Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This 2002 volume brings together major works by German thinkers, writing just prior to and after Kant, who were enormously influential in this crucial period of aesthetics. These texts include the first translation into English of Schiller's Kallias Letters and Moritz's On the Artistic Imitation of the Beautiful, together with translations of some of Hölderlin's most important theoretical writings and works by Hamann, Lessing, Novalis and Schlegel. In a philosophical introduction J. M. Bernstein traces the development of aesthetics from its still rationalist and mimetic construction in Lessing, through the optimistic construal of art and/or beauty as the appearance of human freedom in the work of Schiller, to Hölderlin's darker vision of art as the memory of a lost unity, and the variations of that theme - of an impossible striving after the lost ideal - which are found in the work of Schlegel and Novalis.

Aesthetics, German. --- Arts, Classical --- Classical arts --- German aesthetics --- Aesthetics. --- Philosophy. --- Aesthetics, German --- Aesthetics --- Philosophy --- Philosophy, German --- Esthétique allemande --- Philosophie allemande --- Hölderlin, Friedrich, --- Novalis, --- Schlegel, Friedrich von, --- Arts and Humanities

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

oudheid --- geschiedenis --- theater --- architectuur (bouwwerken) --- profane iconografie --- spel --- dans --- sport --- Arts and society --- -Arts, Classical --- -Entertainment events --- -Amusements --- Classical arts --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- History --- Social aspects --- Arts, Classical --- Entertainment events --- -History --- -Classical arts --- Amusements --- Mediterranean region --- Congresses --- Festivals in art --- Performing arts --- Greece --- Rome --- Rites and ceremonies --- Performance --- Theater --- Spectacular, The --- theater, toneel, toneelvoorstelling --- burgerlijke architectuur; gebouwen; huisvesting --- dansen --- Arts and society - Mediterranean Region - Congresses --- Entertainment events - Mediterranean Region - Congresses --- Arts, Classical - Mediterranean Region - Congresses --- Arts and society - Greece - Congresses --- Arts and society - Rome - Congresses --- Rites and ceremonies - Greece - History - Congresses --- Rites and ceremonies - Rome - History - Congresses --- Performance - Social aspects - Greece - Congresses --- Performance - Social aspects - Rome - Congresses --- Theater - Rome - History - Congresses --- Theater - Greece - History - Congresses --- Spectacular, The - Congresses

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"This monograph studies the constructions of 'impressive' historical descent manufactured to create 'national', regional, or local antiquities in early modern Europe (1500-1700), especially the Netherlands. This was a period characterised by important political changes and therefore by an increased need for legitimation; a need which was met using historical claims. Literature, scholarship, art and architecture were pivotal media that were used to furnish evidence of the impressively old lineage of states, regions or families. These claims related not only to Classical antiquity (in the generally-known sense) but also to other periods that were regarded as periods of antiquity, such as the chivalric age. The authors of this volume analyse these intriguing early modern constructions of appropriate 'antiquities' and investigate the ways in which they were applied in political, intellectual and artistic contexts in Europe, especially in the Northern Low Countries"--

Arts, Classical --- Civilization, Modern --- Classical antiquities --- Classicists --- Influence. --- Classical influences. --- Political aspects --- Study and teaching --- Study and teaching. --- Attitudes. --- Europe. --- Netherlands. --- Politics --- Art --- History of civilization --- Ancient history --- Antique, the --- influence --- anno 1500-1599 --- anno 1600-1699 --- Europe --- Attitudes --- Influence --- Classical influences --- Antiquities, Classical --- Antiquities, Grecian --- Antiquities, Roman --- Archaeology, Classical --- Classical archaeology --- Roman antiquities --- Antiquities --- Archaeological museums and collections --- Art, Ancient --- Classical philology --- Modern civilization --- Modernity --- Civilization --- Renaissance --- Classical arts --- Classical scholars --- Classics scholars --- Hellenists --- Latinists --- Philologists --- Scholars --- History --- 930.85.44 --- 930.85.44 Cultuurgeschiedenis: Renaissance --- Cultuurgeschiedenis: Renaissance --- Civilization, Classical --- Classical antiquities - Study and teaching - Netherlands --- Classical antiquities - Political aspects - Netherlands --- Classicists - Attitudes --- Arts, Classical - Influence --- Civilization, Modern - Classical influences --- Classical antiquities - Study and teaching - Europe --- Classical antiquities - Political aspects - Europe --- cultuurgeschiedenis --- kunst en politiek

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

7.04 <38> --- 87.04 --- Arts, Classical --- Odysseus (Greek mythology) --- -Classical arts --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding--Oud-Griekenland --- Klassieke literatuur: thema's --- Art --- Homer --- Odysseus (Greek mythology) in literature --- -Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding--Oud-Griekenland --- 87.04 Klassieke literatuur: thema's --- 7.04 <38> Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding--Oud-Griekenland --- Hóiméar --- Hūmīrūs --- Homeros --- Homerus --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Homère --- Classical arts --- Homer. --- Homerus.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

On ne propose pas ici un ouvrage de plus sur les œuvres d'art ni sur les institutions artistiques de l'époque révolutionnaire, mais bien plutôt une étude sur la manière dont les hommes de la Révolution ont parlé de l'art et, plus particulièrement, de la peinture et de la sculpture. Du printemps de 1789 à l'automne de 1799, un discours artistique se forme et s'infléchit : il est inspiré par les thèmes fondateurs de la liberté et de la régénération, dont les contradictions et les ambiguïtés éclatent dès 1790 avec les débats sur l'iconoclasme et le patrimoine. Le premier problème qui se pose à la conscience révolutionnaire est en effet celui de gérer l'héritage de l'Ancien Régime. Le pouvoir parvient à élaborer en l'an II une doctrine qui ne variera plus. Au même moment, et au prix d'une étonnante manipulation de l'histoire, la Révolution revendique la succession de l'art universel que son discours nationalise au nom de la liberté. La conservation ou l'annexion des chefs-d'œuvre du passé se justifie avant tout par la nécessité de disposer des modèles nécessaires, selon la tradition académique, à la régénération de l'art. Il s'agit alors de savoir si la vocation des artistes français est de ressusciter Athènes, ou bien de chercher dans les annales de la République les thèmes d'un art triomphal. Aux questions sur l'unité ou la discontinuité de la Révolution, cet ouvrage voudrait apporter un élément de réponse. Les thèses élaborées en l'an II sont développées, plutôt que contestées, par les proclamations officielles, les traités théoriques, l'enseignement et la critique des années du Directoire. Tandis que la pensée lucide et courageuse d'un opposant comme Quatremère de Quincy domine de très haut les plaidoyers de circonstance, la véritable nouveauté réside dans la lente et encore timide émergence d'un statut historique qui apporte à l'art une promesse de dignité et de sauvegarde.

Histoire des mentalités --- --France --- --Art --- --Révolution française, --- Cultural property --- Protection --- History --- France --- Art and the revolution --- Cultural policy --- Arts, Classical --- -Cultural property --- -Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Classical arts --- Influence --- -History --- -France --- -Art and the revolution. --- -Historiography. --- -Influence --- Pʻŭrangsŭ --- Frankrig --- Francja --- Frant︠s︡ii︠a︡ --- Prantsusmaa --- Francia (Republic) --- Tsarfat --- Tsorfat --- Franḳraykh --- Frankreich --- Fa-kuo --- Faguo --- Франция --- French Republic --- République française --- Peurancih --- Frankryk --- Franse Republiek --- Francland --- Frencisc Cynewīse --- فرنسا --- Faransā --- Franza --- Republica Franzesa --- Gallia (Republic) --- Hyãsia --- Phransiya --- Fransa --- Fransa Respublikası --- Franse --- Францыя --- Frantsyi︠a︡ --- Французская Рэспубліка --- Frantsuzskai︠a︡ Rėspublika --- Parancis --- Pransya --- Franis --- Francuska --- Republika Francuska --- Bro-C'hall --- Френска република --- Frenska republika --- França --- República Francesa --- Pransiya --- Republikang Pranses --- Γαλλία --- Gallia --- Γαλλική Δημοκρατία --- Gallikē Dēmokratia --- فرانسه --- Farānsah --- צרפת --- רפובליקה הצרפתית --- Republiḳah ha-Tsarfatit --- פראנקרייך --- 法国 --- 法蘭西共和國 --- Falanxi Gongheguo --- フランス --- Furansu --- フランス共和国 --- Furansu Kyōwakoku --- Francija --- Ranska --- Frankrike --- Cultural heritage --- France (Provisional government, 1944-1946) --- Art and the revolution. --- Historiography. --- Art et révolution --- Liberté --- Art --- Art et politique --- Dans l'art --- Philosophie --- Dans l'art. --- Art et révolution. --- Fa-lan-hsi --- Falanxi --- Frankrijk --- Frant︠s︡ --- Frant︠s︡ Uls --- Франц --- Франц Улс --- 法蘭西 --- 프랑스 --- Révolution française, 1789-1799 --- Cultural property - Protection - France - History - 18th century --- France - History - Revolution, 1789-1799 - Art and the revolution --- France - Cultural policy - History - 18th century