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D.W. Griffith and his chase scenes
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Year: 1987 Publisher: Detroit, Mich. Wayne State University

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Lynching and spectacle : witnessing racial violence in America, 1890-1940
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ISBN: 9780807832547 Year: 2009 Publisher: Chapel Hill University of North Carolina Press

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D.W. Griffith : colloque international
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ISBN: 9782858024193 2858024197 Year: 1984 Publisher: Paris: Publications de la Sorbonne, L'Harmattan,

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The man who invented Hollywood : the autobiography of D. W. Griffith, a memoir and some notes, including the unfinished autobiography of the film master
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Year: 1972 Publisher: Louisville : Touchstone Publishing Company,

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When the movies were young
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Year: 1969 Publisher: New York, NY : Dover,

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D. W. Griffith : his life and work
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Year: 1972 Publisher: New York, NY : Oxford University Press,

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Russische en Amerikaanse geschiedenis verfilmd
Year: 1980 Publisher: Haarlem Gottmer

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D.W. Griffith and the narrator-system: narrative structure and industry organization in Biograph films, 1908-1909
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Year: 1986 Publisher: New York New York University

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Still the moving world: intolerance, modernism and Heart of darkness
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ISBN: 0820413887 Year: 1991 Publisher: Bern Lang

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The birth of a nation : the cinematic past in the present
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ISBN: 9780253042354 Year: 2019 Publisher: Bloomington : Indiana University Press,

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Over one hundred years since it premiered on cinema screens, D. W. Griffith's controversial photoplay The Birth of a Nation continues to influence American film production and to have relevance for race relations in the United States. While lauded at the time of its release for its visual and narrative innovations and a box office hit with film audiences, it provoked African American protest in 1915 for racially offensive content. In this collection of essays, contributors explore Griffith's film as text, artifact, and cultural legacy and place it into both the historical and transnational contexts of the first half of the 1900s and its resonances with current events in America, such as #BlackLivesMatter, #HollywoodSoWhite, and #OscarsSoWhite movements. Through studies of the film's reception, formal innovations in visual storytelling, and comparisons with contemporary movies, this work challenges the idea the United States has moved beyond racial problems and highlights the role of film and representation in the continued struggle for equality.

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