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Architecture, Domestic --- Architecture, Domestic --- Architecture, Domestic --- Architecture
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Architecture, Domestic --- Architecture, Domestic --- Architecture, Domestic --- Architecture
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Architecture, Domestic --- Architecture, Domestic --- Architecture, Domestic
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Architecture, Domestic --- Architecture, Domestic --- Architecture, Domestic
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This publication brings together the results of the project 3DPAST: Living and virtual visiting European World Heritage, co-funded by the Creative Europe EU programme. The research highlighted the exceptional character and quality of living in vernacular dwellings found in World Heritage sites. This was possible by seizing the cultural space of European vernacular heritage, located in Pico island (Portugal), Cuenca town (Spain), Pienza (Italy), Old Rauma (Finland), Transylvania (Romania), Berat & Gjirokastra (Albania), Pátmos (Greece), and Upper Svaneti (Georgia). New digital realities grant the possibility to visit and to appreciate those places, to non-travelling audiences, who lack the opportunity to experience this unique heritage in situ. Creative potential is highlighted in 3D models and digital visualisations, which associate outstanding local knowledge with the vernacular expression of World Heritage.
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La villa Il Gioiello si trova sulla collina di Arcetri vicino a Firenze: qui Galileo ha passato gli ultimi anni della sua vita, agli arresti domiciliari. L'architettura riflette lo stile del sedicesimo secolo: la struttura è di proporzioni generali misurate ed armoniche. La villa, restaurata di recente, pur essendo per Galileo una prigione, fu anche per lui un osservatorio, un luogo di studio e di riposo, nelle ore che passava ad aggiustare la vigna che cresceva fuori del cortile.
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The volume reconstructs the role of the "art objects" in the renewal of identity (social, political and cultural) of the Mannelli family, among the oldest families of the Florentine patriciate. During the 17th Century the main exponents adopted a lifestyle inspired by the Medici court, gradually dismantling, but at different times, the dress of the merchant. The analysis of the main town and countryside residences and of the displaying of the objects of art, conducted on a documentary basis and with the "display of art" critical tools, returns the fundamental stages of the renewal process and, together with numerous autonomous episodes of unpublished patronage and collecting, the emergence of common narrative strategies of historical and political identity through art objects.