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Mural painting and decoration, Medieval --- Christian art and symbolism --- Christianity and art --- Mural painting and decoration, Arab --- Mural painting and decoration --- Orthodox Eastern Church. --- 75.033.2 --- -Mural painting and decoration --- -Mural painting and decoration, Arab --- -Mural painting and decoration, Medieval --- -Christian art and symbolism --- -Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Arab mural painting and decoration --- Ceilings, Painted --- Fresco painting --- Murals --- Painted ceilings --- Painting, Decorative --- Wall decoration --- Wall-painting --- Decoration and ornament --- Interior decoration --- Painting --- Art and Christianity --- Schilderkunst van Byzantium; Oud-Armenië; Oud-Rusland. Ikonen --- Orthodox Eastern Church --- Mar Musa al-Habashi (Syria) --- -Schilderkunst van Byzantium; Oud-Armenië; Oud-Rusland. Ikonen --- 75.033.2 Schilderkunst van Byzantium; Oud-Armenië; Oud-Rusland. Ikonen --- -75.033.2 Schilderkunst van Byzantium; Oud-Armenië; Oud-Rusland. Ikonen --- Art, Christian --- Orthodox Eastern Church and art --- Religious art --- Symbolism in art --- Frescoes --- Frescos --- Mural painting and decoration, Medieval - Syria - Nabk Region. --- Christian art and symbolism - Syria - Nabk Region - Medieval, 500-1500. --- Christianity and art - Orthodox Eastern Church. --- Mural painting and decoration, Arab - Syria - Nabk Region. --- Mural painting and decoration - Syria - Nabk Region.

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"Dedicated to Erica Cruikshank Dodd, Art and Material Culture in the Byzantine and Islamic Worlds offers new perspectives on the Christian and Muslim communities of the east Mediterranean from medieval to contemporary times. The contributors examine how people from diverse religious backgrounds adapted to their changing political landscapes and show that artistic patronage, consumption, and practices are interwoven with constructed narratives. The essays consider material and textual evidence for painted media, architecture, and the creative process in Byzantium, Crusader-era polities, the Ottoman empire, and the modern Middle East, thus demonstrating the importance of the past in understanding the present"--

Art, Byzantine --- Islamic art --- Art and society --- Art and society --- Art and history