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If it intends to enhance awareness and to stimulate intellectual and cultural maturity, literature cannot ignore - and when it survives over time does not ignore - the great conquests of philosophical thought and the fundamental stages marked by the progress of scientific knowledge. A scientific result and a poetic result both represent an internally-ordered fragment of reality which moves and stirs us by the intrinsic beauty of the image that it evokes and its significance at the level of meaning. Both scientific and literary languages, each in its own way, tend to the decodification and representation of the external world. Imagination, intuition and rationality come together in creativity, in the construction of scientific models and of literary styles.

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This book is the fifth and last volume of the Diari of Giuseppe Dessí, a publication made possible by Franca Linari's transcription combined with the attentive editorship of Francesca Nencioni. The series began with the account of Dessí's early years (1926-1931) and continued with precious details of the period of his development (1931-1948) and the literary production of his maturity (1949-1951; 1952-1962). This time the author's experience and his own notes enable what is almost an 'autobiography of the artistic process' that offers eloquent insight into the creation of Paese d'ombre: not only a reconstruction of the genesis of the novel that won Dessí the Premio Strega, but also the sketching out of events and characters and the gradual definition of the plot. The literary evidence does not stop here, since significant texts of his theatrical production (Eleonora d'Arborea) can also be placed in this last fifteen years, along with narrative (for example Lei era l'acqua). All is set against the backdrop of family, friends (who also suddenly disappear), political passion and a courageous struggle against disease.

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Author of Architettura del medioevo in Sardegna which won him the Premio Nazionale Olivetti in 1956, Raffaello Delogu was an art historian and Commissioner for Antiquities and Monuments in Sardinia, Abruzzo and Sicily. His correspondence with one of the most eminent Italian writers of the second half of the twentieth century, as transcribed and lavishly annotated here by Monica Graceffa, reveals him not only as a committed intellectual devoted to the study of ancient and modern art, but also as a caustic and playful friend. His dialogue with Giuseppe Dessí commenced in their youth, when Dessí was an amateur painter on the way to maturity, who instead rapidly developed into a mature writer and attentive connoisseur of all forms of art. In addition to their studies and mutual friends (including Claudio Varese and Maria Lai), they also shared an interest in painting and in what Dessí was experiencing (his moves, his political passion) and what he was writing (fiction, drama, essays); important in this regard are the letters touching on the collaboration of both on the Sardinian issue of Pietro Calamandrei's «Il Ponte».

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Authors, Italian --- Italian literature --- Women authors, Italian

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Authors, Italian --- Authors, Italian --- D'Annunzio, Gabriele,