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o Includes the authoritative texts for eleven pieces written between 1868 and 1902o Publishes, for the first time, the complete text of "Villagers of 1840-3," Mark Twain's astounding feat of memoryo Features a biographical directory and notes that reflect extensive new research on Mark Twain's early life in MissouriThroughout his career, Mark Twain frequently turned for inspiration to memories of his youth in the Mississippi River town of Hannibal, Missouri. What has come to be known as the Matter of Hannibal inspired two of his most famous books, Tom Sawyer and Huckleberry Finn, and provided the basis for the eleven pieces reprinted here. Most of these selections (eight of them fiction and three of them autobiographical) were never completed, and all were left unpublished. Written between 1868 and 1902, they include a diverse assortment of adventures, satires, and reminiscences in which the characters of his own childhood and of his best-loved fiction, particularly Huck Finn and Tom Sawyer, come alive again. The autobiographical recollections culminate in an astounding feat of memory titled "Villagers of 1840-3" in which the author, writing for himself alone at the age of sixty-one, recalls with humor and pathos the characters of some one hundred and fifty people from his childhood. Accompanied by notes that reflect extensive new research on Mark Twain's early life in Missouri, the selections in this volume offer a revealing view of Mark Twain's varied and repeated attempts to give literary expression to the Matter of Hannibal.
Indians of North America --- Humorous stories, American. --- Finn, Huckleberry --- Sawyer, Tom --- 19th century authors. --- 19th century literature. --- american authors. --- american humorists. --- american lit. --- american literature criticism. --- american literature. --- american writers. --- bildungsroman. --- classic lit. --- classic literature. --- famous authors. --- famous books. --- father of american literature. --- growing up. --- high school english class. --- huckleberry finn. --- literary criticism and theory. --- literary criticism. --- literary movements and periods. --- mark twain biography. --- mark twain life. --- samuel langhorne clemens. --- short stories.
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This landmark anniversary edition contains a selection of Twain's hard-to-find letters and notes expressing his always-engaging opinions on the publication of Tom Sawyer.
Boys -- Fiction. --- Child witnesses -- Fiction. --- Mississippi River Valley -- Fiction. --- Missouri -- Fiction. --- Runaway children -- Fiction. --- Sawyer, Tom (Fictitious character) -- Fiction. --- Runaway children --- Fugitive slaves --- English --- Languages & Literatures --- American Literature --- Sawyer, Tom --- Sawyer, Thomas --- Twain, Mark, --- Fugitive slaves -- Fiction. --- 19th century. --- adventure stories. --- adventures. --- american authors. --- american literature. --- american south. --- anniversary edition. --- banned books. --- boyhood. --- childhood. --- children. --- classic lit. --- classic literature. --- coming of age. --- famous author. --- famous authors. --- fiction classics. --- fiction. --- growing up. --- hannibal missouri. --- high school. --- huckleberry finn. --- humor. --- illustrated. --- juvenile. --- literary fiction. --- mississippi river. --- mississippi. --- moral issues. --- original text. --- realism. --- required reading. --- slavery. --- small town setting. --- tom sawyer. --- young adult fiction.
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This consequential book takes a hard, systematic look at the depiction of blacks, whites, and race relations in Mark Twain's classic novel, raising questions about its canonical status in American literature. Huckleberry Finn, one of the most widely taught novels in American literature, has long been the subject of ongoing debates over issues ranging from immorality to racism. Here, Elaine Mensh and Harry Mensh enter the debate with a careful and thoughtful examination of racial messages imbedded in the tale of Huck and Jim. Using as a gauge
Adventure stories, American -- History and criticism. --- African Americans in literature. --- Fugitive slaves in literature. --- Literature and society -- United States -- History -- 19th century. --- National characteristics, American, in literature. --- Race relations in literature. --- Twain, Mark, -- 1835-1910 -- Political and social views. --- Twain, Mark, -- 1835-1910. -- Adventures of Huckleberry Finn. --- Literature and society --- Adventure stories, American --- National characteristics, American, in literature --- African Americans in literature --- Fugitive slaves in literature --- Race relations in literature --- English --- Languages & Literatures --- American Literature --- Afro-Americans in literature --- Negroes in literature --- History --- History and criticism --- Twain, Mark --- Twain, Mark, --- Finn, Huckleberry --- Finn, Huck
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Tracks the genesis and evolution of Twain's reputation as a writer, revealing how and why the writer has been under fire 'since the advent of his career.'
Twain, Mark, --- Criticism and interpretation --- History. --- Appreciation --- History --- Twain, Mark --- Tvėn, Mark --- Tuėĭn, Mark --- Tuwayn, Mārk --- Twayn, Mārk --- Tʻu-wen, Ma-kʻo --- Tven, M. --- Touen, Makū --- Twain, Marek --- Make Tuwen --- Tuwen, Make --- Make Teviin --- Твен, Марк --- Touain, Mark --- טבןַ, מרק, --- טוויין, מארק, --- טוויין, מרק, --- טווין, מארק, --- טווין, מרק, --- טווען, מארק, --- טוין, מרק, --- טװען, מארק, --- טװײן, מארק, --- 馬克吐温, --- Tuvāyn, Mārk --- Tvāyn, Mārk --- تواين، مارک --- Clemens, Samuel Langhorne --- Snodgrass, Quintus Curtius --- Conte, Louis de --- Criticism --- Aesthetics. --- American Writer. --- Controversy. --- Critic. --- Criticism. --- Huckleberry Finn. --- Humor. --- Literature. --- Mark Twain. --- Reception. --- Reputation. --- Satirical. --- Scholar. --- Twain Interpretation. --- Writing Career.
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Robert B. Ray examines the ideology of the most enduringly popular cinema in the world--the Hollywood movie. Aided by 364 frame enlargements, he describes the development of that historically overdetermined form, giving close readings of five typical instances: Casablanca, It's a Wonderful Life, The Man Who Shot Liberty Valance, The Godfather, and Taxi Driver. Like the heroes of these movies, American filmmaking has avoided commitment, in both plot and technique. Instead of choosing left or right, avant-garde or tradition, American cinema tries to have it both ways.Although Hollywood's commercial success has led the world audience to equate the American cinema with film itself, Hollywood filmmaking is a particular strategy designed to respond to specific historical situations. As an art restricted in theoretical scope but rich in individual variations, the American cinema poses the most interesting question of popular culture: Do dissident forms have any chance of remaining free of a mass medium seeking to co-opt them?
Motion pictures --- Motion picture plays, American --- History. --- History and criticism. --- USA. --- USA. --- Los Angeles- Hollywood. --- United States. --- Air Force. --- Althusser, Louis. --- Beatty, Warren. --- Bonnie and Clyde. --- Cahiers du cinéma. --- Casablanca. --- Classic Hollywood. --- Cool Hand Luke. --- Easy Rider. --- Ford, John. --- Godard, Jean-Luc. --- Graduate, The. --- Hardy, Andy. --- Huckleberry Finn. --- Johnny Guitar. --- King and I, The. --- Little Big Man. --- Maltese Falcon, The. --- New Wave. --- On the Waterfront. --- audience. --- blurring of oppositions. --- continuity conventions. --- dichotomies. --- displacement. --- eyeline match. --- formal paradigm. --- intent versus effect. --- intertextuality. --- mythology (myth). --- parody. --- reconciliation. --- reluctant hero.
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Mark Twain, who was often photographed with a cigar, once remarked that he came into the world looking for a light. In this new biography, published on the centennial of the writer's death, Jerome Loving focuses on Mark Twain, humorist and quipster, and sheds new light on the wit, pathos, and tragedy of the author of Adventures of Huckleberry Finn. In brisk and compelling fashion, Loving follows Twain from Hannibal to Hawaii to the Holy Land, showing how the southerner transformed himself into a westerner and finally a New Englander. This re-examination of Twain's life is informed by newly discovered archival materials that provide the most complex view of the man and writer to date.
Authors, American --- Humorists, American --- Twain, Mark, --- Twain, Mark --- Tvėn, Mark --- Tuėĭn, Mark --- Tuwayn, Mārk --- Twayn, Mārk --- Tʻu-wen, Ma-kʻo --- Tven, M. --- Touen, Makū --- Twain, Marek --- Make Tuwen --- Tuwen, Make --- Make Teviin --- Твен, Марк --- Touain, Mark --- טבןַ, מרק, --- טוויין, מארק, --- טוויין, מרק, --- טווין, מארק, --- טווין, מרק, --- טווען, מארק, --- טוין, מרק, --- טװען, מארק, --- טװײן, מארק, --- 馬克吐温, --- Tuvāyn, Mārk --- Tvāyn, Mārk --- تواين، مارک --- Clemens, Samuel Langhorne --- Snodgrass, Quintus Curtius --- Conte, Louis de --- Authors [American ] --- 19th century --- Biography --- Humorists [American ] --- adventures of huckleberry finn. --- america. --- american authors. --- american literature. --- american south. --- american west. --- archives. --- biographical. --- biography. --- book club reads. --- comedy. --- discussion books. --- europe. --- famous authors. --- funny. --- historical research. --- humorists. --- humorous. --- life lessons. --- lit studies. --- literary criticism. --- literary critics. --- literary figures. --- mark twain. --- new england. --- nonfiction. --- samuel clemens. --- twain fans. --- twain scholars. --- us lit. --- wit.
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Hawthorne (nathaniel), 1804-1864 --- Melville (herman), 1819-1891 --- Twain (mark) --- Crane (stephen), journaliste, poete et romancier americain, 1871-1900 --- Dreiser (theodore), romancier americain, 1871-1945 --- London (john griffith, dit jack), romancier americain, 1876-1916 --- Cather (willa), 1873-1947 --- Hemingway (ernest miller), 1899-1961 --- Faulkner (william falkner, dit), 1897-1962 --- Wolfe (thomas) --- James (henry), 1843-1916 --- Anderson (sherwood), 1876-1941 --- Lewis (sinclair), 1885-1951 --- Howells (william dean), ecrivain americain, 1837-1920 --- Fitzgerald (francis scott), romancier americain, 1896-1940 --- Norris (frank), journaliste et romancier americain, 1870-1902 --- Bibliotheque nationale de paris (france) --- Expositions --- Academie nationale de musique --- Opera francais --- Wharton (edith), 1862-1937 --- The scarlet letter --- Moby dick --- Adventures of huckleberry finn --- The red badge of courage --- Sister carrie --- Martin eiden --- Critique et interpretation --- A farewell to arms --- The sound and the fury --- Look homeward, angel --- Portrait of a lady --- Main street --- The rise of sila lapham --- The great gatsby --- Mc teague --- A story of san francisco --- Expositions --- Catalogues --- Expositions --- Expositions
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This Companion examines a number of issues related to the terms realism and naturalism. The introduction seeks both to discuss the problems in the use of these two terms in relation to late nineteenth-century fiction and to describe the history of previous efforts to make the terms expressive of American writing of this period. The Companion includes ten essays which fall into four categories: essays on the historical context of realism and naturalism by Louis Budd and Richard Lehan; essays on critical approaches to the movements since the early 1970s by Michael Anesko, essays on the efforts to expand the canon of realism and naturalism by Elizabeth Ammons; and a full-scale discussion of ten major texts, from W. D. Howell's The Rise of Silas Lapham to Jack London's The Call of the Wild, by John W. Crowley, Tom Quirk, J. C. Levenson, Blanche Gelfant, Barbara Hochman, and Jacqueline Tavernier-Courbin.
American literature --- anno 1800-1899 --- Johnson, James Weldon, 1871-1938. The Autobiography of an Ex-Coloured Man --- Littérature réaliste --- London, Jack, 1876-1916. The Call of the Wild --- Naturalism in literature --- Naturalisme dans la littérature --- Naturalisme in de literatuur --- Neorealism (Literature) --- Neorealisme (Literatuur) --- Norris, Frank, 1870-1902. McTeague --- Néoréalisme (Littérature) --- Realism (Literary movement) --- Realism in literature --- Realisme (Letterkundige beweging) --- Realisme (Literaire beweging) --- Realisme in de literatuur --- Realistische literatuur --- Réalisme (Mouvement littéraire) --- Réalisme dans la littérature --- American fiction --- Naturalism in literature. --- Realism in literature. --- Roman américain --- History and criticism. --- History and criticism --- Histoire et critique --- Handbooks, manuals, etc --- Handbooks, manuals, etc. --- Roman américain --- Naturalisme dans la littérature --- Réalisme dans la littérature --- 19th century --- James, Henry --- Twain, Mark --- Crane, Stephen --- Chopin, Kate O'Flaherty --- Sinclair, Upton Beall --- Du Bois, William Edward Burghardt --- English --- American Literature --- Languages & Literatures --- American fiction - 19th century - History and criticism --- American fiction - 19th century - Handbooks, manuals, etc --- AMERICAN FICTION --- NATURALISM IN LITERATURE --- REALISM IN LITERATURE --- JAMES (HENRY), 1843-1916 --- HOWELLS (WILLIAM DEAN) --- TWAIN (MARK) --- CRANE (STEPHEN) --- NORRIS (FRANK) --- CHOPIN (KATE), 1851-1904 --- 19th CENTURY --- PORTRAIT OF A LADY, THE --- RISE OF SILAS LAPHAM, THE --- ADVENTURES OF HUCKLEBERRY FINN --- RED BADGE OF COURAGE, THE --- McTEAGUE
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"I've struck it!" Mark Twain wrote in a 1904 letter to a friend. "And I will give it away-to you. You will never know how much enjoyment you have lost until you get to dictating your autobiography." Thus, after dozens of false starts and hundreds of pages, Twain embarked on his "Final (and Right) Plan" for telling the story of his life. His innovative notion-to "talk only about the thing which interests you for the moment"-meant that his thoughts could range freely. The strict instruction that many of these texts remain unpublished for 100 years meant that when they came out, he would be "dead, and unaware, and indifferent," and that he was therefore free to speak his "whole frank mind." The year 2010 marks the 100th anniversary of Twain's death. In celebration of this important milestone and in honor of the cherished tradition of publishing Mark Twain's works, UC Press is proud to offer for the first time Mark Twain's uncensored autobiography in its entirety and exactly as he left it. This major literary event brings to readers, admirers, and scholars the first of three volumes and presents Mark Twain's authentic and unsuppressed voice, brimming with humor, ideas, and opinions, and speaking clearly from the grave as he intended. Editors: Harriet E. Smith, Benjamin Griffin, Victor Fischer, Michael B. Frank, Sharon K. Goetz, Leslie Myrick
Authors, American --- Twain, Mark, --- Twain, Mark --- Tvėn, Mark --- Tuėĭn, Mark --- Tuwayn, Mārk --- Twayn, Mārk --- Tʻu-wen, Ma-kʻo --- Tven, M. --- Touen, Makū --- Twain, Marek --- Make Tuwen --- Tuwen, Make --- Make Teviin --- Твен, Марк --- Touain, Mark --- טבןַ, מרק, --- טוויין, מארק, --- טוויין, מרק, --- טווין, מארק, --- טווין, מרק, --- טווען, מארק, --- טוין, מרק, --- טװען, מארק, --- טװײן, מארק, --- 馬克吐温, --- Tuvāyn, Mārk --- Tvāyn, Mārk --- تواين، مارک --- Clemens, Samuel Langhorne --- Snodgrass, Quintus Curtius --- Conte, Louis de --- american historian. --- american history. --- american literature. --- atypical memoir. --- autobiography. --- daily dictations. --- english professor. --- great american writers. --- historical figures. --- humorist. --- literary history. --- mark twain project. --- memoir. --- notable american figures. --- pen name. --- pseudonym. --- southern history. --- third volume. --- 19th century. --- 20th century authors. --- adventures. --- american authors. --- american lit. --- american south. --- american. --- classics. --- coming of age. --- critic. --- engaging. --- famous authors. --- free thoughts. --- historical. --- life journey. --- life lessons. --- life story. --- literary criticism. --- literary icon. --- literary. --- lively. --- mark twain. --- nonfiction. --- opinionated. --- page turner. --- public figure. --- students and teachers. --- twain scholars. --- uncensored. --- america. --- curiosity. --- europe. --- huckleberry finn. --- humorous. --- lecturer. --- legendary writer. --- life changes. --- lit students. --- literary career. --- literary critics. --- literary figures. --- literature studies. --- mark twain papers. --- memoirs. --- novelist. --- private life. --- public image. --- samuel clemens. --- tom sawyer.
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Comedy cannot be understood as an abstract critical concept, argues Roger Henkle; it 'must be studied in specific cultural and historical contexts. From this point of view he examines the development of literary comedy in nineteenth-century England, and shows how comic modes and techniques were used to express and release the tensions of the middle class during periods of both rapid cultural change and relative stability.Originally published in 1980.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
English literature --- Thematology --- anno 1800-1899 --- Comic, The --- Middle class --- Literature and society --- Littérature anglaise --- Comique --- Classes moyennes --- Littérature et société --- History and criticism --- Histoire et critique --- Comic, The. --- History and criticism. --- Littérature anglaise --- Littérature et société --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Bourgeoisie --- Commons (Social order) --- Middle classes --- Ludicrous, The --- Ridiculous, The --- Social aspects --- Social conditions --- Sociolinguistics --- Social classes --- Comedy --- Wit and humor --- Aestheticism. --- Aldous Huxley. --- Ambivalence. --- Aphorism. --- Art for art's sake. --- Bab Ballads. --- Becky Sharp (character). --- British humour. --- Comic book. --- Comic novel. --- Criticism. --- Culture and Anarchy. --- De Profundis (letter). --- Disenchantment. --- Dramatic monologue. --- Epigram. --- Falsity. --- Farce. --- Fashionable novel. --- Fiction. --- George Gissing. --- George Meredith. --- Gradgrind. --- Green World. --- Hamlet's Father. --- Harold Pinter. --- Henri Bergson. --- High culture. --- Huckleberry Finn. --- Human behavior. --- Humiliation. --- Humour. --- Hypocrisy. --- Irony. --- Joke. --- Joseph Andrews. --- Kingsley Amis. --- Laurence Sterne. --- Lewis Carroll. --- Libido. --- Literature. --- Little Dorrit. --- Lord Alfred Douglas. --- Lord Byron. --- Madame Bovary. --- Mario Praz. --- Martin Chuzzlewit. --- Max Beerbohm. --- Melodrama. --- Mortal Fear (novel). --- Mr. Dick. --- Narrative. --- Newgate novel. --- Nonsense verse. --- Novel. --- Novelist. --- Oscar Wilde. --- Our Mutual Friend. --- Overreaction. --- Parody. --- Persona. --- Philistinism. --- Picaresque novel. --- Poetry. --- Prose. --- Pun. --- Quibble (plot device). --- Quilp. --- Ridicule. --- Robert Plumer Ward. --- Romanticism. --- Samuel Butler (novelist). --- Satire. --- Self-love. --- Sensibility. --- Sentimental novel. --- Sentimentality. --- Simile. --- Snob. --- Social criticism. --- Superiority (short story). --- The Decay of Lying. --- The Green Carnation. --- The Importance of Being Earnest. --- The Narrator. --- The Newgate Calendar. --- The Old Curiosity Shop. --- The Ordeal of Richard Feverel. --- The Other Hand. --- The Picture of Dorian Gray. --- The Way of All Flesh. --- Thomas Love Peacock. --- Uriah Heep. --- V. --- Victorian era. --- Victorian literature. --- Weedon Grossmith. --- Writer. --- Writing. --- À rebours.
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