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Phenomenological Perspectives on Place, Lifeworlds and Lived Emplacement is a compilation of seventeen previously published articles and chapters by David Seamon, one of the foremost researchers in environmental, architectural, and place phenomenology. These entries discuss such topics as body-subject, the lived body, place ballets, environmental serendipity, homeworlds, and the pedagogy of place and placemaking. The volume's chapters are broken into three parts. Part I includes four entries that consider what phenomenology offers studies of place and placemaking. These chapters illustrate the theoretical and practical value of phenomenological concepts like lifeworld, natural attitude, and bodily actions in place. Part II incorporates five chapters that aim to understand place and lived emplacement phenomenologically. Topics covered include environmental situatedness, architectural phenomenology, environmental serendipity, and the value of phenomenology for a pedagogy of place and placemaking. Part III presents a number of explications of real-world places and place experience, drawing on examples from photography (André Kertész's Meudon), television (Alan Ball's Six Feet Under), film (John Sayles' Limbo and Sunshine State), and imaginative literature (Doris Lessing's The Four-Gated City and Louis Bromfield's The World We Live in).Seamon is a major figure in environment-behavior research, particularly as that work has applied value for design professionals. This volume will be of interest to geographers, environmental psychologists, architects, planners, policymakers, and other researchers and practitioners concerned with place, place experience, place meaning, and place making.

Phenomenology

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Phenomenology

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Phenomenology

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Phenomenology.

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La démarche de l’auteur est, premièrement, de décrire le phénomène réduit à sa donation puis, dans un second temps, de redéfinir le don, contre son interprétation économique, à partir de la pure donation, afin de déterminer les caractères du phénomène comme un strict donné ; enfin, de distinguer les degrés de donation du donné. Etant donné constitue ainsi le premier élément d’un triptyque formé par Réduction et donation (Puf, rééd. 2004), complété et commenté par De surcroît, études sur les phénomènes saturés.

Phenomenology.