Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

German literature --- Literature --- anno 1900-1999 --- Subjectivity in literature --- History and criticism --- -History and criticism --- Subjectivity in literature. --- History and criticism. --- German literature - 20th century - History and criticism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

'Subjectivity' explores the history of theories of selfhood, from the Classical Era to the present, and demonstrates how those theories can be applied in literary and cultural criticism. It examines all the major methodologies and theoretical emphases of the twentieth and twenty-first centuries, including psychoanalytic analysis, materialist theories, feminist analysis and queer theory. Each chapter includes applications of the theories discussed, with detailed readings of a wide variety of literary and cultural texts, including novels, poetry, drama, film, the visual arts and autobiography. Donald E Hall examines our current obsession with perfecting our selves and looks to the future of selfhood given new technologies and identity possibilities.

Literature, Modern --- Self-knowledge in literature. --- Subjectivity in literature. --- History and criticism. --- Self-knowledge in literature --- Subjectivity in literature --- History and criticism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The performing arts represent a significant part of the artistic production in our culture. Correspondingly the fields of drama, film, music, opera, dance and performance studies are expanding. However, these arts remain an underexplored territory for aesthetics and the philosophy of art. Expression in the Performing Arts tries to contribute to this area. The volume collects essays written by international scholars who address a variety of themes concerning the core philosophical topic of exp...

Performing arts --- Subjectivity in literature. --- Show business --- Arts --- Performance art --- Technique

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In American Poetic Materialism from Whitman to Stevens, Mark Noble examines writers who rethink the human in material terms. Do our experiences correlate to our material elements? Do visions of a common physical ground imply a common purpose? Noble proposes new readings of Walt Whitman, Ralph Waldo Emerson, William James, George Santayana and Wallace Stevens that explore a literary history wrestling with the consequences of its own materialism. At a moment when several new models of the relationship between human experience and its physical ground circulate among critical theorists and philosophers of science, this book turns to poets who have long asked what our shared materiality can tell us about our prospects for new models of our material selves.

American poetry --- Subjectivity in literature. --- Materialism in literature. --- Poetics. --- Modernism (Literature) --- Poetry --- History and criticism. --- Technique

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Es wird versucht, die handschriftlich dokumentierten Schaffensweisen von Autoren für das Verständnis dieser Autoren fruchtbar zu machen. Kernthese ist, daß im 18. Jahrhundert mit Klopstock, Hamann und Herder das Gewicht vom Werk auf den Autor im Schaffensprozeß verschoben und das Schreiben seitdem als autorzentrisches oder werkzentrisches zweideutig wurde. Im autorzentrischen Schreiben wurden Literatur und Sprache von äußeren Zwecken abgelöst und der inneren Erneuerung des Autors und des ihm ideell angeglichenen Lesers dienstbar gemacht. Die Editionsphilologie stand lange unter der Vorherrschaft werkzentrischen Denkens und hat sich erst spät in der textgenetischen Edition der Autorzentrik geöffnet.

German literature --- Subjectivity in literature. --- Goethe, Johann Wolfgang von, - 1749-1832 --- Klopstock, Friedrich Gottlieb, - 1724-1803