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Periodical
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Education --- Social aspects --- Social aspects.
Periodical
Year: 2011 Publisher: Claremont, CA : Claremont Center for the Mathematical Sciences and Claremont Colleges Library
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Mathematics --- Social aspects --- Social aspects.
Periodical
Year: 1999 Publisher: Los Angeles, CA : Dept. of Musicology, University of California, Los Angeles,
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Music --- Social aspects --- Social aspects.
Periodical
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Periodical
ISSN: 21583412 Year: 1991 Publisher: Piscataway, N.J. : IEEE
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Technology --- Social aspects --- Social aspects.
Periodical
Year: 1978 Publisher: San Francisco, CA : Accountants for the Public Interest,
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Accounting --- Social aspects --- Social aspects.
Periodical
Year: 1999 Publisher: Los Angeles, CA : Dept. of Musicology, University of California, Los Angeles,
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Music --- Social aspects --- Social aspects.
Periodical
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Book
ISBN: 0520977068 Year: 2021 Publisher: Oakland, California : University of California Press,
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In the waning years of Latin America's longest and bloodiest civil war, the rise of an unlikely duo is transforming Colombia: Christianity and access to credit. In her exciting new book, Rebecca C. Bartel details how surging evangelical conversions and widespread access to credit cards, microfinance programs, and mortgages are changing how millions of Colombians envision a more prosperous future. Yet programs of financialization propel new modes of violence. As prosperity becomes conflated with peace, and debt with devotion, survival only becomes possible through credit and its accompanying forms of indebtedness. A new future is on the horizon, but it will come at a price.
Book
ISBN: 1421448394 9781421448398 9781421448374 Year: 2024 Publisher: Baltimore, Maryland : Johns Hopkins University Press
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A fascinating new study of the face, form, and history of expression. Advances in facial recognition, artificial intelligence, and other technologies provoke urgent ethical questions about facial expressivity and how we interpret it. In The New Physiognomy, Rochelle Rives roots contemporary facial dilemmas in a more expansive timeline of modernist engagements with the face to argue that facial ambiguity is essential to how we value other people. Beginning with nineteenth-century caricatures of Oscar Wilde's face, Rives reasons that modernist modes of reading the face perceived it as a manifestation of both biologically determined traits and scripted forms of personality. Considering faces such as sculptures of great poets, portraits of facially wounded World War I soldiers, W. H. Auden's aging face, and Cindy Sherman's recent photographic self-portraits, Rives reframes how to read modernist works by Theodore Dreiser, Edith Wharton, Jean Rhys, Joseph Conrad, Mina Loy, Henry Tonks, and Henri Gaudier-Brzeska.
Physiognomy --- Social aspects. --- Social aspects