Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Fernand Deligny (1913-1996), 'poet and ethologist', is mostly known for his work with autistic children and for his influence on the revolutions in French post-war psychiatry. Though neither director nor a theorist of the image, cinema is constantly called into his social, pedagogical, and clinical experimentations. More interested in the processes of making, he distinguishes 'camering' from filming, thus emphasizing not the finished film but a 'film to come'. This volume provides Deligny's essential corpus on cinema and the image. It shows both the role of cameras in many of his experimental 'attempts' with delinquents and autistic children and his highly speculative reflections on image.

film --- filmtheorie --- filmen --- camereren --- pedagogie --- autisme --- outsider art --- kunsttheorie --- psychopathologische kunst --- 798.3 --- 798.65 --- 416.1 --- film, esthetiek en kritiek --- film, spel en regie --- Algemene kinder- en jeugdpsychologie

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Documentary films --- Digital video. --- Documentaires --- Vidéo numérique --- History and criticism. --- Histoire et critique --- 798.3 --- 799.5 --- documentaires --- film --- non-fictie --- film, esthetiek en kritiek --- filmgenres en -motieven, documentaire films --- Vidéo numérique --- Digital video --- Digital motion video --- PC video --- Video, Digital --- Computer graphics --- Digital media --- Image processing --- Multimedia systems --- History and criticism --- Digital techniques

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality."--

African Americans in motion pictures --- Race in motion pictures --- Motion picture industry --- United States --- Sociology of minorities --- Film --- Race films --- film --- filmgeschiedenis --- cinema --- filmtheorie --- zwarte cinema (Black film) --- 798.4 --- 798.3 --- Motion pictures --- Afro-Americans in motion pictures --- Negroes in moving-pictures --- Race movies --- African Americans in the motion picture industry --- film, geschiedenis der filmkunst --- film, esthetiek en kritiek --- United States of America

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

From moving images on the Internet to giant IMAX displays: The number of screens in the public and private sphere has increased significantly during the last two decades. While this is often taken to indicate the “death of cinema,” this volume attempts to reconsider the limits and specifics of film and the traditional movie theater. It analyzes notions of spectatorship, the relationship between cinema and the “uncinematic,” the contested place of installation art in the history of experimental cinema, and the characteristics of the high definition image. Further contributions discuss the ways in which cinema interacts with other arts and media such as theater and television.

Motion pictures --- History --- Philosophy. --- 798.3 --- nieuwe media --- 791.41 --- bioscopen --- computers --- cultuurfilosofie --- experimentele film --- film --- high definition --- IMAX --- installaties --- internet --- Mann Michael --- Ophuls Max --- schermen --- screens --- tabletcomputers --- televisie --- theater --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Philosophy --- film, esthetiek en kritiek --- History and criticism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"De Netflix Essays verzamelt de stemmen van vijf jonge essayisten. Als millennials hebben ze Netflix vanop de eerste rij zien uitgroeien tot het meest invloedrijke mediaplatform van onze tijd. Nu bundelen ze de krachten om zich tot series als Stranger Things en Tiger King te verhouden, elk met eigen accenten."--

mediawijsheid --- 798.3 --- Netflix --- televisieprogramma's --- televisiegeschiedenis --- televisieseries --- streamingdiensten --- media --- 798.73 --- cultuurgeschiedenis --- filmtheorie --- cultuurtheorie --- filmkritiek --- film, esthetiek en kritiek --- film, filmbedrijf - filmstudio's --- Sociology of culture --- Mass communications --- populaire cultuur --- sociologie --- TV (televisie) --- Flanders --- film --- filmgeschiedenis --- televisie --- eenentwintigste eeuw --- cultuursociologie --- 791.43 --- Filmkunst ; algemeen --- Televisieseries --- Maatschappij en televisie --- Televisieprogramma