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Relations between the Russian nobility and the state underwent a dynamic transformation during the roughly one hundred-year period encompassing the reign of Catherine II (1762-1796) and ending with the Great Reforms initiated by Alexander II. This period also saw the gradual appearance, by the early decades of the nineteenth century, of a novelistic tradition that depicted the Russian society of its day. In Noble Subjects, Bella Grigoryan examines the rise of the Russian novel in relation to the political, legal, and social definitions that accrued to the nobility as an estate, urging readers to rethink the cultural and political origins of the genre. By examining works by Novikov, Karamzin, Pushkin, Bulgarin, Gogol, Goncharov, Aksakov, and Tolstoy alongside a selection of extra-literary sources (including mainstream periodicals, farming treatises, and domestic and conduct manuals), Grigoryan establishes links between the rise of the Russian novel and a broad-ranging interest in the figure of the male landowner in Russian public discourse. Noble Subjects traces the routes by which the rhetorical construction of the male landowner as an imperial subject and citizen produced a contested site of political, socio-cultural, and affective investment in the Russian cultural imagination. This interdisciplinary study reveals how the Russian novel developed, in part, as a carrier of a masculine domestic ideology. It will appeal to scholars and students of Russian history and literature.
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In this ambitious book, Kevin M. F. Platt focuses on a cruel paradox central to Russian history: that the price of progress has so often been the traumatic suffering of society at the hands of the state. The reigns of Ivan IV (the Terrible) and Peter the Great are the most vivid exemplars of this phenomenon in the pre-Soviet period. Both rulers have been alternately lionized for great achievements and despised for the extraordinary violence of their reigns. In many accounts, the balance of praise and condemnation remains unresolved; often the violence is simply repressed.Platt explores historical and cultural representations of the two rulers from the early nineteenth century to the present, as they shaped and served the changing dictates of Russian political life. Throughout, he shows how past representations exerted pressure on subsequent attempts to evaluate these liminal figures. In ever-changing and often counterposed treatments of the two, Russians have debated the relationship between greatness and terror in Russian political practice, while wrestling with the fact that the nation's collective selfhood has seemingly been forged only through shared, often self-inflicted trauma. Platt investigates the work of all the major historians, from Karamzin to the present, who wrote on Ivan and Peter. Yet he casts his net widely, and "historians" of the two tsars include poets, novelists, composers, and painters, giants of the opera stage, Party hacks, filmmakers, and Stalin himself. To this day the contradictory legacies of Ivan and Peter burden any attempt to come to terms with the nature of political power-past, present, future-in Russia.
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18.53 Russian literature. --- 15.70 history of Europe. --- Tsars. --- Ivan --- Kurbskij, Andrej, --- 1533-1584. --- 1500-1600. --- Russia --- Russie --- Russia. --- History --- Histoire
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International relations. Foreign policy --- Art --- patronage --- courts [social groups] --- diplomacy --- art collections --- hofcultuur --- tsars --- Tudor [Dynasty] --- Stuart [Dynasty] --- Romanov [House] --- Great Britain --- Russia
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World history --- History, Modern --- Kings and rulers --- Monarchy --- History --- Kings and rulers, Primitive --- Monarchs --- Royalty --- Rulers --- Sovereigns --- Heads of state --- Queens --- Modern history --- World history, Modern --- Czars (Kings and rulers) --- Tsars --- Tzars --- History. --- Kings and rulers - History --- Monarchy - History
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Alors que le théâtre d'Albert Camus reçoit de plus en plus de considération de la part des universitaires, cet ouvrage se consacre à la meilleure pièce camusienne, Caligula. Il en propose une analyse structurelle, pour en faire ressortir toute la métathéâtralité, et définit les rapports complexes que celle-ci entretient avec la folie et le politique : il cerne ainsi dans leur interaction les motifs qui sont au cœur de l'œuvre. De plus, il établit des liens aussi riches que variés avec des textes historiographiques et des œuvres-phares de la littérature occidentale, qui préfigurent le personnage si puissant qu'est Caligula. En somme, il situe la pièce sur le triple plan d'une tradition philosophique et littéraire qui remonte à l'Antiquité, du renouveau théâtral qui marque le milieu du XXe siècle, et de la production de Camus dans son ensemble. Il intéressera étudiants et professeurs qui se penchent sur la littérature française du XXe siècle, aussi bien que sur d'autres littératures, puisque par le biais camusien, il traite de la tragédie grecque, de Shakespeare, de Melville, de Pirandello... Il s'adresse plus spécialement à ceux qui étudient le théâtre, que ce soit dans une perspective historique, thématique ou esthétique.
Comparative literature --- Thematology --- Caligula [Roman Emperor] --- Camus, Albert --- Emperors --- Empereurs --- Biography --- Biographies --- Camus, Albert, --- Caligula, --- In literature. --- Criticism and interpretation --- French literature --- 20th century --- History and criticism --- Emperors. --- Czars (Emperors) --- Rulers --- Sovereigns --- Tsars --- Tzars --- Kings and rulers
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Emperors --- Empereurs --- Congresses. --- Portraits --- Congrès --- Rome --- History --- Politics and government --- Histoire --- Congrès. --- Politique et gouvernement --- Congrès --- Congrès. --- Rulers --- Sovereigns --- Heads of state --- Kings and rulers --- Monarchy --- Czars (Emperors) --- Tsars --- Tzars
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Sarcophagi, Byzantine --- Sarcophagi --- Emperors --- Sarcophages byzantins --- Sarcophages --- Empereurs --- Decoration --- Tombs --- Décoration --- Tombeaux --- Décoration --- Sarcophaguses --- Coffins --- Sepulchral monuments --- Byzantine sarcophagi --- Czars (Emperors) --- Rulers --- Sovereigns --- Tsars --- Tzars --- Kings and rulers
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The role of kings, the source of their authority and the nature of the practical restraints on their power have exercised political and religious philosophers, historians, competing candidates for rule and subject populations from the time of the earliest documented human societies. How the kingly image is created and presented and how the ruler performs his or her function as the source of justice are among the topics addressed in this volume, which also covers the role of queens in maintaining dynastic succession yet being the target of tales of adultery. This volume is of particular interest in bringing together studies of kingly power from Cyrus the Great and Alexander in the ancient world to Shah Abbas in the seventeenth century, and covering the European Middle Ages as well as Iran and the Muslim world.
Kings and rulers --- Kings and rulers, Ancient. --- Kings and rulers, Medieval. --- History --- Medieval kings and rulers --- Ancient kings and rulers --- Czars (Kings and rulers) --- Kings and rulers, Primitive --- Monarchs --- Royalty --- Rulers --- Sovereigns --- Tsars --- Tzars --- Heads of state --- Queens
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Emperors --- Empereurs --- Travel --- Voyages --- Rome --- History --- Histoire --- Civilization --- Civilization. --- Roman emperors - Travels. --- Czars (Emperors) --- Rulers --- Sovereigns --- Tsars --- Tzars --- Kings and rulers --- Travel. --- Biography --- Emperors - Travel - Rome --- Emperors - Rome - Biography --- Rome - Civilization