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"Vaughan Oliver: Archive" is in fact two books. The first ('Materials and fragments') is arranged around a set of themes: colour, typography, the body, mystery, etc. It also features a selection of his exquisitely designed press ads most of them unseen since the day they were published in the music press. Oliver is the designer who kept the stuff other designers threw away: proofs, running sheets, paper labels for vinyl records, original artwork for classic album covers, videotapes, books and the weird ephemera that was the source of inspiration for many of his most famous works.
Vormgevers --- Vaughan Oliver --- Grafische vormgeving --- Commercial art --- Graphic arts --- Posters --- grafisch ontwerp --- grafische vormgeving --- grafisch design --- twintigste eeuw --- eenentwintigste eeuw --- grafische vormgeving en muziek --- Groot-Brittannië --- Oliver Vaughan --- platenhoezen --- tijdschriften --- muziektijdschriften --- 766.071 OLIVER --- Advertising, Pictorial --- Picture posters --- Advertising, Outdoor --- Art --- Pictures --- Bill-posting --- Signs and signboards --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Visual communication --- Advertising, Art in --- Advertising art --- Art, Commercial --- Art in advertising --- Commercial design --- Advertising --- Art and industry --- Motion picture billboards --- Oliver, Vaughan --- Vormgever
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This guidebook addresses the concerns of young designers who want to earn a living by doing expressive and meaningful work, but want to avoid becoming a hired drone working on soulless projects. It offers straight-talking advice on how to establish your design career and practical suggestions for running a successful business.
Métier d'art --- Designer --- Design
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Art --- art [discipline] --- texts [documents] --- Weiner, Lawrence --- United States of America
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Graphic arts --- diaries --- graphic arts --- Wyman Lance
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Tijdschrift --- Tijdschriftcover --- Vormgeving
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A follow-up to two highly successful monographs on the work of one of the most important designers of his generation, showcasing projects completed since the mid-1990s.Neville Brody defined the look of the 1980s music scene as art director of The Face. Since then, Brody consistently proved that he is one of most innovative and shape-shifting graphic designers of the era. While his second monograph was published in 1994, over the last almost three decades Brody has produced a new body of editorial, typographic, information, and interface design of unparalleled boldness and sophistication for global clients that include Samsung, Shiseido, Coca-Cola, the UK?s Channel 4, and Dom Perignon.The Graphic Language of Neville Brody 3 brings this work together in thematic sections that address the key fields of his vibrant design projects, including typographic experimentation, information graphics, cultural subversion, and design systems. Richly illustrated, each project is explored in detail, revealing the work that defined Brody?s recent career across six chapters, from major brands to magazine editorials and features, showing how his design language has evolved since the 1990s.Creating a new generation of fans, this volume shares Brody?s design genius at a time when the originality of work from the 1980s and 1990s across many creative disciplines is finding a new audience. This inspirational volume is essential reading for anyone interested in the evolution of graphic design over the past three decades.