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The works of Shakespeare and Dante or the figures of George Washington and Moses do not often enter into popular conceptions of the silent cinema, yet, between 1907 and 1910, the Vitagraph Company frequently used such material in producing "quality" films that promulgated "respectable" culture. William Uricchio and Roberta Pearson situate these films in an era of immigration, labor unrest, and mainstream American xenophobia, in order to explore the cultural views promoted by the films and the ways the audiences--the middle classes as well as workers and immigrants--related to what they saw. The authors associate the production of quality films with a top-down forging of cultural consensus on issues such as patriotism and morality, and reveal the surprising bottom-up negotiations of these films' "meanings.".Devoting chapters to the literary, historical, and biblical subjects used by Vitagraph, this book draws upon plays, pageants, school textbooks, and even product advertisements to illuminate the conditions of cinematic production and reception. It provides a detailed look at one aspect of the film industry's transformation from "despised cheap amusement" to the nation's dominant mass medium, while showing how cultural elites engaged in a struggle similar to that of today's American academy over the literary canon and national value systems.Originally published in 1993.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Film --- United States --- 791.44 --- 791.43-1 --- #SBIB:309H1326 --- Filmproductie. Filmindustrie --- Filmkunst. Films. Cinema--?-1 --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Culture in motion pictures. --- Motion pictures --- Social aspects --- Culture in motion pictures --- Music, Dance, Drama & Film --- 791.43-1 Filmkunst. Films. Cinema--?-1 --- 791.44 Filmproductie. Filmindustrie --- Vitagraph Company of America. --- Vitagraph Co. of America --- Vitagraph Company --- Vitagraph (Firm) --- Warner Bros. Pictures (1923-1967) --- American Vitagraph Company --- United States of America --- CINEMA --- COMPAGNIES DE PRODUCTION ET STUDIOS --- SOCIETE ET LE CINEMA --- VITAGRAPH --- ETATS-UNIS
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Drawing --- Film --- Animated films --- Dessins animés --- History and criticism. --- Histoire et critique --- 791.43-1 --- 791.43-252 --- -#SBIB:309H1326 --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation (Cinematography) --- Animation cels --- Filmkunst. Films. Cinema--?-1 --- Tekenfilms --- History and criticism --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- 791.43-252 Tekenfilms --- 791.43-1 Filmkunst. Films. Cinema--?-1 --- Dessins animés --- #SBIB:309H1326 --- FILMS D'ANIMATION --- HISTOIRE --- 1895-1945
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Social problems --- Film --- Social problems in motion pictures --- 791.43-1 --- Motion pictures --- -Social problems in motion pictures --- #SBIB:309H1326 --- film --- 791.43 --- gender studies --- femnisme --- documentaires --- documentaire film --- Verenigde Staten --- twintigste eeuw --- film en economie --- film en politiek --- stille film --- filmgeschiedenis --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Filmkunst. Films. Cinema--?-1 --- History --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- History and criticism --- Social problems in motion pictures. --- History. --- 791.43-1 Filmkunst. Films. Cinema--?-1 --- feminisme
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791.43 --- 791.43-1 --- Animated films --- -#SBIB:309H1326 --- film --- filmgeschiedenis --- animatie --- animatiefilm --- Verenigde Staten --- twintigste eeuw --- 791.46 --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation (Cinematography) --- Animation cels --- Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema--?-1 --- History and criticism --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- History and criticism. --- 791.43-1 Filmkunst. Films. Cinema--?-1 --- 791.43 Filmkunst. Films. Cinema --- #SBIB:309H1326
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In this unprecedented survey of British cinema from the 1930s to the New Wave of the 1960s, Marcia Landy explores how cinematic representation and social history converge. Landy focuses on the genre film, a product of British mass culture often dismissed by critics as "unrealistic," showing that in England such cinema subtly dramatized unresolved cultural conflicts and was, in fact, more popular than critics have claimed. Her discussion covers hundreds of works--including historical films, films of empire, war films, melodrama, comedy, science-fiction, horror, and social problem films--and reveals their relation to changing attitudes toward class, race, national identity, sexuality, and gender. Landy begins by describing the status and value of genre theory, then provides a history of British film production that illuminates the politics and personalities connected with the major studios. In vivid accounts of the films within each genre, she analyzes styles, codes, and conventions to show how the films negotiate history, fantasy, and lived experience. Throughout Landy creates a dynamic sense of genre and of how the genres shape, not merely reflect, cultural conflicts.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Film genres -- Great Britain. --- Motion picture plays, English -- History and criticism. --- Motion pictures -- Great Britain -- History -- 20th century. --- Motion pictures -- Social aspects -- Great Britain. --- Film --- Sociology of culture --- Great Britain --- Film genres --- Motion picture plays, English --- Motion pictures --- #SBIB:309H1326 --- 791.43-1 --- 791.43-1 Filmkunst. Films. Cinema--?-1 --- Filmkunst. Films. Cinema--?-1 --- English motion picture plays --- English drama --- Genre films --- Genres, Film --- Motion picture genres --- History and criticism --- Social aspects --- History --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Plots, themes, etc.
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Love in motion pictures --- Screwball comedy films --- #SBIB:309H1326 --- 791.43-1 --- Motion pictures --- 791.43-1 Filmkunst. Films. Cinema--?-1 --- Filmkunst. Films. Cinema--?-1 --- Crazy comedy films --- Madcap comedy films --- Madcap romantic comedies --- Oddball comedy films --- Romantic screwball comedy films --- Screwball comedies --- Wacky comedy films --- White telephone comedy films --- Comedy films --- History and criticism --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- 791.43 --- CDL --- Romantic films --- Film --- comedy [genre] --- anno 1900-1999 --- Los Angeles [California] --- comedy [general genre] --- filmgeschiedenis
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Motion pictures --- Motion picture producers and directors --- Cinéma --- Producteurs et réalisateurs de cinéma --- Biography --- Biographies --- Tarkovskiĭ, Andreĭ Arsenʹevich, --- Russia --- Russie --- Intellectual life --- Vie intellectuelle --- film --- filmtheorie --- filmregisseurs --- Rusland --- twintigste eeuw --- Tarkovski Andrej --- 791.471 TARKOVSKI --- CPP --- Diaries. --- Soviet cinema films --- Directing --- Tarkovskiĭ, Andreĭ Arsenʹevich --- 1932-1986 --- Тарковский, Андрей Арсеньевич, --- Tarkowskij, Andrej, --- Tarkovszkij, Andrej --- Тарковский, Анд. Арсеньевич, --- Tarkovskiĭ, And. Arsenʹevich, --- Tarkovszkij, Andrej, --- Tarkovsky, Andrei, --- Tarkovskij, Andrej, --- Tarkovsky, Andrey, --- Tarkovski, Andrei, --- Tarkovskij, Andrei, --- Tārkūfiskī, --- Tārkūfiskī, Āndrī Ārsīnivich, --- Trakovskii, Andrei Arsenevich, --- تارکوفسکى، آندرى آرسينويچ, --- Tarkowski, Andriej, --- 791 TARKOVSKY, ANDREI --- 791.43-1 --- 791.43:2 --- 791.43-1 Filmkunst. Films. Cinema--?-1 --- Filmkunst. Films. Cinema--?-1 --- 791.43:2 Film en religie. Film en godsdienst --- Film en religie. Film en godsdienst
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Film --- Shakespeare, William --- 791.43-1 --- 791.43:82 --- English drama --- -Film adaptations --- #SBIB:309H1324 --- #SBIB:309H1326 --- 791.43 --- Kurosawa Akira --- Kozintsev Grigori --- Japan --- Rusland --- twintigste eeuw --- Groot-Brittannië --- Shakespeare William --- film en literatuur --- film --- Adaptations, Film --- Books, Filmed --- Filmed books --- Films from books --- Literature --- Motion picture adaptations --- Motion pictures --- English literature --- Filmkunst. Films. Cinema--?-1 --- Film en literatuur --- Film and video adaptations --- Films met een amusementsfunctie en/of esthetische functie: film en literatuur --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Film adaptations --- Adaptations --- Film and video adaptations. --- 791.43:82 Film en literatuur --- 791.43-1 Filmkunst. Films. Cinema--?-1 --- Shakespeare, William, --- Šekspir, Vil'jam --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- English drama - Film and video adaptations --- Shakespeare, William, - 1564-1616 - Film and video adaptations --- Shakespeare, William, - 1564-1616
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