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Literature, Modern --- Literature, Medieval --- Figures of speech. --- Allegory. --- History and criticism. --- Medieval influences.

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Arts, European --- Medievalism --- Medievalism in art --- Medievalism in literature --- Music --- Medieval influences

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A postcolonial study of the conceptualization of nineteenth- and twentieth-century Latin America as medieval and orientalIf Spain and Portugal were perceived as backward in the nineteenth century—still tainted, in the minds of European writers and thinkers, by more than a whiff of the medieval and Moorish—Ibero-America lagged even further behind. Originally colonized in the late fifteenth century, Chile, Argentina, and Brazil were characterized by European travelers and South American elites alike as both feudal and oriental, as if they retained an oriental-Moorish character due to the centuries-long presence of Islam in the Iberian Peninsula. So, Nadia R. Altschul observes, the Scottish metropolitan writer Maria Graham (1785-1842) depicted the Chile in which she found herself stranded after the death of her sea captain husband as a premodern, precapitalist, and orientalized place that could only benefit from the free trade imperialism of the British. Domingo F. Sarmiento (1811-1888), the most influential Latin American writer and statesman of his day, conceived of his own Euro-American creole class as medieval in such works as Civilization and Barbarism: The Life of Juan Facundo Quiroga (1845) and Recollections of a Provincial Past (1850), and wrote of the inherited Moorish character of Spanish America in his 1883 Conflict and Harmony of the Races in America. Moving forward into the first half of the twentieth century, Altschul explores the oriental character that Gilberto Freyre assigned to Portuguese colonization in his The Masters and the Slaves (1933), in which he postulated the "Mozarabic" essence of Brazil.In Politics of Temporalization, Altschul examines the case of South America to ask more broadly what is at stake—what is harmed, what is excused—when the present is temporalized, when elements of "the now" are characterized as belonging to, and consequently imposed upon, a constructed and othered "past."

Medievalism --- Orientalism --- East and West --- Civilization, Medieval --- Middle Ages --- History --- South America --- Civilization --- Medieval influences. --- Cultural Studies. --- Literature.

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Poetry --- Old French literature --- Troubadours in literature --- Literature, Modern --- Music --- Provencal poetry --- Provençal influences --- Medieval influences --- History and criticism --- Chansons de troubadours --- Poésie lyrique médiévale --- Poésie européenne --- Influence --- Influence occitane --- Sources --- Poésie lyrique médiévale --- Poésie européenne --- Influence. --- Influence occitane. --- Sources. --- Troubadours in literature - Congresses --- Literature, Modern - Provençal influences - Congresses --- Literature, Modern - Medieval influences - Congresses --- Music - Medieval influences - Congresses --- Provencal poetry - History and criticism - Congresses

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English literature --- Littérature anglaise --- Medieval influences. --- Influence médiévale --- Shakespeare, William, --- Criticism and interpretation. --- Knowledge --- Middle Ages. --- Littérature anglaise --- Influence médiévale