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This volume makes available a variety of texts by Joseph Conrad's friends and contemporaries, ranging from a sailing memoir by his oldest English friend to a dramatic adaptation of his novel Victory, and from his secretary's notebook to his last will and testament. Often mentioned or cited by scholars, these texts are here published in full for the first time. They also reveal Conrad speaking between the lines in various voices, and raise theoretical questions about the social nature of authorship and the construction of authorial canons.
Conrad, Joseph, --- Korzeniowski, Józef Konrad Teodor, --- Korzeniowski, Joseph Conrad Theodore, --- Konrad, Dzhozef, --- Kʻang-la-te, --- Conrad-Korzeniowski, Joseph, --- Korzeniowski, Joseph Conrad-, --- Kʻonradŭ, Josep, --- Kʻonradŭ, Chosep, --- Kʻolladŭ, Josep, --- Konrad, Dzd. --- Conrad, Józef, --- קונראד, ג׳וזף, --- קונראד, ג׳וסף --- קונרד, ג׳וזף --- קונרד, ג׳וזף, --- קונרד, יוסף --- 康拉德, --- Konrad Nalecz Korzeniowsky, Jozef Tedor, --- Konrant, Tzozeph, --- Critique and interpretation.
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Characterized by Conrad himself as his “most deeply meditated novel,” Under Western Eyes enjoyed a warm reception on its publication in October 1911. In the century since it has rewarded readers with various pleasures. Exploring the intertwined subjects of personal morality, the nature of the State, national character and identity, and covertly digging into the tensions of his family’s past, the novel is the last of Conrad’s sustained excursions into overtly political territory. This collection of eleven essays considers Conrad’s achievement from several perspectives. Opening with a provocative essay on the text’s genesis, it surveys intertextual relations and influences, considers its ethical challenges, its psychological appeal to our time, and its contemporary reception and reception in Russia. Addressed to the scholar of literary Modernism, “Under Western Eyes”: Centennial Essays offers a vivid snapshot of current critical technologies. This well-balanced collection should help the student and classroom teacher alike in pursuing further the novel’s richly layered interests.
Conrad, Joseph, --- Korzeniowski, Józef Konrad Teodor, --- Korzeniowski, Joseph Conrad Theodore, --- Konrad, Dzhozef, --- Kʻang-la-te, --- Conrad-Korzeniowski, Joseph, --- Korzeniowski, Joseph Conrad-, --- Kʻonradŭ, Josep, --- Kʻonradŭ, Chosep, --- Kʻolladŭ, Josep, --- Konrad, Dzd. --- Conrad, Józef, --- קונראד, ג׳וזף, --- קונראד, ג׳וסף --- קונרד, ג׳וזף --- קונרד, ג׳וזף, --- קונרד, יוסף --- 康拉德, --- Konrad Nalecz Korzeniowsky, Jozef Tedor, --- Konrant, Tzozeph, --- Criticism and interpretation. --- Under western eyes (Conrad, Joseph) --- W oczach Zachodu (Conrad, Joseph)
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Joseph Conrad: The Short Fiction offers a wide range of perspectives on Conrad's short stories. Nine essays, by established and emerging scholars, deal with early and classic stories as well as the relatively neglected works of Conrad's later career. The essays explore in depth the historical and publishing contexts of individual stories and provide insights into Conrad's practice as a writer of short fiction. These new readings, based on contemporary theoretical and interpretive perspectives, will appeal not only to specialists of literary Modernism but also to the advanced student and the general reader.
English News --- Short stories, English --- History and Criticism --- History and criticism
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'I asked myself what I was doing there, with a sensation of panic in my heart as though I had blundered into a place of cruel and absurd mysteries not fit for a human being to behold'. Charles Marlow's dark intuition here arrives at the culmination of his physical and psychological quest in search of the infamous ivory-trader Kurtz in Joseph Conrad's most famous short story, Heart of Darkness. Ambiguously drawn to the powerful 'voice' of this autocratic European who has become a self-proclaimed ruler in an African colony, Marlow is increasingly embroiled in Kurtz's life and death: he is finally forced into a radical questioning, not only of his own assumptions, but also of the civilized and imperial pretensions of Western Europe. Offering a freshly-researched text based on the writer's original documents, this edition presents a classic of early modernist fiction in a version that, for the first time, recovers Conrad's preferred wordings, punctuation and narrative structure.
Europeans --- Trading posts --- Degeneration --- Imperialism --- Psychological fiction. --- Fiction --- Conrad, Joseph,
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A Set of Six (1908) is one of Conrad's most versatile and varied compositions, embracing diverse interests and settings, multiple tonal qualities and a medley of short-story forms (ranging from the novella in 'The Duel' to the anecdotal tale in 'The Informer'). The volume's wide-ranging introduction offers a careful evaluation of the origins and sources of the individual stories, while also measuring their early reception as a published collection. Explanatory notes clarify literary and historical references, identify real-life places and people, and indicate borrowings and Gallicisms. The lengthy textual essay and its accompanying apparatus lay out the history of composition and publication, detailing interventions made by Conrad's typists, compositors and editors. Also included are appendices, allowing the reader first-hand access to Conrad's source material; glossaries of nautical and foreign terms; and illustrations in the form of maps and reproductions of early drafts. By returning to (and respecting) Conrad's own early manuscript and typescript forms, this edition presents the collection and its preface in a form more authoritative than any so far printed.
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"Conrad wrote the stories that make up A Set of Six (1908) between late 1904, in the immediate wake of Nostromo (1904), and the spring of 1907, when he was attending to page proofs of The Secret Agent (1907). Yet another story - never finished if, indeed, ever begun - about 'a bomb in a hotel' also hovered in his mind at this time. As Conrad acknowledged in his brief preface to the volume's first American edition (1915), the stories, 'if not an organic whole', none the less constitute 'a homogeneous group written with a certain unity of method' (5.10-11), concentrated on incident and action (Letters, IV, 29-30) and were all based, he claimed, upon real-life events. Ranging widely in their geographical settings and time periods, the six tales further explore the preoccupations of his longer fictions - perhaps most broadly, the multifarious nature and manifestations of power and violence, major themes in Nostromo and central to The Secret Agent, both of which interrupted and dislodged from his desk the long-evolving Chance (1914)"--
English literature --- Conrad, Joseph, --- Literature, Victorian --- Victorian literature --- Korzeniowski, Józef Konrad Teodor, --- Korzeniowski, Joseph Conrad Theodore, --- Konrad, Dzhozef, --- Kʻang-la-te, --- Conrad-Korzeniowski, Joseph, --- Korzeniowski, Joseph Conrad-, --- Kʻonradŭ, Josep, --- Kʻonradŭ, Chosep, --- Kʻolladŭ, Josep, --- Konrad, Dzd. --- Conrad, Józef, --- קונראד, ג׳וזף, --- קונראד, ג׳וסף --- קונרד, ג׳וזף --- קונרד, ג׳וזף, --- קונרד, יוסף --- 康拉德, --- Konrad Nalecz Korzeniowsky, Jozef Tedor, --- Konrant, Tzozeph,
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