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How were they made ? : Materials and manufacturing techniques of ancient artefacts
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Year: 2015 Publisher: Athens: Museum of Cycladic Art,

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Greece --- Artists' materials

Des liants et des couleurs pour servir aux artistes peintres et aux restaurateurs : commentaires de l'ouvrage De la peinture à l'huile, de J.-F.-L. Mérimée (1830) et compléments jusqu'à nos jours
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ISBN: 9782905519245 290551924X Year: 1995 Publisher: Puteaux: Erec,

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The materials and methods of sculpture
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Year: 1947 Publisher: New York (N.Y.) : Oxford university press,

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Entwicklung und Werkstoffe der Tafelmalerei
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ISBN: 3500295401 Year: 1982 Publisher: Walluf, Nendeln : Sändig,

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Artists' pigments : a handbook of their history and characteristics
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Year: 1986 Publisher: Washington : National Gallery of Art,

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Artist's manual : a complete guide to painting and drawing materials and techniques
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ISBN: 0811813770 Year: 1996 Publisher: San Francisco Chronicle Books

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Artists' materials --- Art --- Technique

The Artist's Handbook of Materials and Techniques.
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ISBN: 0670837016 Year: 1991 Publisher: New York Viking Penguin

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The Arts of Asia : Materials-Techniques-Styles.
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ISBN: 0500238235 Year: 2005 Publisher: London Thames & Hudson

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Malmaterial und seine Verwendung im Bilde : nach den Vorträgen an der Akademie der Bildenden Künste in München
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Year: 1928 Publisher: Berlin : B. Harz,

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Materiality in Roman Art and Architecture : Aesthetics, Semantics and Function
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Year: 2021 Publisher: Berlin ; Boston : De Gruyter,

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The focus of this volume is on the aesthetics, semantics and function of materials in Roman antiquity between the 2nd century B.C. and the 2nd century A.D. It includes contributions on both architectural spaces (and their material design) and objects - types of 'artefacts' that differ greatly in the way they were used, perceived and loaded with cultural significance. With respect to architecture, the analysis of material aesthetics leads to a new understanding of the performance, imitation and transformation of surfaces, including the social meaning of such strategies. In the case of objects, surface treatments are equally important. However, object form (a specific design category), which can enter into tension with materiality, comes into particular focus. Only when materials are shaped do their various qualities emerge, and these qualities are, to a greater or lesser extent, transferred to objects. With a focus primarily on Roman Italy, the papers in this volume underscore the importance of material design and highlight the awareness of this matter in the ancient world.

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