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Chemistry, Analytic --- Pottery, Byzantine --- Pottery --- Congresses --- Congresses --- Analysis --- Congresses

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Mosaics --- Mosaics, Byzantine --- Christian saints in art. --- Mosaïques --- Mosaïque byzantine --- Mosaïque --- Saints chrétiens dans l'art --- Conservation and restoration --- Conservation et restauration --- Eufrazijeva bazilika (Porec, Porec, Croatia) --- Mosaïques --- Mosaïque byzantine --- Mosaïque --- Saints chrétiens dans l'art --- Eufrazijeva bazilika (Poreč, Poreč, Croatia) --- Christian saints in art --- Decoration and ornament --- Decorative arts --- Byzantine mosaics --- Poreč, Istria. --- Cathedral of Eufrasius at Poreč (Poreč, Poreč, Croatia) --- Cathedral of Eufrasius in Poreč (Poreč, Poreč, Croatia) --- Eufrasius at Poreč (Poreč, Poreč, Croatia) --- Basilica Eufrasiana de Parenzo (Poreč, Poreč, Croatia) --- Eurfrasius Cathedral (Poreč, Poreč, Croatia) --- Euphrasius-Basilika von Poreč (Poreč, Poreč, Croatia) --- Basilica of St. Euphrasius in Poreč (Poreč, Poreč, Croatia) --- Basilica of Euphrasius in Poreč (Poreč, Poreč, Croatia) --- Eufrazijeva bazilika u Poreču (Poreč, Poreč, Croatia) --- Eufrazijeva bazilika (Poreč, Poreč, Croatia) --- Mosaics - Croatia - Poreč (Poreč) --- Mosaics, Byzantine - Conservation and restoration - Croatia - Poreč (Poreč) --- Mosaics - Conservation and restoration - Croatia - Poreč (Poreč) --- Parenzo (Poreč) --- Cathédrale

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The church of San Marco of Venice has long played a central role in Venetian political, ceremonial, and religious life. Its renowned assemblage of mosaics, sculpture, metalwork, and reliquaries are, in origin, Roman, Byzantine, Venetian, or Venetian imitation of Byzantine designs. In San Marco, Byzantium, and the Myths of Venice, the authors assess the significance of the embellishment of the church and its immediate surroundings, especially during the thirteenth and fourteenth centuries, when most of the Byzantine material was acquired, largely from Constantinople. The church and its decoration are studied in relation to Venice’s interests abroad and on mainland Italy. The authors address the diverse styles, sources, meanings, and significance of this art, both individually and as an ensemble. Building upon developments in scholarship since Otto Demus’s masterly studies of the church, the book offers new insights into the inspiration, purposes, and mutability of San Marco and the myths that inspired and motivated Venetians.

Art --- Decoration and ornament, Architectural --- Art, Medieval --- Art, Byzantine --- Décoration et ornement architecturaux --- Art médiéval --- Art byzantin --- Political aspects --- Influence. --- Aspect politique --- Influence --- Basilica di San Marco (Venice, Italy) --- Basilica di San Marco (Venice, Italy). --- Décoration et ornement architecturaux --- Art médiéval --- Byzantine art --- Christian art and symbolism --- Architectural decoration and ornament --- Architecture --- Stonework, Decorative --- Architectural design --- Exterior walls --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Medieval art --- Decoration and ornament --- St. Mark's Cathedral (Venice, Italy) --- Venice. --- San Marco (Basilica : Venice, Italy) --- Saint-Marc (Basilica : Venice, Italy) --- Markusdom von Venedig --- Markuskirche (Venice, Italy) --- Basilica of San Marco (Venice, Italy) --- Art, Primitive --- Art - Political aspects - Italy - Venice --- Decoration and ornament, Architectural - Italy - Venice --- Art, Medieval - Italy - Venice --- Art, Byzantine - Influence --- Venezia --- San Marco (Venezia)

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949.5.01/.04 --- Geschiedenis van Byzantium en Griekenland--?.01/.04 --- Byzantine Empire --- -Civilization --- 949.5.01/.04 Geschiedenis van Byzantium en Griekenland--?.01/.04 --- Civilization.