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Collage is a wonderful creative outlet, particularly for people who want to make art, but don?t feel they have the skills, or confidence, for other endeavors. You can still explore and experiment with color, composition, and various themes and end up with exciting and often unexpected results.If you Can Cut, You Can Collage takes some of the mystery out of collage through easy illustrated pages that show readers the basic techniques of collecting and cutting imagery, composing and adhering compositions, and then provides a wealth of exercises that get readers going on their own creative projects.We?ll get you started with simple, focused, projects like making a collage with only circles, where you?ll learn important concepts like how to create a focal point, how to use repetition successfully, how to achieve contrast, balance, symmetry, and more. You?ll be incorporating vintage ephemera, typography and lettering, and even urban and found materials in no time!Bron: www.holliechastain.com
Collage --- Papierkunst
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The first book on American architect Marshall Brown and his collages, which sit at the intersection of architecture and art. Despite its consistent presence in architectural practice throughout the twentieth and twenty-first centuries, collage has never been considered a standard form of architectural representation like drafting, model making, or sketching. The work of Marshall Brown, an architect and artist, demonstrates the power of collage as an architectural medium. In Brown’s view, collage changes the terms of architectural authorship and challenges outdated definitions of originality. Published in conjunction with the exhibition The Architecture of Collage: Marshall Brown at the Santa Barbara Museum of Art, the book features some forty collages by Marshall Brown. These works come from four of his collage series, including Chimera, Je est un autre, as well as the previously unpublished Prisons of Invention and Piranesian Maps of Berlin. Additionally, there are photographs of Ziggurat, an outdoor sculpture with a design based on a collage from Chimera. The full-color plates are supplemented with essays by critic and curator Aaron Betsky, scholar of art history and archaeology Anna Arabindan-Kesson, Santa Barbara Museum of Art’s curator James Glisson, and Marshall Brown that outline the conceptual foundations of Brown’s intriguing exploration of an intersection of architecture and art.
Collage (art) --- Architecture --- Pratique. --- Collage
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Art --- collage [technique] --- collagists --- Vekemans, Bruno --- Collage
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Collage. --- Art, Modern --- Collage (Art) --- Art
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L'art du collage au féminin rassemble le travail de 50 artistes de premier plan présentes sur la scène contemporaine et internationale du collage. Il donne à voir l'incroyable richesse de ces productions qui se jouent des techniques, qu'elles soient classiques ou numériques, pour faire entendre des voix singulières, teintées de poésie, d'humour, de gravité, de revendications... Pour beaucoup d'entre elles, le collage, à travers son travail de déconstruction - lié à la découpe des images -, et de reconstruction - induit par leur recomposition -, apparaît souvent comme le symbole même d'une identité féminine à redéfinir. Si les trajectoires, les expériences, les styles, les influences... de toutes ces artistes diffèrent, elles sont unies par la même passion pour leur mode de création et la recherche constante d'un nouveau langage personnel tangible pour entamer un dialogue avec le monde.
Collage (art) --- Femmes artistes. --- Collage --- Women artists
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Collage --- Art, Modern --- Collage (Art) --- Art