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Art de la Renaissance --- Catalogues d'exposition. --- Renaissance --- art [fine art] --- Art --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- Toulouse --- Art, Renaissance --- Exhibitions --- art [discipline]
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Raphaël --- Raphael, --- France --- Bayonne (France) --- Art de la Renaissance. --- Art, Renaissance. --- Drawing --- Painting --- drawings [visual works] --- Raphael --- Musée Bonnat-Helleu [Bayonne] --- Italiaanse school
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Le thème de la relation entre l’image et le désir érotique est central. Combinant l’inventivité de l’interprétation avec la rigueur impeccable de la meilleure histoire de l’art, l’ouvrage se déplace avec élégance et perspicacité entre les sources anciennes et modernes, entre les textes théoriques et les récits historiques, entre les catalogues et les archives des musées, peignant une fresque à la fois pleine de nuances et toujours cohérente, capable de donner à l’observateur une vue d’ensemble, le tout sur fond de croyance ancestrale selon laquelle une image au moment de la conception pouvait influencer l’enfant à naître. En procédant de détail en détail, de ceux-ci à la construction picturale de l’œuvre, et de l’œuvre à son contexte, puis en revenant, avec une volée herméneutique, sur l’œuvre et ses spécificités. L’Image féconde fait revivre une époque et ses humeurs les plus profondes, retraçant les liens entre ses artistes et ses mécènes, exaltant ses protagonistes et leur aspiration à une sublime descendance.
Art de la Renaissance --- Désir --- Thèmes, motifs --- Corrège, Le --- Frédéric --- Art --- eroticism --- fertility --- Renaissance --- Gonzaga [Family] --- anno 1400-1499 --- anno 1500-1599
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"Did the Florentine philosopher Marsilio Ficino (1433-99) influence the art of his time? Art historians have been fiercely debating this question for decades. This book starts with Ficino's views on the imagination as a faculty of the soul, and shows how these ideas were part of a long philosophical tradition and inspired fresh insights. This approach, combined with little known historical material, offers a new understanding of whether, how and why Ficino's Platonic conceptions of the imagination may have been received in the art of the Italian Renaissance. The discussion explores Ficino's possible influence on the work of Botticelli and Michelangelo, and examines the appropriation of Ficino's ideas by early modern art theorists"--
Aesthetics of art --- philosophy of art --- Ficinus, Marsilius --- Imagination (Philosophy) --- Art, Renaissance --- Imaginaire (Philosophie) --- Art de la Renaissance (Philosophie) --- Philosophy. --- Ficino, Marsilio, --- Influence.
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Art styles --- Musée national de la renaissance [Ecouen] --- anno 1400-1499 --- anno 1500-1599 --- France --- Art, Renaissance --- Art de la Renaissance --- Ecouen (France) --- Catalogs --- Catalogues --- Château d'Ecouen (Ecouen) --- museumcollecties --- renaissance --- toegepaste kunsten --- wandtapijten --- Musée national de la renaissance [Écouen] --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- wandtapijt --- Art de la Renaissance - France - Ecouen - Catalogues --- Ecouen --- Château d'Ecouen (Ecouen). --- museumcollecties. --- wandtapijten.
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History of civilization --- Art --- anno 1500-1599 --- anno 1400-1499 --- Rhine --- Exhibitions --- Art de la Renaissance --- Rhénanie (Allemagne) --- Civilisation --- Art, German --- Art, Renaissance --- Renaissance art --- Rhénanie (Allemagne) --- renaissance --- humanisme --- 15de eeuw --- 16de eeuw --- Duitsland
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History --- Renaissance --- Art --- Tudor --- Tudor [Dynasty] --- Stuart [Dynasty] --- anno 1400-1499 --- anno 1500-1599 --- England --- Art and state --- Art patronage --- Art, English --- Art, Renaissance --- Mécénat --- Art anglais --- Art de la Renaissance --- Politique gouvernementale --- Angleterre --- Civilization --- Civilisation --- Mécénat --- vorstenportret
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Part of table of contents: Miguel Falomir: Introduction, Paul Barolsky: The Elusive Raphael, Sheryl Reiss: Raphael, Pope Leo X, and Cardinal Giulio de Medici, Carmen C. Bambach: Leonardo and Raphael, circa 1513-16, Timothy Clifford: Raphael and the Decorative Arts, Lorraine Karafel: Raphael's Tapestries, Christa Gardner von Teuffel: Raphael's Visitation: Law, Concord, Female Hierarchy and Peace, Roberto Bartalini: Da Raffaello a Sodoma. Sulla camera nuziale di Agostino Chigi alla Farnesina, Costanza Barbieri: Sebastiano del Piombo, Raphael, and Agostino Chigi's Patronage, David Franklin: Rafaellino del Colle and Giulio Romano, Arnold Nesselrath: Giovanni da Udine in Raphael's Workshop, Linda Wolk-Simon: Pellegrino da Modena.
late works --- Raphael --- Art, Italian --- Art, Renaissance --- Art italien --- Art de la Renaissance --- Exhibitions. --- Expositions --- Raphael, --- Exhibitions --- Raphaël (1483-1520) --- --Raphaël (1483-1520) --- --late works --- --Art, Italian --- Congresses --- Painting [Renaissance ] --- Italy --- --Raphael --- Raphaël (1483-1520)
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art history --- art historians --- art theory --- Michelangelo --- Vasari, Giorgio --- Art, Renaissance --- Art, Italian. --- Artists --- Art and literature --- Art de la Renaissance --- Art italien --- Artistes --- Art et littérature --- History. --- Histoire --- Vasari, Giorgio, --- Art et littérature --- Buonarroti, Michelangelo
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Art --- Visconti [Family] --- Sforza [Family] --- anno 500-1499 --- Lombardy --- Art, Italian --- Art, Gothic --- Art, Renaissance --- Art patronage --- Art italien --- Art gothique --- Art de la Renaissance --- Mécénat --- Exhibitions --- Expositions --- Mécénat --- Lombardije, school van