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Widely read as school texts, the comedies by the Roman dramatist Terence have come down to us in hundreds of medieval copies. Fourteen of the manuscripts produced between 800 and 1200 were given some kind of illustration. In this volume, Beatrice Radden Keefe explores the semiotics of the imagery found in the earliest illustrated Terence manuscripts, and its relationship to the iconography of comedy and theatre from antiquity. She examines six further manuscripts to show how later illustrators abandoned this imagery to varying degrees, finding new emphases and creating new layers of meaning. Illustrators of Terence, it is demonstrated here, brought a range of interests to illustrating the comedies, clarifying their narrative, incorporating social commentary and moralisation, and linking them with Christian allegorical traditions.
Latin drama (Comedy) --- Latin drama --- Illustrations --- Manuscripts --- Terence --- Terentius Afer, Publius --- Terentius, P. --- Afer, Publius Terentius --- Afro, Publio Terencio --- Terenz --- Terencjusz --- Terent︠s︡iĭ, Publiĭ --- Terencio --- Terencio Afro, Publio --- Terentios --- Terenzio Afro, Publio --- Terenzio --- Terentius Apher, Publius --- Apher, Publius Terentius --- טרנטיוס --- Illustrations. --- Manuscripts. --- Literary semiotics --- Terentius
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Comparative literature --- Terentius Afer, Publius --- Latin drama (Comedy) --- History and criticism --- Terence. --- Terentius --- Terentius, P. --- Terence --- Afer, Publius Terentius --- Afro, Publio Terencio --- Terenz --- Terencjusz --- Terent︠s︡iĭ, Publiĭ --- Terencio --- Terencio Afro, Publio --- Terentios --- Terenzio Afro, Publio --- Terenzio --- Terentius Apher, Publius --- Apher, Publius Terentius --- טרנטיוס
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"A Companion to Terence offers the first comprehensive collection of essays on Terence in English. It includes a detailed study of Terence's plays, situating them in their socio-historical context and exploring their reception from the Classical through late antiquity, the Middle Ages, the Renaissance, to present day literature and performance. Each chapter discusses key issues in Terence, including Terence's relationship with his Greco-Roman models, his language and style, the question of performance and dramatic technique, and the socio-political background that shapes the themes, characters, structures, and cultural-political concerns. A Companion to Terence is a useful research tool for the growing number of scholars, students and critics of Terence and Roman comedy"--
Latin drama (Comedy) --- Theater --- History and criticism --- History --- Terence --- Criticism and interpretation --- History and criticism. --- Criticism and interpretation. --- Terenz --- Terenzio Afro, Publio --- Terentius Afer, Publius --- Afer, Publius Terentius --- Terentius, P. --- Afro, Publio Terencio --- Terencjusz --- Terent︠s︡iĭ, Publiĭ --- Terencio --- Terencio Afro, Publio --- Terentios --- Terenzio --- Terentius Apher, Publius --- Apher, Publius Terentius --- טרנטיוס --- Latin drama (Comedy) - History and criticism --- Theater - History - To 500 --- Theater - Rome --- Terence - Criticism and interpretation
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Classical drama (Comedy) --- Comédie classique --- History and criticism --- Histoire et critique --- Terence. --- Apollodorus, --- Terence --- -History and criticism --- Apollodorus of Carystus --- Afer, Publius Terentius --- Terentius, P. --- Afro, Publio Terencio --- Terenz --- Terentius Afer, Publius --- Terencjusz --- Terent︠s︡iĭ, Publiĭ --- Terencio --- Terencio Afro, Publio --- Terentios --- Terenzio Afro, Publio --- Terenzio --- Terentius Apher, Publius --- Apher, Publius Terentius --- טרנטיוס --- History and criticism. --- Comédie classique --- Classical drama (Comedy) - History and criticism --- Terence - Phormio --- Apollodorus, - of Carystus - Epidikazomenos
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Terence --- Apollodorus, --- Influence --- Latin drama (Comedy) --- Mothers-in-law in literature --- Greek influences --- -Latin drama --- Apollodorus of Carystus --- -Terence --- Afer, Publius Terentius --- Terentius, P. --- Afro, Publio Terencio --- Terenz --- Terentius Afer, Publius --- Terencjusz --- Terent︠s︡iĭ, Publiĭ --- Terencio --- Terencio Afro, Publio --- Terentios --- Terenzio Afro, Publio --- Terenzio --- Terentius Apher, Publius --- Apher, Publius Terentius --- טרנטיוס --- Mothers-in-law in literature. --- Greek influences. --- Terence. --- Influence. --- -Greek influences --- Latin drama --- Apollodor, --- Apollodoro, --- Latin drama (Comedy) - Greek influences
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Mothers-in-law --- Latin drama (Comedy) --- History and criticism --- Terence --- Criticism and interpretation --- Parents-in-law --- Terenz --- Terenzio Afro, Publio --- Criticism and interpretation. --- Terentius Afer, Publius --- Afer, Publius Terentius --- Terentius, P. --- Afro, Publio Terencio --- Terencjusz --- Terent︠s︡iĭ, Publiĭ --- Terencio --- Terencio Afro, Publio --- Terentios --- Terenzio --- Terentius Apher, Publius --- Apher, Publius Terentius --- טרנטיוס --- Mothers-in-law - Drama --- Latin drama (Comedy) - History and criticism --- Terence - Criticism and interpretation
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Die Adelphoe (Die Brüder) von 160 v. Chr. sind die letzte der sechs Komödien des Terenz. Sie wurden nach Menanders verlorenem gleichnamigen Stück gedichtet. Es wird versucht, einerseits aufgrund typisch menandrischer Passagen in der römischen Version das Original zu rekonstruieren, andererseits die Züge herauszuarbeiten, auf die es Terenz ankam. Es zeigt sich, daß an die Stelle griechischer Ethik römische Komik getreten ist. Besondere Aufmerksamkeit wird den aktuellen juristischen Diskussionen der Scipionenzeit gewidmet. Biographische Informationen Prof. Dr. Dr. h.c. Eckard Lefèvre war von 1
Latin drama (Comedy) --- History and criticism. --- Terence. --- Terence --- Menander, --- Criticism and interpretation. --- Menandros, --- Athens, Menander of --- Menandro, --- Ménandre, --- Menandorosu, --- Менандр, --- מינאנדרוס --- Terentius --- Terentius Afer, Publius --- Terentius, P. --- Afer, Publius Terentius --- Afro, Publio Terencio --- Terenz --- Terencjusz --- Terent︠s︡iĭ, Publiĭ --- Terencio --- Terencio Afro, Publio --- Terentios --- Terenzio Afro, Publio --- Terenzio --- Terentius Apher, Publius --- Apher, Publius Terentius --- טרנטיוס --- Komödien --- römische Komik --- juristische Diskussionen --- Menander --- Menander Comicus --- Menandro --- Ménandre --- Menandros
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Colloquial Latin --- Latijn (Taal)--Omgangstaal --- Latijn (Taal)--Spreektaal --- Latijnse omgangstaal --- Latijnse spreektaal --- Latin (Langue) familier --- Latin (Langue)--Langue parlée --- Latin language [Colloquial ] --- Latin language--Spoken Latin --- Latin language --- Comedy --- Latin (Langue) --- Comédie --- Syntax --- Style --- Syntaxe --- Stylistique --- Terence --- Comedy. --- Syntax. --- Style. --- -Latin language --- -Classical languages --- Italic languages and dialects --- Classical philology --- Latin philology --- Comic literature --- Literature, Comic --- Drama --- Wit and humor --- -Afer, Publius Terentius --- Terentius, P. --- Afro, Publio Terencio --- Terenz --- Terentius Afer, Publius --- Terencjusz --- Terent︠s︡iĭ, Publiĭ --- Terencio --- Terencio Afro, Publio --- Terentios --- Terenzio Afro, Publio --- Terenzio --- Terentius Apher, Publius --- Apher, Publius Terentius --- טרנטיוס --- Language --- -Style --- -Language --- -Comic literature --- -Terence --- Comédie --- Language. --- Afer, Publius Terentius --- Latin language - Syntax. --- Latin language - Style.
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This book offers a comprehensive examination of the language of Roman comedy in general and that of Terence in particular. The study explores Terence's use of language to differentiate his characters and his language in relation to the language of the comic fragments of the palliata, the togata and the atellana. Linguistic categories in the Terentian corpus explored include colloquialisms, archaisms, hellenisms and idiolectal features. Terence is shown to give his old men an old-fashioned and verbose tone, while low characters are represented as using colloquial diction. An examination of Eunuchus' language shows it to be closer to the Plautine linguistic tradition. The book also provides a thorough linguistic/stylistic commentary on all the fragments of the palliata, the togata and the atellana. It shows that Terence, except in the case of his Eunuchus, consciously distances himself from the linguistic/stylistic tradition of Plautus followed by all other comic poets.
Blijspel --- Comedie --- Comedy --- Comédie --- Komedie --- Latin drama (Comedy) --- Latin language --- Comédie latine --- Latin (Langue) --- History and criticism. --- Style. --- Histoire et critique --- Stylistique --- Terence --- Language. --- Comedy. --- Criticism and interpretation. --- Comédie latine --- Comic literature --- Literature, Comic --- Drama --- Wit and humor --- History and criticism --- Style --- Terenz --- Terenzio Afro, Publio --- Terentius Afer, Publius --- Criticism and interpretation --- Language --- Afer, Publius Terentius --- Terentius, P. --- Afro, Publio Terencio --- Terencjusz --- Terent︠s︡iĭ, Publiĭ --- Terencio --- Terencio Afro, Publio --- Terentios --- Terenzio --- Terentius Apher, Publius --- Apher, Publius Terentius --- טרנטיוס --- Terentius --- Arts and Humanities --- History
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Women in literature. --- Latin drama (Comedy) --- History and criticism. --- Plautus, Titus Maccius --- Terence --- Characters --- Women. --- Women in literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- History and criticism --- Terenz --- Terenzio Afro, Publio --- Plaute --- Plauto, Tito Maccio --- Terentius Afer, Publius --- Afer, Publius Terentius --- Terentius, P. --- Afro, Publio Terencio --- Terencjusz --- Terent︠s︡iĭ, Publiĭ --- Terencio --- Terencio Afro, Publio --- Terentios --- Terenzio --- Terentius Apher, Publius --- Apher, Publius Terentius --- טרנטיוס --- Plavt, Tit Makt︠s︡iĭ --- Plautus, M. Accius --- Plautus --- Plautus, M. Attius --- Plautus, Marcus Actius --- Plautus, Marcus Accius --- Plautus, Marcus Attius --- Plauto, Marco Accio --- Plautos, Titos Makkios --- פלאוטוס