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Painting --- Ribera, de, Jusepe --- Painting, Baroque --- 75.071 RIBERA --- CDL --- Baroque painting --- Paintings, Baroque --- Ribera, Jusepe de, --- Ribera, José de, --- Ribera, Josep de, --- Españoleto, --- Spagnoletto, --- Ribera, Josef, --- Espagnolet, --- Ribera, Khusepe, --- Rivera, José de, --- Ribera, Juan Jusepe, --- Ribera Giuseppe, --- Ribera, Jusepe de
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Painting --- Caravaggism --- Caravaggio --- Kunsthistorisches Museum [Vienna] --- anno 1600-1699 --- Europe --- Painting, Baroque --- Painting, European --- Baroque painting --- Paintings, Baroque --- European painting --- Caravaggio, Michelangelo Merisi da, --- Karavadzho, Mikelʹandzhelo da, --- Merizi, Mikelʹandzhelo, --- Merisi, Michelangelo, --- Amerighi, Michelangelo, --- Caravaggio, --- Merisio, Michelangelo, --- Da Caravaggio, Michelangelo Merisi, --- Merisi da Caravaggio, Michelangelo, --- Caravage, --- Merisi, Michelange, --- Caravage, Michelange de, --- Caravaggi, M. de --- קרוואג׳יו --- Influence --- Kunsthistorisches Museum Wien --- invloed van Italiaanse school
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Painting --- Iconography --- anno 1600-1699 --- Spain --- Painting, Spanish. --- Peinture baroque --- Peinture espagnole --- Christianisme et art --- Painting, Spanish --- -Painting, Spanish --- In art. --- -In art --- -Baroque painting --- Painting, Baroque --- -Art and society --- Paintings, Baroque --- Art --- Art and sociology --- Society and art --- Sociology and art --- History --- -Social aspects --- Catholic Church --- Art and society --- Baroque painting --- Social aspects --- Christian religion --- In art --- Christianity and art --- Art et société --- Catholic Church. --- Eglise catholique --- Church of Rome --- Roman Catholic Church --- Katholische Kirche --- Katolyt︠s︡ʹka t︠s︡erkva --- Römisch-Katholische Kirche --- Römische Kirche --- Ecclesia Catholica --- Eglise catholique-romaine --- Katolicheskai︠a︡ t︠s︡erkovʹ --- Chiesa cattolica --- Iglesia Católica --- Kościół Katolicki --- Katolicki Kościół --- Kościół Rzymskokatolicki --- Nihon Katorikku Kyōkai --- Katholikē Ekklēsia --- Gereja Katolik --- Kenesiyah ha-Ḳatolit --- Kanisa Katoliki --- כנסיה הקתולית --- כנסייה הקתולית --- 가톨릭교 --- 천주교 --- Painting, Baroque - Spain --- Painting, Spanish - 17th century
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Investigating Baroque painting from Genoa, this book features the work of native-born artists such as Bernado Strozzi and Valerio Castello, and those influential outside painters, Peter Paul Rubens and Anthony Van Dyck, who lived/worked in the city.
Art --- anno 1600-1699 --- Parodi, Filippo --- Strozzi, Bernardo --- Rubens, Peter Paul --- Castiglione, Giovanni Benedetto --- Paggi, Giovanni Battista --- Ferrari, de', Gregorio --- Gaulli, Giovanni Battista --- Magnasco, Alessandro --- Assereto, Gioacchino --- Castello, Valerio --- Piola, Domenico --- Ferrari, de, Orazio --- Gentileschi, Orazio --- Dyck, van, Anthony --- Guidobono, Bartolommeo --- Painting [Baroque ] --- Italy --- Genoa (Italy) --- Exhibitions --- Painting [Italian ] --- CDL --- 75.034 --- Painting, Baroque --- Painting, Italian --- Italian painting --- Baroque painting --- Paintings, Baroque --- Genua, school van
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Architecture, Baroque --- Art, Baroque --- Sculpture, Baroque --- Painting, Baroque --- Architecture baroque --- Art baroque --- Sculpture baroque --- Peinture baroque --- Histoire --- Histoire de l'architecture --- Histoire de la peinture --- Histoire de la sculpture --- Art baroque. --- Architecture baroque. --- kunst --- barok --- beeldhouwkunst --- schilderkunst --- zestiende eeuw --- zeventiende eeuw --- 7.034 --- architectuur --- naslagwerk --- Duitsland --- Italië --- Frankrijk --- Spanje --- achttiende eeuw --- Groot-Brittannië --- België --- 75.034 --- 73.034 --- Baroque painting --- Paintings, Baroque --- Baroque architecture --- Baroque art --- Baroque sculpture
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Astronomy in art
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Painting, Baroque
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-#BIBC:ruil
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Exhibitions --- oil sketches --- painting and painting techniques --- inspiration --- preliminary sketches [sketches] --- easel paintings [paintings by form] --- Rubens, Peter Paul --- painting techniques --- painting [image-making] --- Painting, Baroque --- Baroque painting --- Paintings, Baroque --- Italian influences --- Rubens, Peter Paul, --- Rubens, Pieter Paul --- Rubens --- Rubens, P. P. --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- רובנס, פטר פאול, --- Themes, motives --- Rubens, --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- Rubens, Peter Paul.
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Mannerism (Art) --- -Mannerism (Art) --- -Painting, Baroque --- -Painting, Italian --- -Italian painting --- Baroque painting --- Paintings, Baroque --- Art --- Exhibitions --- Carracci family --- -Exhibitions --- Emilia-Romagna --- Carracci (familie) --- Emilië --- Painting --- anno 1600-1699 --- anno 1500-1599 --- Painting, Baroque --- Painting, Italian --- Italian painting --- Exhibitions. --- schilderkunst --- Correggio, Antonio Allegri --- 16de eeuw --- 17de eeuw --- Painting [Italian ] --- Bologna (Italy) --- Art [Renaissance ] --- Carraci family --- Painting [Baroque ] --- Italy --- Correggio, Antonio Allegri. --- Carracci (familie). --- 16de eeuw. --- 17de eeuw. --- Emilië.
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This book examines how Murillo constructed his paintings and the devices he employed to provoke responses in the viewer, both then and now. Murillo has attracted particular attention from historians since the seventeenth century to the present day, though opinions of his oeuvre have varied from period to period. The communicative power of his paintings, both then and now, has led him to be used and exploited for different ends. He deliberately cultivated this quality from the time he became an accomplished artist in his native Seville, where he enjoyed great prestige during his lifetime thanks to the resources of his art, his talent and his ability to elicit emotions and arouse passions. His paintings, as if they were prophecies, can only be understood from a visual culture approach and by analysing what his images provoke. Their seemingly easy and familiar appearance is merely the mirror that Murillo, with his command of local codes and the devices of painting, places in front of viewers to trigger a complex empathetic process designed solely to persuade and seduce them, often anticipating their response.
Murillo, Bartolomé Esteban, --- Murillo, Bartolomé Esteban, --- Criticism and interpretation. --- Painting --- Spanish Renaissance-Baroque styles --- Murillo, Bartolomé Esteban --- Painting, Spanish --- Painting, Baroque --- Criticism and interpretation --- Painters --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Baroque painting --- Paintings, Baroque --- Artists --- Murillo, Bartolomé Esteban --- Murillo, --- Murilʹo, Bartolome Ėstevan, --- Murillo, Bartolomé Esteban, - 1617-1682 - Criticism and interpretation. --- Murillo, Bartolomé Esteban, - 1617-1682 --- Murillo --- receptiegeschiedenis --- Murillo, Bartolomé Esteban, - 1617-1682
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Die italienische Kunst fand in der Monumentalmalerei der Renaissance und des Barock zu faszinierenden, oft überwältigenden Lösungen. Michelangelos 'Sixtinische Decke', das 'Jüngste Gericht', Fresken Raffaels und Annibale Carraccis zählen zu den eindrucksvollsten Schöpfungen der Kunstgeschichte. Über Jahrhunderte hinweg prägten Holzschnitte, Kupferstiche und Radierungen die Vorstellung von diesen Meisterwerken massgeblich mit. Welche Strategien wurden entwickelt, die Dekorationen druckgraphisch zu inszenieren? Wie gelang es, Kuppelmalereien in die ebene Fläche des Papiers zu übertragen? Antwort auf diese Fragen geben hochkarätige Blätter und Montagen Von Mantegna bis Tiepolo, von Andrea Andreani, Giulio Bonasone bis Carlo Cesio. Die Staatliche Graphische Sammlung München stellt in einer Überschau herausragende Beispiele dieses bisher wenig beachteten Zweiges der Druckgraphik in den Mittelpunkt. Der Ausstellungskatalog zeigt, wie sich Kunst in neue Kunst verwandelt, wie Komplexes und Grosses ins leicht Lesbare und Handliche der Graphik übersetzt wurde. Neben ausgewählten Hauptwerken erfasst der Katalog den Gesamtbestand von fast 1.000 Blättern nach Wand und Deckenbildern, unter anderem aufgeschlüsselt nach Druckgraphikern, erfindenden Malern und Orten.
Painting --- Graphic arts --- mural paintings [visual works] --- prints [visual works] --- anno 1500-1799 --- anno 1400-1499 --- Italy --- Prints, Italian --- Painting, Renaissance --- Painting, Baroque --- Oil painting --- Painting, Primitive --- Paintings --- Influence --- Reproduction --- Baroque painting --- Paintings, Baroque --- Paintings, Renaissance --- Renaissance painting --- 76 <45> --- 76 <064> --- 76 <064> Grafische kunsten. Grafiek. Prentkunst--Tentoonstellingscatalogi. Museumcatalogi --- Grafische kunsten. Grafiek. Prentkunst--Tentoonstellingscatalogi. Museumcatalogi --- 76 <45> Grafische kunsten. Grafiek. Prentkunst--Italië --- Grafische kunsten. Grafiek. Prentkunst--Italië