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Iconography --- Christian dogmatics --- anno 500-1499 --- Christian art and symbolism --- Image (Theology) --- Art et symbolisme chrétiens --- Image (Théologie) --- History of doctrines --- Histoire des doctrines --- 7.033.4 --- 246.5 --- -Image (Theology) --- -Christian art and symbolism --- Communication --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Karolingische kunst. Romaanse kunst --- Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- -Religious aspects --- Christianity --- -Karolingische kunst. Romaanse kunst --- -7.033.4 --- 246.5 Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- 7.033.4 Karolingische kunst. Romaanse kunst --- -246.5 Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Art et symbolisme chrétiens --- Image (Théologie) --- Religious aspects --- Medieval, 500-1500 --- Middle Ages, 600-1500 --- Middle Ages, 500-1500 --- Christian art and symbolism - Medieval, 500-1500. --- Image (Theology) - History of doctrines - Middle Ages, 600-1500.
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Literature [Medieval ] --- Literatuur [Middeleeuwse ] --- Littérature médiévale --- Medieval literature --- Middeleeuwse literatuur --- Art, Medieval --- Christian art and symbolism --- Jewish art and symbolism --- Narrative art --- Art médiéval --- Art et symbolisme chrétiens --- Art et symbolisme juifs --- Art narratif --- Bible --- Illustrations --- Art médiéval --- Art et symbolisme chrétiens --- Medieval, 500-1500 --- Art [Medieval ] --- Themes, motives --- Middle Ages, 500-1500
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Christian art and symbolism --- Cathedrals --- Church decoration and ornement --- Art et symbolisme chrétiens --- Cathédrales --- Saint-Pierre (Basilique) --- Church decoration and ornament --- Mural painting and decoration, Medieval --- Mosaics, Medieval --- Art, Early Christian --- Influence --- Basilica di San Pietro in Vaticano --- Art et symbolisme chrétiens --- Cathédrales --- Church decoration and ornament - Italy --- Mural painting and decoration, Medieval - Italy --- Mosaics, Medieval - Italy --- Art, Early Christian - Italy - Rome - Influence --- Roma --- San Pietro (Roma)
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Comment l'art était-il perçu par l'homme du Moyen Âge ? Comment étaient produites, financées et utilisées les oeuvres ? Quelles étaient leurs fonctions dans les activités sociales comme l'enseignement, les manifestations civiques, le travail des missionnaires ou bien l'architecture et le monde du livre ? C'est à toutes ces questions qu'Herbert Kessler répond en étudiant la fonction de l'art et en retraçant les évolutions décisives qu'a apporté le Moyen Age notamment dans le développement d'un art séculier ou avec l'apparition des portraits individuels. Dans un ouvrage précédent, Herbert L Kessler avait défini deux axes de recherches majeurs comme dominant l'historiographie récente de l'art médiéval : la reconnaissance croissante du rôle central joué par les objets visuels dans la culture médiévale, "l'objet d'art médiéval", considéré dans toutes ses dimensions (matérielle, historique et spirituelle), ainsi que l'étude de la "fonctionnalité" des "objets" (images, objets ou monuments tels que livres, autels, reliquaires, portes d'église, etc.) au même titre que les "arts majeurs" que sont la peinture et la sculpture. Il poursuit ici cette réflexion au moyen d'un examen des approches méthodologiques et des travaux de recherches les plus récents en se concentrant sur le Moyen Age latin, d'environ 800 à 1300, et en prenant en compte l'une des principales revendications médiévales qui veut que l'art soit un moyen pour "montrer l'invisible au moyen du visible". L'ouvrage, illustré de 56 reproductions (couleurs et noir et blanc) servant d'exemples, est divisé en huit chapitres qui sont autant d'étapes, pour le lecteur, dans son initiation à la compréhension de l'art médiéval.
Art médiéval --- Art, Medieval. --- Art médiéval --- Art médiéval.
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Across the nine thematic chapters of Experiencing Medieval Art, renowned art historian Herbert L. Kessler considers functional objects as well as paintings and sculptures; the circumstances, processes, and materials of production; the conflictual relationship between art objects and notions of an ineffable deity; the context surrounding medieval art; and questions of apprehension, aesthetics, and modern presentation. He also introduces the exciting discoveries and revelations that have revolutionized contemporary understanding of medieval art and identifies the vexing challenges that still remain. With 16 color plates and 81 images in all—including the stained glass of Chartres Cathedral, the mosaics of San Marco, and the Utrecht Psalter, as well as newly discovered works such as the frescoes in Rome’s aula gotica and a twelfth-century aquamanile in Hildesheim—Experiencing Medieval Art makes the complex history of medieval art accessible for students of art history and scholars of medieval history, theology, and literature. Experiencing Medieval Art is an extensive revision and expansion of the author's Seeing Medieval Art, originally published in 2004. Renowned art historian Herbert L. Kessler considers often-strange objects and the materials of which they are made, circumstances of production, the conflictual relationship between art objects and notions of an ineffable deity, the context surrounding medieval art, the playfulness of art and the formal movements it engaged, as well as questions of apprehension, aesthetics, and modern presentation. Kessler introduces the exciting discoveries and revelations that have revolutionized the understanding of medieval art and identifies the vexing challenges that still remain. Examining such well-known monuments as the stained glass in Chartres cathedral, mosaics in San Marco Venice, and Utrecht Psalter, as well as newly discovered works--including the frescoes in Rome's "aula gotica" and a twelfth-century aquamanile in Hildesheim--Kessler makes the complex history of medieval art accessible for students of art history, teachers in the field, and scholars of medieval history, theology, and literature.
Christian religion --- Art --- art [fine art] --- religious art --- Medieval [European] --- anno 500-1499 --- Europe --- Art, Medieval --- Art and religion --- Arts in the church --- Religion and art --- Religion --- Medieval art --- History --- Religious aspects --- Art, Medieval. --- Christian art and symbolism --- Artists, Medieval --- Social aspects. --- Themes, motives --- Job descriptions. --- Middle Ages --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Europa --- 2015 --- art [discipline]
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Art, Medieval --- Art --- Art médiéval --- Art --- Philosophy --- Philosophie
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