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Music --- Sequences (Liturgy) --- Lays --- Musique --- Séquences (Liturgie) --- Lais --- History and criticism --- Manuscripts --- Histoire et critique --- Manuscrits --- Séquences (Liturgie)

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Focusing on the earliest and most extensive collection of tropes we now possess, those associated with the abbey of Saint Martial de Limoges in the tenth and early eleventh centuries, Professor Evans offers new conclusions about the nature and early development of the trope.Originally published in 1970.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Tropers --- 246.824 --- Prosulas (Music) --- Sequences (Liturgy) --- Sequences (Music) --- Moderne kerkmuziek --- Tropers. --- 246.824 Moderne kerkmuziek --- Tropes (Music). --- Tropes (Music) --- Gregorian chants

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Tropes (Music) --- Congresses --- 264-068.4 --- -Gregorian chants --- Prosulas (Music) --- Sequences (Liturgy) --- Sequences (Music) --- Sekwens. Tropen --- Congresses. --- -Sekwens. Tropen --- 264-068.4 Sekwens. Tropen --- -264-068.4 Sekwens. Tropen --- Gregorian chants

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How music and liturgy naturalized the notion of sacral kingship at the Sainte-Chapelle in 13th-century Paris.00The book revolves around some of the most important relics of Christendom - chief among them the Crown of Thorns - and the ways in which they became, effectively, personal objects of devotion, notwithstanding their ostensibly universal appeal. It was France that laid claim to the Passion and other relics in the middle of the thirteenth century in a campaign that involved the construction of a new magnificent chapel - the Sainte-Chapelle - designed specifically to display the relics, and the composition of new liturgies to celebrate and focus attention on them. As inert objects, relics could not accomplish much without being ?activated? one way or the other, whether in prose, poetry, paintings, statues, or in music. It is these modes of activation that endowed the substance of relics with identity and meaning that made them so powerful and effective. The liturgies studied in this book were some of the most critical mechanisms of activation; they enabled the power of the Sainte-Chapelle relics, articulated the nature of that power, and proclaimed it far and wide. Nowhere is this more evident than in the sequences memorializing these relics, which were chiefly cultivated and championed at the Sainte-Chapelle. This book examines these sequences, and the ways in which they give prominence to the underlying agenda of the French monarchy by promoting and naturalizing the notion of sacral kingship, rooted in biblical kingship

Reliques --- Liturgie et musique --- Droit divin des rois --- Église catholique --- Paris (France) --- Sainte-Chapelle du Palais. --- Church music --- Sequences (Liturgy) --- Monarchy --- Divine right of kings. --- History --- Catholic Church --- Sainte-Chapelle (Paris, France) --- Liturgy --- History. --- Paris --- Sainte-Chapelle --- Liturgie

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Cantus planus (Gregoriaans, enz.) --- Chant (Plain, Gregorian, etc.) --- Chant grégorien --- Chants (Plain, Gregorian, etc.) --- Chants grégoriens --- Franco-Roman chants --- Gregoriaans --- Gregoriaanse gezangen --- Gregorian chant --- Gregorian chants --- Old Roman chants --- Plain-chant (Grégorien, etc.) --- Plainchant --- Plainchants --- Plainsong --- Prose (Liturgy) --- Roman songs --- Sequences (Liturgy) --- Sequentiae (Liturgie) --- Séquences (Liturgie) --- Catholic Church --- Liturgy --- Texts --- Liturgie --- Middeleeuwse Latijnse letterkunde --- gregoriaanse gezangen --- Medieval Latin literature