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Art --- anno 1940-1949 --- anno 1930-1939 --- anno 1920-1929 --- interbellum --- kunstgeschiedenis --- 1920 - 1945 --- 20ste eeuw --- kunst --- naslagwerk --- twintigste eeuw --- dans --- kunst en fotografie --- film --- Bauhaus --- futurisme --- surrealisme --- constructivsme --- abstractie --- abstracte schilderkunst --- dada --- dadaïsme --- Neue Sachlichkeit --- 7.03 --- 7.037 --- 7.036 --- Kunstgeschiedenis ; 20ste eeuw ; 1920-1945 --- Interbellum --- Kunstenaars ; geschriften ; kunstkritiek --- Nieuwe Zakelijkheid --- Thema's in de kunst ; oorlog en propaganda --- Surrealisme --- Futurisme --- Kunstgeschiedenis ; 1900 - 1950 --- interbellum. --- kunstgeschiedenis. --- 1920 - 1945. --- 20ste eeuw.

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Ce livre est consacré au "style documentaire" et à ses deux représentants les plus importants des années 1920 à 1945, Sander en Allemagne et Evans aux Etats-Unis. L'auteur analyse la façon dont les deux artistes ont réalisé des "dupplications" du monde, des reflets qui assurent que c'est le modèle qui dicte la photographie. La "neutralité" documentaire est étudiée par O. Lugon, qui arrive à un constat que l'effacement du photographe entraîne un excès de présence des oeuvres

Documentary photography --- History --- 1920 - 1945 --- Olivier Lugon --- Fotografie ; theorie ; 1920-1945 ; documentaire stijl --- Renger-Patzsch Albert --- Kracauer Siegfried --- 77.036 --- Fotografie ; theorie, filosofie, esthetica --- 77.01 --- 77.044 --- Abbott Berenice --- Benjamin Walter --- documentaire --- documentaire fotografie --- Duitsland --- Evans Walker --- fotografie --- fotografietheorie --- Hausmann Raoul --- landschap --- landschapsfotografie --- portret --- portretfotografie --- Sander August --- twintigste eeuw --- Verenigde Staten --- Blossfeldt, Karl --- Evans, Walker --- Sander, August --- 77.03 --- Photography, Documentary --- Photography --- 77.03 Documentaire fotografie --- Documentaire fotografie --- 20ste eeuw --- Photographie --- Photographie documentaire --- Allemagne --- CDL --- Documentary photography - History --- Sander, August. --- Evans, Walker. --- 1920 - 1945. --- 20ste eeuw.

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Watermaal-Bosvoorde, Sint-Agatha-Berchem, Sint-Lambrechts-Woluwe, Knokke, Ukkel, Elsene, Koekelberg, Antwerpenb, Boom, Tervuren, Brasschaat, Seraing, Gent, Zele, Oostende, Antwerpen, Anderlecht, Wilrijk, Deurne, Sint-Antonius-Brecht, Turnhout, Gentbrugge

affordable housing --- 72.03(493) --- 72 <492> --- 72(091)(493) --- Architectuurgeschiedenis ; België --- Architectuur ; België ; 20ste eeuw ; 1920-1945 --- Nieuwe Zakelijkheid --- architectuurstijlen - België --- Architectuur ; geschiedenis ; België --- Architectuurgeschiedenis ; 1900 - 1950 ; België --- Modernisme. --- 72.036 --- België --- modernisme --- architectuur 20e eeuw --- 72.037(493) --- Modernisme --- Functionalisme --- 72 <492> Architectuur. Bouwkunst--Nederland --- Architectuur. Bouwkunst--Nederland --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Modernisme (architectuur) --- schools [buildings] --- libraries [buildings] --- Architecture --- Public buildings --- Social policy and particular groups --- anno 1900-1999 --- Belgium --- hedendaagse architectuur --- Modern [style or period] --- architecture [object genre] --- België --- Architectuurgeschiedenis ; België --- Architectuur ; België ; 20ste eeuw ; 1920-1945 --- architectuurstijlen - België --- Architectuur ; geschiedenis ; België --- Architectuurgeschiedenis ; 1900 - 1950 ; België --- architecture [discipline] --- Ghent University, Booktower.

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Imperial Japanese soldiers were notorious for blindly following orders, and their enemies in the Pacific War derided them as "cattle to the slaughter." But, in fact, the Japanese Army had a long history as one of the most disobedient armies in the world. Officers repeatedly staged coups d'états, violent insurrections, and political assassinations; their associates defied orders given by both the government and the general staff, launched independent military operations against other countries, and in two notorious cases conspired to assassinate foreign leaders despite direct orders to the contrary.In Curse on This Country, Danny Orbach explains the culture of rebellion in the Japanese armed forces. It was a culture created by a series of seemingly innocent decisions, each reasonable in its own right, which led to a gradual weakening of Japanese government control over its army and navy. The consequences were dire, as the armed forces dragged the government into more and more of China across the 1930s-a culture of rebellion that made the Pacific War possible. Orbach argues that brazen defiance, rather than blind obedience, was the motive force of modern Japanese history.Curse on This Country follows a series of dramatic events: assassinations in the dark corners of Tokyo, the famous rebellion of Saigō Takamori, the "accidental" invasion of Taiwan, the Japanese ambassador's plot to murder the queen of Korea, and the military-political crisis in which the Japanese prime minister "changed colors." Finally, through the sinister plots of the clandestine Cherry Blossom Society, we follow the deterioration of Japan into chaos, fascism, and world war.

Sociology, Military --- Military discipline --- Insubordination --- Military offenses --- Naval offenses --- Armies --- Discipline, Military --- Disciplinary power --- Discipline --- Military sociology --- Armed Forces --- Peace --- War --- War and society --- History. --- Japan --- History, Military --- J3372.80 --- J3375 --- J3382.50 --- J4880.70 --- J4480 --- History --- Japan: History -- Kindai, modern -- Meiji period (1867-1912) -- revolts, rebellion and opposition --- Japan: History -- Kindai, modern -- Taishō period (1912-1926) --- Japan: History -- Gendai, modern -- early Shōwa period (1920-1945) -- (patriotic) revolts --- Japan: Defense and military -- history -- Kindai (1850s- ), bakumatsu, Meiji, Taishō --- Japan: Economy and industry -- communication industries -- Gendai, modern (1926- ), Shōwa period, 20th century --- Japan: Economy and industry -- communication industries -- general and history