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Public Address System is a collection of posters by typographers that were featured in an exhibition of the same name in London and Berlin in 2004. The brief was simple: to design an A2 poster that was a typographic interpretation of a speech.

769.91 --- 655.26 --- 769.91 Prentenverzamelingen: affiches; posters; uithangborden --- Prentenverzamelingen: affiches; posters; uithangborden --- Soorten zetwerk. Lay-out. Typografische vormgeving

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The typographic imaginary is an aesthetic linking authors from William Caxton to Alexander Pope, this study centrally contends. Early modern English literature engages imaginatively with printing and this book both characterizes that engagement and proposes the typographic imaginary as a framework for its analysis. Certain texts, Rachel Stenner states, describe the people, places, concerns, and processes of printing in ways that, over time, generate their own figurative authority. The typographic imaginary is posited as a literary phenomenon shared by different writers, a wider cultural understanding of printing, and a critical concept for unpicking the particular imaginative otherness that printing introduced to literature. Authors use the typographic imaginary to interrogate their place in an evolving media environment, to assess the value of the printed text, and to analyse the roles of other text-producing agents. This book treats a broad array of authors and forms: printers' manuals; William Caxton's paratexts; the pamphlet dialogues of Robert Copland and Ned Ward; poetic miscellanies; the prose fictions of William Baldwin, George Gascoigne, and Thomas Nashe; the poetry and prose of Edmund Spenser; writings by John Taylor and Alexander Pope. At its broadest, this study contributes to an understanding of how technology changes cultures. Located at the crossroads between literary, material, and book historical research, the particular intervention that this work makes is threefold. In describing the typographic imaginary, it proposes a new framework for analysis of print culture. It aims to focus critical engagement on symbolic representations of material forms. Finally, it describes a lineage of late medieval and early modern authors, stretching from the mid-fifteenth to the mid-eighteenth centuries, that are linked by their engagement of a particular aesthetic.

Printing --- English literature --- 655.26 --- 655.26 Soorten zetwerk. Lay-out. Typografische vormgeving --- 655.26 Typography. Graphic design. Kinds of text (material to be set) --- Soorten zetwerk. Lay-out. Typografische vormgeving --- Typography. Graphic design. Kinds of text (material to be set) --- History --- History and criticism --- Book history --- typography --- anno 1500-1799

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Publishers. Printers --- anno 1900-1999 --- Netherlands --- Jongejans, Charles --- Melle --- Stam, Mart --- 655.26 --- 373.67 <492> --- Soorten zetwerk. Lay-out. Typografische vormgeving --- Kunstonderwijs. Nederland

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655.262 MORISON, STANLEY --- 655.26 --- Boekdesign--MORISON, STANLEY --- Soorten zetwerk. Lay-out. Typografische vormgeving --- Stanley Morison --- glrafische vormgeving --- lettertypes --- 766.021 --- typografie

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Layout (Printing) --- Graphic design (Typography) --- Maquettes (Industries graphiques) --- Arts graphiques --- 655.26 --- Typographic design --- Design --- Printing --- Soorten zetwerk. Lay-out. Typografische vormgeving --- layout [composition]