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As both an introductory guide for librarians just dipping their toes into the brackish water of scary fiction, as well as a fount of new ideas for horror-aware reference staff, Spratford's book is infernally appropriate.
Fiction in libraries --- Libraries --- Readers' advisory services --- Horror tales, American --- Horror tales, English --- Documentation --- Public institutions --- Librarians --- American horror tales --- American fiction --- Special collections --- Horror tales.
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Fairy tales --- Folklore --- Anthropology --- Social Sciences --- Fairytales --- Children's stories --- Tales
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Through an original analysis of its structure and dynamics, the fairy tale ceases to be one of the many genres of fantastic narrative and rises to become a category, a universal modality both of the storytelling and of a world vision. The objective is to render the fairy tale a sort of emblematic location, where the study of narrative texts integrates itself with the socio-historical contexts of the Irish tradition.
Fairy tales --- Folklore --- Fairytales --- Children's stories --- Tales --- History and criticism.
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Gothic literature --- Gothic literature. --- Tales. --- History and criticism.
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Cherokee Stories of the Turtle Island Liars' Club paints a vivid, fascinating portrait of a community deeply grounded in tradition and dynamically engaged in the present. A collection of forty interwoven stories, conversations, and teachings about Western Cherokee life, beliefs, and the art of storytelling, the book orchestrates a multilayered conversation between a group of honored Cherokee elders, storytellers, and knowledge-keepers and the communities their stories touch. Collaborating with Hastings Shade, Sammy Still, Sequoyah Guess, and Woody Hansen, Cherokee scholar Christopher B.
Oral tradition --- Tales --- Cherokee Indians --- Tradition, Oral --- Oral communication --- Folklore --- Oral history --- Folk tales --- Folktales --- Folk literature
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"Since the beginning of the nineteenth century folklorists, and the general public in their wake, have assumed the orality of fairy tales. Only lately have more and more specialists been arguing in favour of at least an interdependence between oral and printed distribution of stories. This book takes an extreme position in that debate: as far as Tales of magic is concerned, the initial transmission proceded exclusively through prints. From a historical perspective, this is the only viable approach; the opposite assumption of a vast unrecorded and thus inaccessible reservoir of oral stories, presents a horror vacui. Only in the course of the nineteenth century, when folklorists started collecting in the field and asked their informants for fairy tales, was this particular genre incorporated into a then feeble oral tradition. Even then story tellers regularly reverted to printed texts. Every recorded fairy tale can be shown to be dependent on previous publications, or to be a new composition, constructed on the basis of fragments of stories already in existence. Tales of magic, tales in print traces the textual history of a number of fairy tale clusters, linking the findings of literary historians on the sixteenth to eighteenth centuries to the material collected by nineteenth- and twentieth-century field workers. While it places fairy tales as a genre firmly in a European context, it also follows particular stories in their dispersion over the rest of the world."--Publisher's website.
Fairy tales --- Transmission of texts --- History and criticism. --- History. --- Grimm, Jacob, --- Grimm, Wilhelm, --- Fairy tales. --- Sagor --- Textgeschichte. --- Texttradering --- Transmission of texts. --- Historia. --- History --- Europa. --- Europe.
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Intriguing, updated portraits of classic fairy tale authors.
Fairy tales --- Children's literature, European --- Authors --- Fairytales --- Children's stories --- Tales --- European children's literature --- European literature --- Authorship. --- History and criticism. --- Biography --- Marriage
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Thoroughly expanded and updated, this widely acclaimed Companion provides a series of stimulating insights into Gothic writing, its history and genealogy. The New Companion offers comprehensive coverage of the criticism of Gothic writing, and of the various theoretical approaches that it has inspired.
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A strictly personal no holds barred overview of the horror field by one of its most respected--and fiercest--critics. This book was many years in the making. I've been reading horror fiction pretty constantly since I was at least 10 years old, and have been a scholar in the field since I was about 17 (focusing initially on H. P. Lovecraft). UNUTTERABLE HORROR was the product of five years of solid work, and the book comes to a total of 312,000 words. It covers the entire range of supernatural and non-supernatural horror fiction from the Gilgamesh (1700 B.C.) to such contemporary writers as Caitlín R. Kiernan and Laird Barron. Along the way I discuss the Gothic novel, Edgar Allan Poe, the Victorian ghost story, Ambrose Bierce, the five "titans" of the early 20th century (Arthur Machen, Lord Dunsany, Algernon Blackwood, M. R. James, H. P. Lovecraft), Walter de la Mare, American pulp writers from Robert Bloch to Ray Bradbury, the horror "boom" of the 1970s and 1980s (William Peter Blatty, Stephen King, Peter Straub, Clive Barker, Anne Rice), and many others. This book is intended not only as a history of the field but a guide to the best writing in the field over the past two or three centuries.
Horror tales --- Fantasy fiction --- Supernatural in literature. --- Horror in literature. --- History and criticism. --- History and criticism.
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Short stories, New Zealand. --- Horror tales. --- Mansfield, Katherine --- Mansfield, Katherine, --- Adaptations.