Choose an application
Choose an application
What makes Catherine Willems work on future footwear so appealing is its promise to leapfrog more than 150 years of industrialization, with all its attendant afflictions - environmental destruction, depletion of natural resources, extreme global inequality - and bring us straight into a cleaner and fairer future, while taking cues from ancient knowledge and craft. The research brings three disparate fields together: traditional footwear in very different indigenous cultures (Kolhapuri in India, Sami in Finland, and Ju|hoansi in Namibia), the biomechanics of the human foot, and advanced technology for 3D measuring and printing. The depth and seriousness of the exploration in each field results in a richness of data and information which has only just started to yield its first outcomes. -- Christine De Baan In this new book presenting cobblers from India, Finland, Belgium, the UK, and Namibia, Els Roelandt and Catherine Willems present a refreshing and much-needed vision on anthropology, craftmanship, and design, clearly depicting the integrated roles of artisans, scientists, and industry partners. -- Rik Pinxten
Manufacturing technologies --- shoes [footwear] --- anthropology --- crafts [art genres] --- cobblers --- footwear
Choose an application
Choose an application
Choose an application
Choose an application
On the occasion of the making of A Prior Magazine #18 and the opening of the new e-flux’ space, A Prior Magazine is happy to present The New York Conversations with Nico Dockx, Rirkrit Tiravanija and Anton Vidokle Partcipants: Liam Gillick, Martha Rosler, Louwrien Wijers, Jan Verwoert, Miwon Kwon, Marti Peran, Sis Matthé, Egon Hanfstingl and A Prior editors Anders Kreuger, Dieter Roelstraete, Monika Szewczyk, Andrea Wiarda and Els Roelandt.
interviews --- artists [visual artists] --- mondelinge communicatie --- Vidokle, Anton --- Tiravanija, Rirkrit --- Dockx, Nico
Choose an application
Why have there been no great women artists? Questions about diversity - of race, gender and class - go hand in hand with reflections on decoloniality, both are essential for thinking about and making change. This knowledge in mind, Linda Nochlin's seminal query elicits another question: what would happen if we stopped thinking in modernist terms and resist categorical divisions that violently simplify and thus drastically reduce our possibilities to create, act, and forge bonds? To attempt to answer Nochlin's question is to interrogate the normality of modernism. Many of us experience that we do not have the appropriate tools or language to formulate an answer. Looking for a new language that is no longer rooted in modernism may offer a solution - no longer seeking to be modern, but to be beyond modern. The contributors to this fanzine dared to think outside the existing frameworks of reality. Reality is after all not one but many. In collecting answers to Nochlin's question, KIOSK did not strive for completeness or to make distictions. rather, the editors hope that this publication will create community and help establish a much-needed cultural transformation.
Social change --- Art --- feminism --- magazines [periodicals] --- decolonization --- Nochlin, Linda
Choose an application
't Jolle, Sven ; Van den Abbeel, Jan ; Abramovic, Marina ; Accardi, Carla ; Acconci, Vito ; Adami, Valerio ; Alechinsky, Pierre ; van Amen, Woody ; Van Anderlecht, Englebert ; Andre, Carl ; Rossi Andrea, Andrea ; Anselmo, Giovanni ; Appel, Karel ; Appelt, Dieter ; Apple, Billy ; Arman ; Art & Language ; Artschwager, Richard ; Assig, Martin ; Bacon, Francis ; Bade, David ; Baikas, Nicos ; Baj, Enrico ; Bar-El, Ido ; Barbaix, René ; Barry, Robert ; Bassiri, Bizhan ; Becher, Bernd & Hilla ; Beecroft, Vanessa ; Bejar, Raphaël ; Bekaert, Piet ; Bergen, Emiel ; van Bergen, Thé ; Berghe, Roland Van Den ; Berti, Simone ; Bertrand, Gaston ; Bervoets, Fred ; Beullens, André ; Beuys, Joseph ; Beyls, Peter ; Biberstein, Michael ; Bijl, Guillaume ; Birnbaum, Dara ; Blaussyld, Maurice ; Boetti, Alighiero ; Bogaert, André ; Bogaerts, Gaston ; Bogart, Bram ; van Bohemen, Kees ; Boltanski, Christian ; Bonnet, Anne ; Boon, Elke ; Borden, William R. ; Bourke, Brendan ; Bowen, Paul ; De Brabandere, Mario ; Braeckman, Dirk ; Brey, Ricardo ; van den Broeck, Frank ; Broodthaers, Marcel ; Brouwn, Stanley ; Bruch, Klaus vom ; De Bruyckere, Berlinde ; Buren, Daniel ; Burkhart, Kathe ; Burki, Marie José ; Burssens, Jan ; Bustamante, Jean-Marc ; Buthe, Michael ; Cabrita Reis, Pedro ; Cai Guo-Qiang ; Calzolari, Pierpaolo ; Cane, Louis ; Caniaris, Vlassis ; Carlier, Jan ; Carmi, Eugenio ; Ceccobelli, Bruno ; Charlier, Jacques ; Charoux, Jac (Jacques) ; Chlanda, Marek ; Christo ; Cingolani, Marco ; Claus, Hugo ; Clement, Frans ; De Clerck, Antoon ; de Clercq, Hugo ; De Clercq, Maurice ; Close, Chuck ; Cobbaert, Jan ; Cole, Willem ; Coleman, James ; Coolens, Bert (Berten, Robert) ; Copers, Leo ; de Cordier, Thierry ; Corillon, Patrick ; Corneille ; Cortier, Amédée ; etc.
museumcollecties --- S.M.A.K. (Gent) --- hedendaagse kunst --- Contemporary [style of art] --- Art --- S.M.A.K. [Ghent] --- anno 1900-1999 --- SMAK (Gent) --- Kunst ; 1945 --- -Museumcatalogi ; Gent ; S.M.A.K. Sted. Mus. voor Actuele Kunst --- Museumcatalogi ; Gent ; S.M.A.K. Stedelijk Museum voor Actuele Kunst --- Belgische kunst ; 2de h. 20ste eeuw --- Beeldende kunst ; 2de helft 20ste eeuw --- Belgische kunst ; 2de helft 20ste eeuw --- 069(493) --- 7.038 --- musea --- kunst --- België --- Musea. Collecties ; België --- Kunstgeschiedenis ; 1950 - 2000 --- Musea . Gent --- Moderne Kunst --- 700.4 --- -Art --- Actuele kunst --- 20e eeuw --- Tentoonstellingen --- Musea --- Gent --- Kunstgeschiedenis --- Jan Hoet, Ingrid Commandeur, Steven Jacobs, Els Roelandt --- tekenkunst --- beeldhouwkunst --- installaties --- schilderkunst --- collecties --- Hoet Jan --- S.M.A.K. --- Stedelijk Museum voor Actuele Kunst Gent --- abstracte kunst --- abstractie --- pop art --- nouveau réalisme --- nieuwe visie --- hyperrealisme --- minimal art --- concept art --- conceptuele kunst --- minimalisme --- Panamarenko --- Broodthaers Marcel --- Beuys Joseph --- Oberhuber Oswald --- land art --- arte povera --- Documenta IX --- 7.078 --- Museumcatalogi ; Gent ; S.M.A.K. Sted. Mus. voor Actuele Kunst --- -Actuele kunst --- S.M.A.K --- Tentoonstelling --- Museum --- Stedelijk Museum voor Actuele Kunst (Gent) --- België --- Musea. Collecties ; België
Choose an application
Art --- Catalogues d'expositions --- Kunst --- Tentoonstellingscatalogi --- Collection --- Musée --- Art contemporain --- Gand --- 7.038(493) --- België --- Gent --- SMAK --- kunst 20e eeuw --- museumcollecties --- 708.9493 --- 20e eeuw --- 700.4 --- Fabro, Luciano --- Haacke, Hans --- Hockney, David --- Hoet, Jan --- Kabayashi, Masato --- Kelley, Mike --- Kosuth, Joseph --- Lohaus, Bernd --- Mahé de la Villeglé, Jacques --- Manders, Mark --- Matthys, Danny --- Mortier, Antoine --- Oppenheim, Dennis --- Panamarenko --- Qiang, Cai Guo --- Rabinowitch, Royden --- Schütte, Thomas --- Theys, Koen --- Tzaig, Uri --- Van Anderlecht, Englebert --- Van Elk, Ger --- Van Severen, Dan --- Vandenberg, Philippe --- Varejao, Adriana --- Vercruysse, Jan --- Verheyen, Jef --- Vermeiren, Didier --- Vom Bruch, Klaus --- Vostell, Wolf --- Warhol, Andy (1928-1987) --- Weiner, Lawrence --- West, Franz --- Zorio, Gilberto --- conceptuele kunst --- installaties --- kunst --- musea --- van Imschoot, Jan --- kunstgeschiedenis België - kunst na 1945 --- Arts Museums Belgium --- beeldende kunst, musea - tentoonstellingen --- België --- Mahé de la Villeglé, Jacques --- Schütte, Thomas --- kunstgeschiedenis België - kunst na 1945
Choose an application
The internationally renowned Belgian architect Jan De Vylder (b. 1968) has an obsession for drawing. In the 30 years of his architectural career, he has filled hundreds of sketchbooks with architectural ideas, landscapes, clouds, bottles and countless doodles. Posture Editions publishes a volume with a selection of 150 double page spreads from these sketchbooks, revealing the visual artist inside the architect Jan De Vylder. The sketches are somewhat similar to those made by other architects because of the speed with which they were made and the explanatory context that characterizes most sketches by architects (Aldo Rossi, Alvaro Siza, Juliaan Lampens, Le Corbusier…). However, the specific character of De Vylder's drawings lies in the almost nonsensical repetition of the grammar of forms that seems to inspire him and after a while becomes autonomous and sovereign.
De Vylder, Jan --- 741:72.07 --- 741.07 --- 72.07 --- De Vylder, Jan °1968 (°Sint-Niklaas, België) --- Belgische architecten --- 741.071 DE VYLDER --- 72.071 DE VYLDER --- de vylder vinck taillieu --- België --- De Vylder Jan --- twintigste eeuw --- schetsboeken --- tekenkunst --- kunst en architectuur --- architectuur --- Tekenkunst ; architecten, stedenbouwkundigen --- Tekenkunst ; tekenkunstenaars A - Z --- Architecten. Stedenbouwkundigen A - Z --- Art --- drawings [visual works] --- Dessin --- Architectural drawing --- Dessin d'architecture --- Vylder, Jan de --- De Vylder, Jan, --- Dessin à main levée --- De Vylder, Jan, 1968 --- -Architectural drawing --- -De Vylder, Jan