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Literary historians have long held the view that the plays of the Greek dramatist, Sophocles deal purely with archetypes of the heroic past and that any resemblance to contemporary events or individuals is purely coincidental. In this book Michael Vickers challenges this view and argues that Sophocles makes regular and extensive allusion to Athenian politics in his plays, especially to Alcibiades, one of the most controversial Athenian politicians of his day. Vickers shows that Sophocles was no closeted intellectual but a man deeply involved in politics and he reminds us that Athenian politics was intensely personal. He argues cogently that classical writers employed hidden meanings and that consciously or sub-consciously, Sophocles was projecting onto his plays hints of contemporary events or incidents, mostly of a political nature, hoping that his audiences passion for politics would enhance the popularity of his plays.
Politics in literature. --- Greek drama (Tragedy) --- Greek literature --- Political science in literature --- History and criticism. --- Alcibiades --- Sophocles --- Sophocle --- Sófocles --- Sofoklis --- Sofokl --- Sūfūklīs --- Sofokles --- Sūtmūklīs --- Sofocle --- Sophokles --- Sofokŭl --- סופוקלס --- سوفوكليس --- Σοφοκλῆς --- Alkibiades --- Alcibiade --- Alkibiad --- In literature. --- Characters --- Alcibiades. --- Criticism and interpretation. --- Athens (Greece) --- Aḟiny (Greece) --- Atene (Greece) --- Atʻēnkʻ (Greece) --- Ateny (Greece) --- Athen (Greece) --- Athēna (Greece) --- Athēnai (Greece) --- Athènes (Greece) --- Athinai (Greece) --- Athīnā (Greece) --- Αθήνα (Greece) --- Sophoclis --- Characters.
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"Olympiodorus (AD c. 500-570), possibly the last non-Christian teacher of philosophy in Alexandria, delivered these lectures as an introduction to Plato with a biography. For us, they can serve as an accessible introduction to late Neoplatonism. Olympiodorus locates the First Alcibiades at the start of the curriculum on Plato, because it is about self-knowledge. His pupils are beginners, able to approach the hierarchy of philosophical virtues, like the aristocratic playboy Alcibiades. Alcibiades needs to know himself, at least as an individual with particular actions, before he can reach the virtues of mere civic interaction. As Olympiodorus addresses mainly Christian students, he tells them that the different words they use are often symbols of truths shared between their faiths."--Bloomsbury Publishing Olympiodorus (AD c. 500-570), possibly the last non-Christian teacher of philosophy in Alexandria, delivered these lectures as an introduction to Plato with a biography. For us, they can serve as an accessible introduction to late Neoplatonism. Olympiodorus locates the First Alcibiades at the start of the curriculum on Plato, because it is about self-knowledge. His pupils are beginners, able to approach the hierarchy of philosophical virtues, like the aristocratic playboy Alcibiades. Alcibiades needs to know himself, at least as an individual with particular actions, before he can reach the virtues of mere civic interaction. As Olympiodorus addresses mainly Christian students, he tells them that the different words they use are often symbols of truths shared between their faiths.
Philosophers --- Philosophes --- Biography. --- Biographies --- Plato. --- Neoplatonism --- Plato --- Neoplatonism - Early works to 1800 --- Philosophers - Greece - Biography --- Plato. - Alcibiades --- Philosophy. --- Mental philosophy --- Humanities --- Platon --- Aflāṭūn --- Aplaton --- Bolatu --- Platonas --- Platone --- Po-la-tʻu --- Pʻŭllatʻo --- Pʻŭllatʻon --- Pʻuratʻon --- Πλάτων --- אפלטון --- פלאטא --- פלאטאן --- פלאטו --- أفلاطون --- 柏拉圖 --- 플라톤 --- Платон --- プラトン --- Philosophy
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McCoy examines how Greek epic, tragedy, and philosophy offer important insights into the nature of human vulnerability especially how Greek thought extols the recognition and proper acceptance of vulnerability. Beginning with the literary works of Homer and Sophocles, she also expands her analysis to the philosophical works of Plato and Aristotle.
Greek literature --- Philosophy, Ancient. --- Philosophical anthropology. --- Culture --- Ethics. --- History and criticism. --- Deontology --- Ethics, Primitive --- Ethology --- Moral philosophy --- Morality --- Morals --- Philosophy, Moral --- Science, Moral --- Philosophy --- Values --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Anthropology, Philosophical --- Man (Philosophy) --- Life --- Ontology --- Humanism --- Persons --- Philosophy of mind --- Ancient philosophy --- Greek philosophy --- Philosophy, Greek --- Philosophy, Roman --- Roman philosophy --- Social aspects --- Vulnerability (Personality trait) --- Virtues in literature. --- Personality --- plato --- suffering --- wounds --- virtue --- tragedy --- homer --- vulnerability --- sophocles --- aristotle --- greek philosophy --- Achilles --- Alcibiades --- Creative Commons --- Neoptolemus --- Oedipus --- Philoctetes --- Socrates --- Theseus
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As a sustained analysis of the connections between narrative structure and meaning in the History of the Peloponnesian War, Carolyn Dewald's study revolves around a curious aspect of Thucydides' work: the first ten years of the war's history are formed on principles quite different from those shaping the years that follow. Although aspects of this change in style have been recognized in previous scholarship, Dewald has rigorously analyzed how its various elements are structured, used, and related to each other. Her study argues that these changes in style and organization reflect how Thucydides' own understanding of the war changed over time. Throughout, however, the History's narrative structure bears witness to Thucydides' dialogic efforts to depict the complexities of rational choice and behavior on the part of the war's combatants, as well as his own authorial interest in accuracy of representation. In her introduction and conclusion, Dewald explores some ways in which details of style and narrative structure are central to the larger theoretical issue of history's ability to meaningfully represent the past. She also surveys changes in historiography in the past quarter-century and considers how Thucydidean scholarship has reflected and responded to larger cultural trends.
HISTORY / Ancient / General. --- Thucydides. --- Greece --- History --- Historiography. --- Thucydides. -- History of the Peloponnesian War.. --- Greece -- History -- Peloponnesian War, 431-404 B.C.. --- Greece -- History -- Peloponnesian War, 431-404 B.C. -- Historiography. --- aegean war. --- alcibiades. --- ancient greece. --- archidamian. --- argos. --- athens. --- brasidas. --- chios. --- classical history. --- classical studies. --- community. --- delos. --- diplomacy. --- heroes. --- historiography. --- history. --- interregnum. --- ionia. --- lacedaemonians. --- locrian. --- melos. --- military history. --- military. --- narrative structure. --- narrative technique. --- narrative theory. --- narrative. --- nonfiction. --- peace. --- peloponnesian war. --- sicily. --- thucydides. --- unit of action. --- war. --- warriors.
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Civic Rites explores the religious origins of Western democracy by examining the government of fifth-century BCE Athens in the larger context of ancient Greece and the eastern Mediterranean. Deftly combining history, politics, and religion to weave together stories of democracy's first leaders and critics, Nancy Evans gives readers a contemporary's perspective on Athenian society. She vividly depicts the physical environment and the ancestral rituals that nourished the people of the earliest democratic state, demonstrating how religious concerns were embedded in Athenian governmental processes. The book's lucid portrayals of the best-known Athenian festivals-honoring Athena, Demeter, and Dionysus-offer a balanced view of Athenian ritual and illustrate the range of such customs in fifth-century Athens.
Democracy --- Religion and politics --- History --- Religious aspects --- Athens (Greece) --- Greece --- Politics and government. --- Politics and government --- Religion. --- alcibiades. --- ancient greece. --- athena. --- athenian life. --- athens. --- civic life. --- classical greece. --- demeter. --- democracy. --- democratic institutions. --- dionysus. --- festivals and games. --- greek gods. --- greek scholars. --- incantation. --- institutional religion. --- polytheism. --- private spheres. --- profaning of eleusinian mysteries. --- public spheres. --- religion and politics. --- religious cults. --- religious practices. --- retrospective. --- rites and rituals. --- ritual sacrifice. --- trial of socrates. --- world religion.
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'Darwin, Tennyson and Their Readers: Explorations in Victorian Literature and Science' is an edited collection of essays from leading authorities in the field of Victorian literature and science, including Gillian Beer and George Levine. Darwin, Tennyson, Huxley, Ruskin, Richard Owen, Meredith, Wilde and other major writers are discussed, as established scholars in this area explore the interaction between Victorian literary and scientific figures which helped build the intellectual climate of twenty-first century debates.
English literature --- Literature and science --- History and criticism. --- History --- Darwin, Charles, --- Tennyson, Alfred Tennyson, --- Huxley, Aldous, --- Wilde, Oscar, --- Wilde, Oscar --- Alcibiades, --- Tennyson, --- טניסון, אלפרד, --- טענעסאן, א., --- טעניסאן, אלפרעד, --- Darwin, Charles, Robert --- Melmoth, Sebastian, --- Uaĭlʹd, Oskar, --- C. 3. 3, --- C. Three Three, --- Ṿild, Osḳar, --- Wilde, Oscar Fingall O'Flahertie Wills, --- Ṿaild, Osḳar, --- Vaildas, Oskaras, --- Author of Lady Windermere's fan, --- Lady Windermere's fan, Author of, --- Vailds, Oskars, --- Ouailnt, Oskar, --- Uaylt, Ōskʻar, --- Уайльд, Оскар, --- Уальд, Оскар, --- וויילד, אוסקר, --- וויילד, אסקאר --- וויילד, אסקאר, --- ווילד, אסקאר --- ויילד, אוסקר --- ויילד, אוסקר, --- וילד, אוסקר --- וילד, אוסקר, --- וילד, אסקר, --- װײלד, אסקאר --- װײלד, אסקאר, --- وايلد، أوسكار --- وايلد، اسكار --- オスカー・ワイルド --- Huxley, Aldous --- Huxley, Aldous Leonard, --- Khŭksli, Oldŭs, --- Хъксли, Олдъс, --- Khaksli, Oldos, --- Хаксли, Олдос, --- Хаксли, О. --- האקסליי, אלדוס, --- הקסלי, אלדוס, --- Huxley, Aldous Leonard --- Tennyson, Alfred --- Alfred
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Is "space" a thing, a container, an abstraction, a metaphor, or a social construct? This much is certain: space is part and parcel of the theater, of what it is and how it works. In The Play of Space, noted classicist-director Rush Rehm offers a strikingly original approach to the spatial parameters of Greek tragedy as performed in the open-air theater of Dionysus. Emphasizing the interplay between natural place and fictional setting, between the world visible to the audience and that evoked by individual tragedies, Rehm argues for an ecology of the ancient theater, one that "nests" fifth-century theatrical space within other significant social, political, and religious spaces of Athens. Drawing on the work of James J. Gibson, Kurt Lewin, and Michel Foucault, Rehm crosses a range of disciplines--classics, theater studies, cognitive psychology, archaeology and architectural history, cultural studies, and performance theory--to analyze the phenomenology of space and its transformations in the plays of Aeschylus, Sophocles, and Euripides. His discussion of Athenian theatrical and spatial practice challenges the contemporary view that space represents a "text" to be read, or constitutes a site of structural dualities (e.g., outside-inside, public-private, nature-culture). Chapters on specific tragedies explore the spatial dynamics of homecoming ("space for returns"); the opposed constraints of exile ("eremetic space" devoid of normal community); the power of bodies in extremis to transform their theatrical environment ("space and the body"); the portrayal of characters on the margin ("space and the other"); and the tragic interactions of space and temporality ("space, time, and memory"). An appendix surveys pre-Socratic thought on space and motion, related ideas of Plato and Aristotle, and, as pertinent, later views on space developed by Newton, Leibniz, Descartes, Kant, and Einstein. Eloquently written and with Greek texts deftly translated, this book yields rich new insights into our oldest surviving drama.
Theater --- Space and time in literature. --- Greek drama (Tragedy) --- Greek drama --- Space and time as a theme in literature --- History --- History and criticism. --- Ancient presentation --- Presentation, Ancient --- Space and time in literature --- History and criticism --- Space perception. --- Spatial perception --- Perception --- Spatial behavior --- Figure-ground perception --- Geographical perception --- 18.43 ancient Greek literature. --- Greek drama (Tragedy). --- Grieks. --- Ruimtelijke aspecten. --- Theater. --- Théâtre --- Tragedies. --- Tragédie grecque. --- Voorstellingen (uitvoerende kunsten). --- To 500. --- Greece. --- Theater - Greece --- Theater - History - To 500 --- Greek drama (Tragedy) - History and criticism --- Aegina. --- Alcibiades. --- Amazons. --- Beckett, Samuel. --- Chomsky, Noam. --- Diogenes of Apollonia. --- Eleatics. --- Empedocles. --- Foucault, Michel. --- Gellie, George. --- Goldhill, Simon. --- Halliburton, David. --- Heidegger, Martin. --- Heraclitus. --- Jameson, Michael. --- Lewin, Kurt. --- Loraux, Nicole. --- Newton, Isaac. --- Nightingale, Andrea. --- Palladion. --- Panhellenic norms. --- Parminides. --- Pnyx. --- Seaford, Richard. --- Themistocles. --- actors. --- architecture. --- dance. --- elements. --- ephebeia. --- exile. --- hero cult. --- landscape. --- memory. --- orality. --- role doubling. --- semiotics.
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This is a collection of the late Heda Segvic's papers in ancient moral philosophy. At the time of her death at age forty-five in 2003, Segvic had already established herself as an important figure in ancient philosophy, making bold new arguments about the nature of Socratic intellectualism and the intellectual influences that shaped Aristotle's ideas. Segvic had been working for some time on a monograph on practical knowledge that would interpret Aristotle's ethical theory as a response to Protagoras. The essays collected here are those on which her reputation rests, including some that were intended to form the backbone of her projected monograph. The papers range from a literary study of Homer's influence on Plato's Protagoras to analytic studies of Aristotle's metaphysics and his ideas about deliberation. Most of the papers reflect directly or indirectly Segvic's idea that both Socrates' and Aristotle's universalism and objectivism in ethics could be traced back to their opposition to Protagorean relativism. The book represents the considerable achievements of one of the most talented scholars of ancient philosophy of her generation.
Ethics --- History. --- Action theory (philosophy). --- Agency (philosophy). --- Akrasia. --- Alcibiades. --- Allusion. --- Ambiguity. --- Analogy. --- Ancient philosophy. --- Apology (Plato). --- Aporia. --- Aristotelian ethics. --- Aristotelianism. --- Aristotle. --- Calculation. --- Callicles. --- Cambridge University Press. --- Causality. --- Chaerephon. --- Charmides (dialogue). --- Charmides. --- Concept. --- Contradiction. --- Critias (dialogue). --- Critias. --- David Wiggins. --- Determination. --- Dianoia. --- Discernment. --- Disposition. --- Ethics. --- Eudaimonia. --- Eudemian Ethics. --- Existence. --- Explanation. --- George Grote. --- Good and evil. --- Gorgias. --- Greek mythology. --- Hedonism. --- Hexis. --- Hippias. --- Homer. --- Human Action. --- Hypothesis. --- Inference. --- Inquiry. --- Intellectualism. --- Kantian ethics. --- Logos. --- Metaphor. --- Moral relativism. --- Morality. --- Nicomachean Ethics. --- Objectivity (philosophy). --- Pericles. --- Phaedo. --- Philosopher. --- Philosophical analysis. --- Philosophy. --- Phronesis. --- Plato. --- Platonic Academy. --- Platonic realism. --- Polus. --- Potentiality and actuality. --- Practical reason. --- Prodicus. --- Prohairesis. --- Protagoras. --- Rationalism. --- Rationality. --- Reason. --- Relativism. --- Republic (Plato). --- Rhetoric. --- Self-actualization. --- Socratic dialogue. --- Socratic method. --- Socratic. --- Sophism. --- Sophist (dialogue). --- Sophist. --- Subjectivity. --- Suggestion. --- Terence Irwin. --- The Death of Socrates. --- Theaetetus (dialogue). --- Theory of Forms. --- Theory. --- Thought. --- Thucydides. --- Treatise. --- Understanding. --- Value (ethics). --- Value judgment. --- Virtue. --- Voluntariness. --- Voluntary action. --- W. D. Ross. --- Writing.
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