Choose an application
75.052 --- 75.033.1 --- Christian art and symbolism --- -Jewish art and symbolism --- -Mural painting and decoration --- -Synagogue art --- -#BIBC:bibl.Reekmans --- Art, Synagogue --- Jewish art --- Ceilings, Painted --- Fresco painting --- Murals --- Painted ceilings --- Painting, Decorative --- Wall decoration --- Wall-painting --- Art --- Decoration and ornament --- Interior decoration --- Painting --- Jewish symbolism and art --- Jewish arts --- Symbolism --- Symbolism in art --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Christian antiquities --- Church decoration and ornament --- Muurschilderingen. Fresco's. Plafondschilderingen. Graffiti --- Vroegchristelijke schilderkunst --- Influence --- Jewish art and symbolism --- Mural painting and decoration --- Synagogue art --- Influence. --- 75.033.1 Vroegchristelijke schilderkunst --- 75.052 Muurschilderingen. Fresco's. Plafondschilderingen. Graffiti --- #BIBC:bibl.Reekmans --- Religious art --- Bible. --- Antico Testamento --- Hebrew Bible --- Hebrew Scriptures --- Kitve-ḳodesh --- Miḳra --- Old Testament --- Palaia Diathēkē --- Pentateuch, Prophets, and Hagiographa --- Sean-Tiomna --- Stary Testament --- Tanakh --- Tawrāt --- Torah, Neviʼim, Ketuvim --- Torah, Neviʼim u-Khetuvim --- Velho Testamento --- Illustrations. --- Dura-Europos (Extinct city) --- Bible. Old Testament --- Illustrations --- To 500 --- Mural painting and decoration - Syria - Dura-Europos (Ancient city) --- Synagogue art - Syria - Dura-Europos (Ancient city) --- Bible. O.T. - Illustrations. --- Jewish art and symbolism - Syria - Dura-Europa (Ancient city) --- Jewish art and symbolism - Influence. --- Christian art and symbolism - To 500 - Influence. --- Frescoes --- Frescos
Choose an application
Art, Italian --- Christian art and symbolism --- Christian pilgrims and pilgrimages --- Holy Year, 1300. --- Art italien --- Art et symbolisme chrétiens --- Pèlerins et pèlerinages chrétiens --- Année sainte, 1300 --- History --- Histoire --- Rome (Italy) --- Rome (Italie) --- Church history. --- Description and travel. --- Buildings, structures, etc. --- Histoire religieuse --- Descriptions et voyages --- Constructions --- -Holy Year, 1300 --- -Christian art and symbolism --- -Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Pilgrims and pilgrimages, Christian --- Christian shrines --- Pilgrims and pilgrimages --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- -Rome (Italy) --- Church history --- Description and travel --- Buildings, structures, etc --- Description --- -Church history --- -Pilgrims and pilgrimages, Christian --- Art, Christian --- Art et symbolisme chrétiens --- Pèlerins et pèlerinages chrétiens --- Année sainte, 1300 --- Holy Year, 1300 --- Religious art --- Symbolism in art
Choose an application
738.5 --- Mozaieken --- 738.5 Mozaieken --- Mosaics, Medieval --- Mosaics --- Decoration and ornament --- Decorative arts --- Basilica di San Marco (Venice, Italy) --- St. Mark's Cathedral (Venice, Italy) --- Venice. --- San Marco (Basilica : Venice, Italy) --- Saint-Marc (Basilica : Venice, Italy) --- Markusdom von Venedig --- Markuskirche (Venice, Italy) --- Basilica of San Marco (Venice, Italy)
Choose an application
Depuis les débuts de l’art chrétien, l’Ancien Testament a reçu une place singulière dans le décor des églises comme dans l’illustration des manuscrits. Certaines formules conçues aux IVe-Ve siècles se sont imposées durant tout le Moyen Âge, comme celles de Saint-Pierre de Rome, et une influence encore plus large a longtemps été attribuée à la Genèse Cotton ou à son modèle. Les oeuvres médiévales ne reproduisent toutefois presque jamais servilement celles qui les ont précédées. Les concepteurs les ont constamment réélaborées pour des raisons probablement multiples : adapter la composition au cadre imposé par l’architecture ou le découpage du folio, optimiser les ressorts de la narration pour en faciliter la lecture ou toucher plus efficacement la sensibilité du spectateur, enchaîner les scènes pour entraîner le regard dans le sens de la lecture ou relier sémantiquement deux épisodes voisins, induire un sens spécifique inspiré par la théologie ou la liturgie, ou encore exprimer visuellement des ambitions institutionnelles voire politiques. Les quinze articles réunis dans cet ouvrage développent ces questionnements en les appliquant à des ensembles peints ou en mosaïque représentatifs de la période envisagée : les oeuvres conservées ou perdues des premiers siècles, Saint-Pierre de Rome, Saint-Paul-hors-les-Murs et leurs avatars médiévaux, les bibles carolingiennes de Tours et celles de Ripoll, Galliano, les autres ensembles lombards, Saint-Savin-sur-Gartempe, Château-Gontier, Palerme et Monreale. Pour enrichir cette réflexion, le champ d’investigation a été étendu aux cycles néotestamentaires des églises médiobyzantines et aux mosaïques de Saint-Marc de Venise. Dans la conclusion, Herbert Kessler propose en effet une mise au point stimulante sur la délicate question de la Genèse Cotton en nuançant son influence sur le cycle vénitien. L’ouvrage offre ainsi un panorama très complet de la représentation de l’Ancien Testament et une réflexion foisonnante sur les stratégies de la narration.
Christian art and symbolism --- Painting, Medieval --- Bible. --- Paintings, Medieval --- Antico Testamento --- Hebrew Bible --- Hebrew Scriptures --- Kitve-ḳodesh --- Miḳra --- Old Testament --- Palaia Diathēkē --- Pentateuch, Prophets, and Hagiographa --- Sean-Tiomna --- Stary Testament --- Tanakh --- Tawrāt --- Torah, Neviʼim, Ketuvim --- Torah, Neviʼim u-Khetuvim --- Velho Testamento --- 75.033 "..." --- 221 --- 7.046 --- 7.046 Iconografie: mythologische-, religieuze-, epische voorstellingen. Legenden --- Iconografie: mythologische-, religieuze-, epische voorstellingen. Legenden --- 221 Bible: Ancien Testament --- 221 Bijbel: Oud Testament --- Bible: Ancien Testament --- Bijbel: Oud Testament --- 75.033 "..." Schilderkunst van de Middeleeuwen--"tijd" --- Schilderkunst van de Middeleeuwen--"tijd" --- Bible --- Ancien Testament --- Moyen Age --- Iconographie
Choose an application
Christian cultures across the centuries have invoked Judaism in order to debate, represent, and contain the dangers presented by the sensual nature of art. By engaging Judaism, both real and imagined, they explored and expanded the perils and possibilities for Christian representation of the material world.The thirteen essays in Judaism and Christian Art reveal that Christian art has always defined itself through the figures of Judaism that it produces. From its beginnings, Christianity confronted a host of questions about visual representation. Should Christians make art, or does attention to the beautiful works of human hands constitute a misplaced emphasis on the things of this world or, worse, a form of idolatry ("Thou shalt make no graven image")? And if art is allowed, upon what styles, motifs, and symbols should it draw? Christian artists, theologians, and philosophers answered these questions and many others by thinking about and representing the relationship of Christianity to Judaism. This volume is the first dedicated to the long history, from the catacombs to colonialism but with special emphasis on the Middle Ages and the Renaissance, of the ways in which Christian art deployed cohorts of "Jews"-more figurative than real-in order to conquer, defend, and explore its own territory.
Christian art and symbolism --- Judaism in art --- Art, European --- Art et symbolisme chrétiens --- Judaïsme dans l'art --- Art européen --- Themes, motives. --- Thèmes, motifs --- Judaism in art. --- Architecture. --- Fine Art. --- Garden History. --- Jewish Studies. --- Religion.
Choose an application
Choose an application
Choose an application
Choose an application
Choose an application