, statues, and literature anticipate modern visual technologies. The motion of bodies depicted in static arts and the vividness of epic ecphrases point to modern features of storytelling, while Plato's Cave Allegory and Zeno's Arrow Paradox have been related to film exhibition and projection since the early days of cinema. The book additionally demonstrates the extensive influence of antiquity on an age dominated by moving-image media, as with stagings of Odysseus' arrow shot through twelve axes or depictions of the Golden Fleece. Chapters interpret numerous European and American silent and sound films and some television productions and digital videos.

Motion pictures and literature. --- Classical literature --- Influence.

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"The volume puts into the spotlight overlaps and points of intersection between Plutarch and other writers of the imperial period. It contains twenty-eight contributions which adopt a comparative approach and put into sharper relief ongoing debates and shared concerns, revealing a complex topography of rearrangements and transfigurations of inherited topics, motifs, and ideas. Reading Plutarch alongside his contemporaries brings out distinctive features of his thought and uncovers peculiarities in his use of literary and rhetorical strategies, imagery, and philosophical concepts, thereby contributing to a better understanding of the empire's culture in general, and Plutarch in particular. Contributors are: Colin Bailey Krystyna Bartol, Jeff Beneker, Laura Bottenberg, Andrea Catanzaro, Serena Citro, Maria Elena De Luna, Chiara Di Serio, Eva Falaschi, Martina Gatto, Anna Ginesti Rosell, Tomohiko Kondo, Dawn La Valle, Delfim Leao, Michiel Meeusen, Wim Nijs, Thierry Oppeneer, Pace Giovanna, Francesco Padovani, Katarzyna Pietruczuk, Geert Roskam, Richard Stoneman, Iris Sulimani, Theofanis Tsiampokalos, Laurens van der Wiel, Daniele Morrone, Fabio Tanga, Paola Volpe Cacciatore"--

Classical literature --- History and criticism --- Plutarch --- Criticism and interpretation

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The volume puts into the spotlight overlaps between Plutarch and other imperial writers. By examining the Plutarchan corpus within the context of contemporary literary production, it contributes to our understanding of the empire's culture in general, and Plutarch in particular.

Classical literature --- History and criticism --- Plutarch --- Criticism and interpretation

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"This volume explores various models of representing temporality in ancient Greek and Roman literature to elucidate how structures of time communicate meaning, as well as the way that the cultural impact of measured time is reflected in ancient texts. This collection serves as a meditation on the different ways that cosmological and experiential time are construed, measured, and manipulated in Greek and Latin literature. It explores both the kinds of time deemed worthy of measurement as well as time that escapes notice. Likewise, it interrogates how linear time and its representation become politicized and leveraged in the service of emerging and dominant power structures. These essays showcase various contemporary theoretical approaches to temporality in order to build bridges and expose chasms between ancient and modern ideologies of time. Some of the areas explored include the philosophical and social implications of time that is not measured, the insights and limitations provided by queer theory for an investigation of the way sex and gender relate to time, the relationship of time to power, the extent to which temporal discourses intersect with spatial constructs, and finally an exploration of experiences that exceed the boundaries of time. Making Time for Greek and Roman Literature is of interest to scholars of time and temporality in the ancient world, as well as those working on time and temporality in English Literature, Comparative Literature, History, Sociology, and Gender and Sexuality. It is also suitable for those working on Greek and Roman literature and culture more broadly"--

Classical literature --- Time in literature. --- History and criticism. --- Time in literature