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Painting --- Photography --- Dumas, Marlene --- Dumas, Marlene °1953 (°Cape Town, Zuid-Afrika) --- Schilderkunst ; 1980-1992 ; Marlene Dumas --- Kunst ; van vrouwen ; 20ste en 21ste eeuw --- Tentoonstellingscatalogi ; Eindhoven ; Sted. Van Abbemuseum --- 75.07 --- (069) --- Schilderkunst ; schilders --- (Musea. Collecties) --- Art, South African --- Dumas, Marlene, --- kunst --- schilderkunst --- 75.071 DUMAS --- twintigste eeuw --- Zuid-Afrika --- Dumas Marlene --- Nederland

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Venus en Adonis is gebaseerd op het gelijknamige verhaal uit de beroemde Metamorfosen van Ovidius - binnenkort tweeduizend jaar dood maar nog springlevend. Want kijk wat Shakespeare heeft gedaan met het klassieke verhaal. En kijk wat Hafid Bouazza doet met Shakespeares taal, en wat een prachtige kunst Marlene Dumas daaraan toevoegt. Venus wordt verliefd op Adonis. Ze probeert hem af te houden van zijn favoriete tijdverdrijf, de jacht. Want o wee als hij sneuvelt bij die gevaarlijke sport. En ze gebruikt al haar verleidingskunsten om Adonis er van te overtuigen van haar liefde voor hem: overtuigend en bepaald dominant gaat ze daarbij te werk/ Maar toch...

75.07 --- Schilderkunst ; schilders --- English literature --- 82-1 --- Schilderkunst ; aquarellen ; 2016 ; M. Dumas --- 766.07 --- 741.07 --- Dumas, Marlene °1953 (°Cape Town, Zuid-Afrika) --- Ovidius --- Boekillustraties ; door kunstenaars ; Marlène Dumas --- Poëzie en schilderkunst --- Shakespeare, William --- Bouazza, Hafid --- Literatuur ; poëzie, gedichten, verzen --- Gebruiksgrafiek ; grafische designers, reclamekunstenaars, typografen, illustrators A-Z --- Tekenkunst ; tekenkunstenaars A - Z

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Marlene Dumas is one of the most prominent and influential painters working today. In an era dominated by the mass media and a proliferation of images, her work is a testament to the meaning and potency of painting. Dumas draws on her expansive visual archive and the nuances of language to create intense, psychologically charged works which explore themes such as sexuality, love, death and guilt, often referencing art history and current affairs. Her paintings and drawings are characterized by their extraordinary expressiveness and sometimes controversial subject matter. This fully illustrated exhibition catalogue accompanies a major exhibition at the Tate Modern, the Stedelijk Museum and the Fondation Beyeler. Surveying the artist's oeuvre from the mid-70s to the present, it features over 100 of her most important paintings and drawings alongside lesser-known works from the early period of her career. The Image as Burden also includes a new interview with the artist; extracts from previously published but lesser-known texts (some available in English for the first time); and a new short story from prize-winning author Colm Tóibín written in response to the paintings. Essays and texts from a wide range of contributors examine the key themes and motifs in her work and reflect on Dumas' entire career.

75.07 --- Schilderkunst ; 2de helft 20ste - begin 21ste eeuw ; Marlene Dumas --- Dumas, Marlene °1953 (°Cape Town, Zuid-Afrika) --- Vrouwelijke kunstenaars --- Schilderkunst ; schilders --- Dumas, Marlene,

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Cytter, Keren