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Comparative literature --- German language --- anno 1900-1999 --- United States --- American drama --- Expressionism in literature. --- German drama --- German influences. --- History and criticism. --- Appreciation --- History and criticism --- United States of America

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791.43-024 --- Motion picture plays --- -Motion picture producers and directors --- -Motion pictures --- -Motion pictures and history --- #SBIB:309H1328 --- History and motion pictures --- Moving-pictures and history --- History --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Film plays --- Film scripts --- Filmscripts --- Motion picture scripts --- Moving-picture plays --- Photoplays --- Scenarios --- Screen plays --- Screenplays --- Scripts (Motion pictures) --- Drama --- Filmkunst. Films. Cinema--?-024 --- History and criticism --- Films met een ideologische en spiegelfunctie --- Motion picture plays, German --- Motion picture producers and directors --- Motion pictures and history. --- Motion pictures --- History and criticism. --- History. --- 791.43-024 Filmkunst. Films. Cinema--?-024 --- Motion pictures and history --- German motion picture plays --- German drama --- Persons

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Anton Kaes --- film --- filmklassiekers --- filmgeschiedenis --- Lang Fritz --- 791.471 LANG --- #SBIB:309H1321 --- Films met een amusementsfunctie en/of esthetische functie: algemeen --- #SBIB:309H1327 --- #SBIB:309H520 --- Films met een amusementsfunctie en/of esthetische functie: script --- Audiovisuele communicatie: algemene werken --- M (Motion picture)

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Fritz Lang's 'M' (1931) is an undisputed classic of world cinema. Lang considered it his most lasting work. Peter Lorre's extraordinary performance as the childlike misfit Hans Beckert was one of the most striking of film debuts, and it made him an international star. Lang's vision of a city gripped with fear, haunted by surveillance and total mobillization, is still remarkably powerful today. And 'M' resonates too in the serial-killer genre which is so prominent in contemporary cinema. 'M' speaks to us as a timeless classic, but also as a Weimar film that has too often been isolated from its political and cultural context. In this groundbreaking book, Anton Kaes reconnects 'M''s much-studied formal brilliance to its significance as an event in 1931 Germany, recapturing the film's extraordinary social and symbolic energy. Interweaving close reading with cultural history, Kaes reconstitutes 'M' as a crucial modernist artwork. In addition he analyzes Joseph Losey's 1951 film noir remake and, in an appendix, publishes for the first time 'M''s missing scene. (Provided by publisher)

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