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Jan Brueghel, der ältere (1568-1625), die Gemälde mit kritischem Oeuvrekatalog
Authors: ---
ISBN: 3770111346 9783770111343 Year: 1979 Publisher: Köln DuMont


Book
Le siècle de Rubens dans les collections publiques françaises
Authors: --- --- --- --- --- et al.
ISBN: 2711800776 9782711800773 Year: 1977 Publisher: Paris Éditions des musées nationaux

Van Eyck : Die Begründer der altniederländischen Malerei
Authors: ---
ISBN: 379131033X Year: 1989 Publisher: München Prestel

Cornelis Schut (1597-1655) : a Flemish painter of the High Baroque
Authors: ---
ISBN: 2503504426 9782503504421 Year: 1996 Volume: 1 Publisher: Turnhout Brepols


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Rubens and his circle : studies by Julius S. Held
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ISBN: 0691003327 Year: 1982 Publisher: Princeton, N.J. Princeton University Press

Petrus Christus : his place in fifteenth-century Flemish painting
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ISBN: 0271006722 9780271006727 Year: 1990 Publisher: University Park London The Pennsylvania State University Press


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Fiamminghi a Roma 1508-1608 : proceedings of the symposium held at Museum Catharijneconvent, Utrecht, 13 march 1995

Petrus Christus in Renaissance Bruges : an interdisciplinary approach.
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ISBN: 0870997513 2503504442 9782503504445 Year: 1995 Publisher: Turnhout Brepols


Book
Anonymous Masters
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ISBN: 9782503530581 9782503530598 2503530591 Year: 2009 Volume: Volume V

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Abstract

The fifth volume examines all the works painted by anonymous masters. Most works of the 15th and early 16th centuries are not signed. Several of these works have not proved possible to attribute to a known painter or to a master with a provisional name. These works, labelled as anonymous, have been little studied until now, because they are in general thought to be of lesser quality, and because researchers have prioritised the study of more important masters. It is, however, becoming increasingly apparent that these reflect the ongoing production of the time in the Southern Netherlands. Beside the fact that these paintings represent the themes that enjoyed a certain popularity at the time, their study opens perspectives onto the socio-economic context and workshop practice. These paintings could be destined for a broad market and betray different working methods allowing for swift execution in several copies. Furthermore, two of these anonymous works, dating from around 1400 or a little bit later, rank amongst the rare representatives of pictorial production in the Southern Netherlands prior to the technical innovations introduced by the Flemish Primitives. This production is by convention called pre-Eyckian painting.

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