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On foot : a history of walking
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ISBN: 081470753X 1429413883 9781429413886 9780814707531 9780814705025 0814705022 Year: 2004 Publisher: New York : New York University Press,

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"I have met with but one or two persons in the course of my life who understand the art of Walking, that is, of taking walks, who had a genius, so to speak, for sauntering."- Henry David Thoreau (1817-1862)" Everything is within walking distance if you have the time."-Stephen Wright (1955-)For approximately six million years, humans have walked the earth. This is the story of how, why, and to what effect we put one foot in front of the other. Walking has been the primary mode of locomotion for humans until very recent times when we began to sit and ride-first on horses and in carriages, then trains and bicycles, and finally cars, trucks, buses, and airplanes-rather than go on foot. The particular way we saunter, clomp, meander, shuffle, plod along, jaunt, tramp, and wander on foot conveys a wealth of information about our identity, condition, and destination. In this fast-stepping social history, Joseph A. Amato takes us on a journey of walking-from the first human migrations to marching Roman legions and ancient Greeks who considered man a "featherless biped"; from trekking medieval pilgrims to strolling courtiers; from urban pavement pounders to ambling window shoppers to suburban mall walkers. Concentrating on walking in Europe and North America and with particular focus on how walking differed according to social class, Amato distinguishes how, where, when, who, what, and under which conditions people moved on foot. He identifies crucial transformations in the history of walking, including the adoption of the horse by the mounted warrior; the rise of public display among European nobility; and the building of roads and transportation systems, which led to the inevitable ascent of the wheel over the foot.

Women of ancient Greece
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ISBN: 0748616438 0748616446 Year: 2003 Publisher: Edinburgh University press

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A Poisoned Chalice
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Year: 2002 Publisher: Princeton (NJ) : Princeton University Press,

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A Poisoned Chalice tells the story of a long-forgotten criminal case: the poisoning of the communion wine in Zurich's main cathedral in 1776. The story is riveting and mysterious, full of bizarre twists and colorful characters--an anti-clerical gravedigger, a hard-drinking drifter, a defrocked minister--who come to life in a series of dramatic criminal trials. But it is also far more than just a good story. In the wider world of German-speaking Europe, writes Jeffrey Freedman, the affair became a cause célèbre, the object of a lively public debate that focused on an issue much on the minds of intellectuals in the age of Enlightenment: the problem of evil. Contemporaries were unable to ascribe any rational motive to an attempt to poison hundreds of worshippers. Such a crime pointed beyond reason to moral depravity so radical it seemed diabolic. By following contemporaries as they struggled to comprehend an act of inscrutable evil, this book brings to life a key episode in the history of the German Enlightenment--an episode in which the Enlightenment was forced to interrogate the very limits of reason itself. Twentieth-century horrors have familiarized us with the type of evil that so shocked the men and women of the eighteenth century. Does this familiarity give us any special insight into the affair of the poisoned chalice? In its final chapter, the book takes up this question, reflecting on the nature of historical knowledge through an imaginary dialogue with Enlightenment-era interlocutors. But it does not reach any definitive conclusion about what happened in the Zurich cathedral in 1776. To search for the truth about such a mystery is merely to extend a dialogue begun in the eighteenth century, and that dialogue is as open-ended as the process of Enlightenment itself.


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Violent delights, violent ends
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ISBN: 0826353967 9780826353962 9780826353955 0826353959 129984765X 9781299847651 Year: 2013 Publisher: Albuquerque

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"This study of sexuality in seventeenth-century Latin America takes the reader beneath the surface of daily life in a colonial city. Cartagena was an important Spanish port and the site of an Inquisition high court, a slave market, a leper colony, a military base, and a prison colony--colonial institutions that imposed order by enforcing Catholicism, cultural and religious boundaries, and prevailing race and gender hierarchies. The city was also simmering with illegal activity, from contraband trade to prostitution to heretical religious practices. Nicole von Germeten's research uncovers scandalous stories drawn from archival research in Inquisition cases, criminal records, wills, and other legal documents. The stories focus largely on sexual agency and honor: an insult directed at a married woman causes a deadly street battle; a young doña uses sex to manipulate a lustful, corrupt inquisitor. Scandals like these illustrate the central thesis of this book: women in colonial Cartagena de Indias took control of their own sex lives and used sex and rhetoric connected to sexuality to plead their cases when they had to negotiate with colonial bureaucrats"--

Haitian Revolutionary Studies
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ISBN: 0253109264 9780253109262 0253341043 9780253341044 Year: 2002 Publisher: Bloomington, Ind. : Indiana University Press,

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Questions about ethnicity, identity, and historical knowledge inform this essential study of a complex revolution.


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Ugarit at Seventy-Five : [proceedings of the Symposium "Ugarit at Seventy-Five" held at Trinity International University, Deerfield, Illinois, February 18-20, 2005 under the auspices of the Middle Western Branch of the American Oriental Society and the Mid-West Region of the Society of the Biblical Literature]
Authors: ---
ISBN: 1575065886 9781575065885 1575061430 9781575061436 9781575061436 Year: 2007 Publisher: Winona Lake, Ind. : Eisenbrauns,

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In the spring of 1928, a Syrian farmer was plowing on the Mediterranean coast near a bay called Minet el-Beida. His plow ran into a stone just beneath the surface. When he examined the obstruction, he found a large man-made flagstone that led into a tomb, in which he found some valuable objects that he sold to a dealer. Little did he know what he had discovered. In April of 1929, C. F. A. Schaeffer began excavation of the tombs, but a month later he moved to the nearby tell of Ras Shamra. On the afternoon of May 14, the first inscribed clay tablet came to light-thus the beginnings of the study of Ugarit and the Ugaritic language. Seventy-five years have passed, and the impact of this extraordinary discovery is still being felt. Its impact on biblical studies perhaps has no equal. In February 2005, some of the preeminent Ugaritologists of the present generation gathered at the Midwest Regional meetings of the American Oriental Society to commemorate these 75 years by reading the papers that are now published in this volume. The first five essays deal with the Ugaritic texts, while the last three deal with archaeological or historical issues.

Negotiating Space : Power, Restraint, and Privileges of Immunity in Early Medieval Europe
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ISBN: 0801435234 0801485215 1501718681 Year: 1999 Publisher: Ithaca, N.Y. : Baltimore, Md. : Cornell University Press, Project MUSE,

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Why did early medieval kings declare certain properties to be immune from the judicial and fiscal encroachments of their own agents? Did weakness compel them to prohibit their agents from entering these properties, as historians have traditionally believed? In a richly detailed book that will be greeted as a landmark addition to the literature on the Middle Ages, Barbara H. Rosenwein argues that immunities were markers of power. By placing restraints on themselves and their agents, kings demonstrated their authority, affirmed their status, and manipulated the boundaries of sacred space.Rosenwein transforms our understanding of an institution central to the political and social dynamics of medieval Europe. She reveals how immunities were used by kings and other leaders to forge alliances with the noble families and monastic centers that were central to their power. Generally viewed as unchanging juridical instruments, immunities as they appear here are as fluid and diverse as the disparate social and political conflicts that they at once embody and seek to defuse. Their legacy reverberates in the modern world, where liberal institutions, with their emphasis on state restraint, clash with others that encourage governmental intrusion. The protections against unreasonable searches and seizures provided by English common law and the U.S. Constitution developed in part out of the medieval experience of immunities and the institutions that were elaborated to breach them.


Periodical
The Journal of peasant studies.
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ISSN: 03066150 17439361 Year: 1973 Publisher: London : [London] : [Abingdon, Oxon, UK] : F. Cass & Co. Taylor & Francis Routledge, Taylor & Francis

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The Journal of Peasant Studies publishes articles in the field of the political economy of agrarian change. With its focus on considering peasants within the broader systems and historical situations in which they exist, it is essential reading for all who want to achieve an understanding of the role of peasants in political, economic and social transformation.


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Bismarck and the Development of Germany : The Period of Unification, 1815-1871
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ISBN: 0691051062 Year: 1973 Publisher: Princeton (N.J.) : Princeton University Press,

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This political history of Germany assesses Bismarck's role in the events which paved the way for the catastrophes of the twentieth century, showing how Bismarck first established the association between German nationalism, Prussian militarism, and Hohenzollern authoritarianism. The author is completing a second volume, "The Period of Consolidation, 1871-1890." Volume I has been awarded the McKnight Foundation Humanities Award.

Salon to biennial : exhibitions that made art history.
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ISBN: 9780714844053 0714844055 Year: 2008 Publisher: London ; New York : Phaidon,

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Salon des Refusés, Paris, 1863 -- The first Impressionist Exhibition, Paris, 1874 -- The first Salon des Indépendants, Paris, 1884 -- Salon d'Automne, Paris, 1905 -- The first Brücke Exhibition, Desden-Löbtau, 1906 -- Manet and the Post-Impressionists, London, 1910 -- The first Blaue Reiter Exhibition, Munich, 1911 -- Les Peintres Futuristes Italiens, Paris, 1912 -- Salon de la Section d'Or, Paris, 1912 -- The first German Autumn Salon, Berlin, 1913 -- The Armony Show, New York, 1913 -- 0.10: The last Futurist Exhibition of Pictures, Petrograd, 1915 -- The first International Dada Fair, Berlin, 1920 -- The first Russian Art Exhibition. Berlin, 1922 -- Film und Foto, Stuttgart, 1929 -- Cubism and abstract art, New York, 1936 -- Degenerate Art, Munich, 1937 -- Exposition Internationale du Surréalisme, Paris, 1938 -- First Papers of Surrealism, New York, 1942 -- Art of This Century, New York, 1951 -- Ninth Street Show, New York, 1951 -- The first Gutai Art Exhibition, Tokyo, 1955 -- The is Tomorrow, London, 1956 -- The New American Painting, New York, 1959.

Keywords

Art --- anno 1800-1999 --- tentoonstellingen --- kunstgeschiedenis --- impressionisme --- Die Brücke (1905-1913) --- Der Blaue Reiter --- futurisme --- Armory Show (1913) --- dadaïsme --- avant-garde --- surrealisme --- entartete Kunst --- kubisme --- abstracte kunst --- Manet, Edouard --- 1863 - 1959 --- 19de eeuw --- 20ste eeuw --- Art, Modern --- Exhibitions --- 7.037 --- 7.036 --- Tentoonstellingen ; kunsttentoonstellingen ; van kunsthistorische betekenis --- Internationale groepstentoonstellingen ; 1863-1959 --- Salons des refusés --- Salon des indépendants --- Die Brücke --- Manet Edouard --- postimpressionisme --- Blaue Reiter --- Salon de la Section d'Or --- Erster Deutscher Herbstsalon --- Armory Show --- 0.10 --- Erste Russische Kunstausstellung --- Film und Foto --- abstractie --- Entartete Kunst --- Exposition internationale du surréalisme --- Art of this century --- Ninth Street Show --- Gutai --- This is tomorrow --- New American painting --- negentiende eeuw --- twintigste eeuw --- 069 --- 7 --- Kunstgeschiedenis ; 1900 - 1950 --- Kunstgeschiedenis ; Realisme. Impressionisme. Naturalisme ; 19de eeuw --- Arte moderna. --- Bienais de arte. --- Exposições de arte (história) --- Kunstausstellung --- Exposições de arte (história). --- Kunstausstellung. --- MAD-faculty 14 --- kunsttentoonstellingen --- musea --- Der Blaue Reiter (1911-1914) --- abstracte, niet-figuratieve kunst --- Manet, Édouard --- Art, Modern - 19th century - Exhibitions --- Art, Modern - 20th century - Exhibitions --- Art, Modern - 19th century - Exhibitions - Sources --- Art, Modern - 20th century - Exhibitions - Sources --- tentoonstellingen. --- kunstgeschiedenis. --- impressionisme. --- Die Brücke. --- Der Blaue Reiter (1911-1914). --- futurisme. --- Armory Show (1913). --- dadaïsme. --- avant-garde. --- surrealisme. --- entartete Kunst. --- kubisme. --- abstracte kunst. --- Manet, Édouard. --- 1863 - 1959. --- 19de eeuw. --- 20ste eeuw.

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