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Enfants acteurs. --- Enfants --- Child actors. --- Children in motion pictures. --- Au cinéma. --- Child actors --- Children in motion pictures --- 791.43 --- adolescentie --- Doillon Jacques --- film --- filmgeschiedenis --- kinderen --- Spielberg Steven --- Truffaut François --- twintigste eeuw --- Children as actors --- Actors --- Childhood in motion pictures --- Motion pictures
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Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre provides a new approach to the study of early modern boy actors, offering a historical re-appraisal of these performers' physical skills in order to reassess their wide-reaching contribution to early modern theatrical culture. Ranging across drama performed from the 1580s to the 1630s by all-boy and adult companies alike, the book argues that the exuberant physicality fostered in boy performers across the early modern repertory shaped not only their own performances, but how and why plays were written for them in the first place. Harry R. McCarthy's ground-breaking approach to boy performance draws on detailed analysis of a wide range of plays, thorough interrogation of the cultural contexts in which they were written and performed, and present-day practice-based research, offering a critical reimagining of this important and unique facet of early modern theatrical culture.
Child actors --- Theater --- English drama --- History --- History and criticism. --- Children as actors --- Actors --- Theatrical science --- History of civilization --- History of the United Kingdom and Ireland --- anno 1500-1599 --- anno 1600-1699 --- Acting --- actors [performing artists] --- England
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In Precocious Charms, Gaylyn Studlar examines how Hollywood presented female stars as young girls or girls on the verge of becoming women. Child stars are part of this study but so too are adult actresses who created motion picture masquerades of youthfulness. Studlar details how Mary Pickford, Shirley Temple, Deanna Durbin, Elizabeth Taylor, Jennifer Jones, and Audrey Hepburn performed girlhood in their films. She charts the multifaceted processes that linked their juvenated star personas to a wide variety of cultural influences, ranging from Victorian sentimental art to New Look fashion, from nineteenth-century children's literature to post-World War II sexology, and from grand opera to 1930's radio comedy. By moving beyond the general category of "woman," Precocious Charms leads to a new understanding of the complex pleasures Hollywood created for its audience during the half century when film stars were a major influence on America's cultural imagination.
Child actors --- Motion pictures --- Teenage girls in motion pictures. --- Girls in motion pictures. --- Children as actors --- Actors --- History --- Adolescentes --- Enfants acteurs --- Cinéma --- Au cinéma. --- Histoire et critique. --- actresses. --- american culture. --- audrey hepburn. --- child actors. --- child stars. --- cinema studies. --- classical hollywood. --- cultural history. --- cultural imagination. --- deanna durbin. --- elizabeth taylor. --- female stars. --- film historians. --- film history. --- film industry. --- film scholars. --- film studies. --- girlhood. --- historical. --- hollywood image. --- hollywood women. --- jennifer jones. --- mary pickford. --- new look fashion. --- personas. --- sexology. --- shirley temple. --- victorian. --- women and girls. --- youthfulness.
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"Like other English Renaissance writers and dramatists, Shakespeare was attracted to the heroine in male disguise. Gender in Play on the Shakespearean Stage examines the use of this type of character--man playing woman playing man--by framing five plays by Shakespeare against readings of some of the other "female page" plays written by other playwrights of the period. The many variations Michael Shapiro traces are placed in the context of female cross-dressing as a social phenomenon and in the context of female impersonation as the standard way of representing women on the Shakespearean stage. Shakespeare's use of the female page spanned his entire career: The Two Gentlemen of Verona (an early comedy), The Merchant of Venice, As You Like It, Twelfth Night (mature romantic comedies), and Cymbeline (a late romance). Shapiro deploys several modes of literary criticism to establish the distinctiveness of each of Shakespeare's five disguised heroine plays and to trace the subtle and ingenious variations on the motif by such writers as Greene, Fletcher, Chapman, Middleton, Jonson, and Ford. The popularity of the "female page" is examined as a playful literary and theatrical way of confronting, avoiding, or merely exploiting issues such as the place of women in a patriarchal culture and the representation of women on stage. Looking beyond and behind the stage for the cultural anxieties that cross-dressing London women being punished as prostitutes and speculation that the apprentices who played female roles in adult companies engaged in homoerotic practices. [This book] will appeal not only to scholars of Renaissance drama but to any reader interested in the historical construction and analysis of gender and sexuality, both on- and offstage"-- Back cover.
Theatrical science --- Thematology --- Shakespeare, William --- Theâtre --- Rôle selon le sexe --- Women in the theater. --- Women in literature. --- Theater --- Theater. --- Sex role in literature. --- Gender identity in the theater. --- Gender identity in literature. --- Disguise in literature. --- Cross-dressing in literature. --- Child actors. --- Travestisme dans la litterature. --- Femmes dans la litterature. --- Deguisement dans la litterature. --- Rôle selon le sexe dans la litterature. --- Identite de genre dans la litterature. --- Enfants acteurs --- Femmes au theâtre --- Identite de genre au theâtre --- Child actors --- Women in the theater --- Gender identity in the theater --- Identite sexuelle --- Dans la litterature. --- Casting. --- Histoire --- Distribution artistique --- History --- Casting --- Shakespeare, William, --- Characters --- Women. --- Dramatic production. --- Stage history --- England.
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English literature --- Thematology --- Theatrical science --- anno 1600-1699 --- anno 1500-1599 --- Child actors --- English drama --- Gay men in literature. --- Homosexuality and literature --- Male homosexuality, in literature. --- Puns and punning in literature. --- Sex in literature. --- Sexual orientation in literature. --- Theater --- History --- History and criticism.
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#SBIB:309H040 --- #SBIB:309H043 --- #SBIB:316.7C140 --- Populaire cultuur algemeen --- Populaire cultuur en massacultuur en “performers” --- Cultuursociologie: cultuur en globale samenlevingen --- Child actors --- Fame --- Performing arts and children --- Children and the performing arts --- Children --- Children as actors --- Actors --- Social aspects --- Enfants acteurs --- Célébrités --- Enfants --- Aspect social
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Originally published in 2005, this book provides a detailed study of the Children of the Queen's Revels, the most enduring and influential of the Jacobean children's companies. Between 1603 and 1613 the Queen's Revels staged plays by Francis Beaumont, George Chapman, John Fletcher, Ben Jonson, John Marston and Thomas Middleton, all of whom were at their most innovative when writing for this company. Combining theatre history and critical analysis, this study provides a history of the Children of the Queen's Revels, and an account of their repertory. It examines the 'biography' of the company - demonstrating the involvement in dramatic production of dramatists, shareholders, patrons, audiences and actors alike, and reappraising issues such as management, performance style and audience composition - before exploring their groundbreaking practices in comedy, tragicomedy and tragedy. The book also includes five documentary appendices detailing the plays, people and performances of the Queen's Revels Company.
Theatrical science --- Drama --- English literature --- anno 1500-1599 --- anno 1600-1699 --- Theater --- Child actors --- English drama --- Children as actors --- Actors --- History --- History and criticism. --- Children of the Queen's Revels (Theater company) --- Children of the Revels (Theater company) --- Children of Blackfriars (Theater company) --- Children of Whitefriars (Theater company) --- Children of the Chapel (Theater company) --- Queen's Revels (Theater company) --- History.
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Theatrical science --- anno 1600-1699 --- London --- Theater --- Child actors --- History --- Shakespeare, William, --- Stage history --- -Theater --- -Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Children as actors --- -History --- -Child actors --- Šekspir, Vil'jam --- Shakespeare, William --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- Theater - England - History - 16th century --- Theater - England - History - 17th century --- Child actors - England --- Shakespeare, William, - 1564-1616 - Stage history - To 1625 --- Shakespeare, William, - 1564-1616 --- Théâtre --- Enfants acteurs --- Grande-Bretagne --- Londres --- Histoire
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Child labor greatly contributed to the cultural and economic success of the British Victorian theatrical industry. This book highlights the complexities of the battle for child labor laws, the arguments for the needs of the theatre industry, and the weight of opposition that confronted any attempt to control employers. .
Child actors --- Child labor --- History --- Law and legislation --- History. --- Children --- Employment of children --- Children as actors --- Employment --- Labor --- Age and employment --- Actors --- Performing arts. --- Great Britain-History. --- Theater-History. --- Theater. --- Performing Arts. --- Sociology of Family, Youth and Aging. --- History of Britain and Ireland. --- Childhood, Adolescence and Society. --- Theatre History. --- Theatre and Performance Studies. --- Show business --- Arts --- Performance art --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Social groups. --- Family. --- Great Britain—History. --- Childhood. --- Adolescence. --- Theater—History. --- Teen-age --- Teenagers --- Puberty --- Childhood --- Kids (Children) --- Pedology (Child study) --- Youngsters --- Age groups --- Families --- Life cycle, Human --- Family --- Family life --- Family relationships --- Family structure --- Relationships, Family --- Structure, Family --- Social institutions --- Birth order --- Domestic relations --- Home --- Households --- Kinship --- Marriage --- Matriarchy --- Parenthood --- Patriarchy --- Association --- Group dynamics --- Groups, Social --- Associations, institutions, etc. --- Social participation --- Development --- Social aspects --- Social conditions
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"Like other English Renaissance writers and dramatists, Shakespeare was attracted to the heroine in male disguise. Gender in Play on the Shakespearean Stage examines the use of this type of character--man playing woman playing man--by framing five plays by Shakespeare against readings of some of the other "female page" plays written by other playwrights of the period. The many variations Michael Shapiro traces are placed in the context of female cross-dressing as a social phenomenon and in the context of female impersonation as the standard way of representing women on the Shakespearean stage. Shakespeare's use of the female page spanned his entire career: The Two Gentlemen of Verona (an early comedy), The Merchant of Venice, As You Like It, Twelfth Night (mature romantic comedies), and Cymbeline (a late romance). Shapiro deploys several modes of literary criticism to establish the distinctiveness of each of Shakespeare's five disguised heroine plays and to trace the subtle and ingenious variations on the motif by such writers as Greene, Fletcher, Chapman, Middleton, Jonson, and Ford. The popularity of the "female page" is examined as a playful literary and theatrical way of confronting, avoiding, or merely exploiting issues such as the place of women in a patriarchal culture and the representation of women on stage. Looking beyond and behind the stage for the cultural anxieties that cross-dressing London women being punished as prostitutes and speculation that the apprentices who played female roles in adult companies engaged in homoerotic practices. [This book] will appeal not only to scholars of Renaissance drama but to any reader interested in the historical construction and analysis of gender and sexuality, both on- and offstage"-- Back cover.
Theâtre --- Rôle selon le sexe --- Women in the theater. --- Women in literature. --- Theater --- Theater. --- Sex role in literature. --- Gender identity in the theater. --- Gender identity in literature. --- Disguise in literature. --- Cross-dressing in literature. --- Child actors. --- Travestisme dans la litterature. --- Femmes dans la litterature. --- Deguisement dans la litterature. --- Rôle selon le sexe dans la litterature. --- Identite de genre dans la litterature. --- Enfants acteurs --- Femmes au theâtre --- Identite de genre au theâtre --- Child actors --- Women in the theater --- Gender identity in the theater --- Identite sexuelle --- Dans la litterature. --- Casting. --- Histoire --- Distribution artistique --- History --- Casting --- Shakespeare, William, --- Personnages dans la litterature. --- Characters --- Women. --- Dramatic production. --- Stage history --- England. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Children as actors --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Transvestism in literature --- Casting (Performing arts) --- Women as literary characters --- Comportement selon le sexe --- Interchangeabilité des rôles --- Rôles féminins --- Rôles masculins --- Rôles sexuels --- Sexe, Rôle selon le --- (psychologie) --- Art du théâtre --- Art théâtral --- Contribution au théâtre --- Et le théâtre --- Oeuvres --- Scène --- Théâtre (arts du spectacle) --- Almanachs de théâtre --- Maquillage --- Musées de théâtre --- Musique et théâtre --- Peinture de décors de théâtre --- Peinture et théâtre --- Personnages de théâtre --- Photographie de théâtre --- Sémiotique et théâtre --- Théâtralité --- Au théâtre --- Théâtre --- Théâtre et société --- Bibliothèques de théâtre --- Théâtre dans les prisons --- Théâtre de rue --- Théâtre et handicapés --- Théâtre et handicapés auditifs --- Théâtre et handicapés visuels --- Théâtre et internet --- Théâtre et jeunesse --- Théâtre et personnes âgées --- Théâtre et philosophie --- Théâtre et politique --- Cinéma et théâtre --- Théâtres --- Costume de théâtre --- Critique dramatique --- Féminisme et théâtre --- Festivals de théâtre --- Homosexualité et théâtre --- Art dramatique --- Ateliers-théâtre --- Théâtre à machines --- Théâtre ambulant --- Théâtre d'amateurs --- Théâtre d'appartement --- Théâtre d'entreprise --- Théâtre d'été --- Théâtre d'objets --- Théâtre de cour --- Burlesque (théâtre) --- Théâtre de la cruauté --- Théâtre de marionnettes --- Théâtre de répertoire --- Théâtre en éducation --- Commedia dell'arte --- Théâtre noir --- Théâtre postdramatique --- Théâtre rural --- Théorie du théâtre --- Troupes de théâtre --- Droit d'auteur --- Mime --- Pantomime --- Arts du spectacle --- Production and direction --- théâtre --- Anthropologie --- Aspect psychologique --- Censure --- Droit --- Esthétique --- Politique publique --- Publics --- Thèmes, motifs --- Objets de collection --- Mise en scène --- Canevas --- Comptes rendus --- Shakespeare, William --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- Hākipia, Wiremu, --- Shekspīʼar, Viliyam, --- Shekspir, Uĭlii︠a︡m, --- Shekʻspir, Uilyam, --- Angleterre --- Anglii͡ --- Anglija --- Engeland --- Inghilterra --- Inglaterra